閩南文化

Taipei Tian Hou Temple (台北天后宮)

The oldest district in the modern metropolis of Taipei goes by many names - To some it is “Bangka” (Báng-kah khu) or “Monga” (艋舺) and to others it is “Wanhua” (萬華區). Whatever you prefer to call the district, it is one of the most important districts in the city and is steeped in history, culture and religion.

Once one of the most prosperous districts in the city due to its proximity to the Xindian River (新店溪), the district served as a centre of commerce for over three hundred years. The area was originally settled by the Pinpu Kaitakela tribe, then Hokkien (閩南人) immigrants from Fujian Province and most recently by Chinese refugees of the civil war.

The district has suffered from a period of decline over the past few decades, yet efforts are being made by the local government to spruce things up, reinvent its image and make Bangka a cool place to visit for people of all ages!

The district is well-known for its treasure trove of historic sites which notably include Longshan Temple and the recently refurbished Bopiliao Historic Street (剝皮寮老街).

On the other hand, Bangka is also home to the popular Ximending Shopping District (西門町), Taipei’s answer to the hip and modern Shibuya shopping district in Tokyo where all of the latest fashion, technology and cuisine meet to offer a great shopping experience for those who visit.

The history of Bangka would not be what it is though without the influence of its 'Big Three Temples' (艋舺三大廟門) which have served not only as important places of worship but also as the glue that helped to preserve the cultural heritage and traditions of one of Taiwan's largest groups of immigrants alive for the past few centuries.

I've blogged in the past about a few of Bangka's other famous temples which include Longshan Temple (艋舺龍山寺), Qingshan Temple (艋舺青山宮) and Qingshui Temple (艋舺清水巖) but today I will be focusing on Taipei's Tian Hou Temple (台北天后宮).

The Main Shrine Room

Taipei's Tian Hou Temple, which is also known by locals as the "Ximending Mazu Temple" (西門町媽祖廟) is one that is easy to miss as it sits in an obscure and almost hidden location in the bustling Ximending shopping district. Most tourists pass by the temple and don't actually even realize that it is there.

The entrance to the temple looks like the entrance to a normal building, with a few lanterns on the outside and a temple plaque which indicate that a temple is inside. To reach the temple you have to walk through a small tunnel-like corridor which opens up to an open courtyard with a beautiful temple that surprised even me on my first visit. You would never expect to find a place like this in the middle of Ximending and is part of why I'm so fond of it.

The words "Tian Hou" (天后) in the temple's name translate as "Heavenly Queen" and refer to the goddess Mazu (媽祖), the principle deity of the temple and one who is an extremely popular deity in Taiwan.

It is estimated that there are over 1000 different locations to worship Mazu in Taiwan with temples dedicated solely in her honour as well as having shrines set up in other temples as well giant statues in various spots throughout the country. Mazu worship is an important part of life in Taiwan and as time has passed, the goddess has become known as a patron saint of the country.

History

Looking towards the entrance to the temple. 

There are many temples dedicated to Mazu worship all over the country but the name "Tian Hou Temple" (天后宮) however is one that has become synonymous with worship of the sea goddess and has been an important part of Taiwanese culture since 1593.

The first 'Tian Hou Temple' was constructed on the offshore islands of Peng Hu (澎湖) and the next one in 1664 in Tainan. Since then, many other Tian Hou temples have been constructed all over the country with the Taipei branch being a young one at over 270 years old.

Originally constructed in 1746, the temple is technically one of the oldest in the city yet, like a lot of Taipei's other major places of worship, the structure you see today has had to be rebuilt on more than one occasion, has changed locations and strangely enough has become a story of two different temples from two different religions merging into one.

Temple's like Longshan Temple and Bao-An Temple have also experienced their fair share of misfortune over the past few centuries, but I have to say that the history of Taipei's Tian Hou Temple is probably one of the most interesting (and confusing) of the temples I've researched so far!

I'll lay out the reasons why I think the history of this temple is particularly interesting in a timeline to hopefully give a less confusing idea of what happened:

The Tiger General Army

 1746 (乾隆11年) - Hsin-Hsing Temple (新興宮)

Taipei's "Mazu Temple" was originally constructed with the name "Hsin-Hsing Temple" (新興宮) after funds were collected from immigrant merchants hailing from Quanzhou (泉州) in Fujian Province. These immigrants were some of the same people who funded the construction of Longshan Temple, Qingshan Temple and Qingshui Temple and helped to build a spiritual network for the Hokkien people who settled in the area.

1813 (嘉慶十八年) - Hsin-Hsing Temple (新興宮)

Hsin-Hsing temple was completely destroyed in a fire and reconstructed over a period of 12 years.

1899 (明治32年) - Hong-Fa Temple (弘法寺)

In 1899, a Zen Buddhist temple in the Shingon Tradition (真言宗) was built in Ximending as a mission to help with the spread Buddhism in Taiwan. The mission was to become part of what would eventually a concerted effort by the colonial government to convert the locals into Japanese citizens.

1910 (明治43年) - Hong-Fa Temple (弘法寺)

The mission was renamed "Hong-Fa Temple" (弘法寺) in honour of the prolific Japanese Buddhist monk Kōbō-Daishi (弘法大師) who helped spread Buddhism in Japan. Interestingly, Kōbō-Daishi is still worshipped at Tian Hou Temple today, a nod to the temple's history.

1943 (昭和十八年) - Hsin-Hsing Temple (新興宮)

In order to protect Japan and its interests in Taiwan and in the Pacific, the Japanese constructed several air strips throughout the country and began to further build up its military presence. In order to construct an airstrip close to the Governors Residence (Now Taiwan's Presidential Palace) the Japanese demolished Hsin-Hsing Temple. The statues inside would be moved to nearby Longshan Temple for safekeeping.

The reds in this temple are beautiful. 

1948 (民國37年) - Hong Fa Temple becomes the Taipei Mazu temple.

After Japan's cessation of Taiwan, the Republic of China government in Nanjing haphazardly decided that the Japanese designed Hong Fa temple would be reclaimed and the former Hsin-Hsing temple would move in and take control of the grounds.

This decision met with controversy with the local population due to the fact that Hong-Fa Temple was designed by the Japanese and did not follow the rules of Feng-Shui which made it unsuitable.

1953 (民國42年) - Taiwan Tian Hou Temple (臺灣省天后宮)

A fire completely destroys the temple which ends up offering the locals a chance to redesign the temple and its grounds according to Feng Shui and traditional design.

1959 (民國48年) - Taiwan Tian Hou Temple (臺灣省天后宮)

On the 1000 year anniversary of Mazu's birth, the temple reconstruction is completed and opens to the public just in time for celebrations.

1967 (民國56年) - Taipei Tian Hou Temple (台北天后宮)

Taipei City officially becomes a municipality and the temple is renamed "Taipei Tian Hou Temple" by the city government.

Mazu Worship

The Heavenly Goddess herself. 

Mazu, the goddess of the sea is a popular folk religion deity who is worshipped by the people's of Taiwan, Southern China, Malaysia and Singapore.

As a deity, she is thought to travel the seas protecting her believers which for Taiwan (as an island nation) was important with its early sea-based economy. Mazu worship has been a popular aspect of life in the country for hundreds of years with over a thousand temples or shrines dedicated to her.

As the patron deity of Taiwan, Mazu worship is said to be the 'glue' which binds together the people of various ethnicities as well as being the foundation for Taiwan's evolving culture and national identity.

I'm not sure how much of this is true, but there is no doubt that Mazu is an important figure in Taiwan and the respect that is given to her often trumps that of all of the other important deities worshipped throughout the country. Statistics show that before 1980 there were only 509 temples or shrines in Taiwan dedicated in her honour compared to the over one thousand today.

Mazu worship has been a popular aspect of Taiwanese history for hundreds of years, but that worship shows no history of slowing down and is now more popular than it has ever been.

Mazu, who in life was named Lin Moniang (林默娘) is thought to have been born on (my birthday) March 23rd in the year 960 in China's Fujian Province. Despite living a short life, legends are told of how she performed several miracles saving seafaring people from ultimate doom with her skills before ultimately ascending to the heavens as a deity.

In all of the legends that tell of Mazu's life, she was unmarried and a virgin by choice. She is described as a pious young woman who worshipped the Goddess Guanyin (觀音) and was a person filled with kindness and compassion for all living beings.

She is said to have been an extremely proficient swimmer who had supernatural gifts and was born into a family that made its living by the sea.

Mazu is believed to have died at the young age of 27 yet stories of her death differ. Some people believe that she died while attempting to rescue her family who were out at sea during a typhoon while others believe she climbed a mountain and ascended into heaven on her own.

If you are interested in learning more about Mazu worship and the legends surrounding her life and death check out this very well-detailed Wikipedia article about her: Mazu (Goddess) 

Kobo Daichi (弘法大師)

Kobo-Daishi

When the Chinese Nationalists retreated to Taiwan in 1949 at the end of the Chinese Civil War, they attempted to erase the influence of Japanese culture, religion and language and impose Mandarin upon the people. This campaign led to the destruction of many Buddhist and Shinto temples all around the country but due to a lack of housing, some buildings were spared in the purge.

Its interesting to note however that Taipei's Tian Hou Temple gives not only a nod to Taiwan's history, but its own history by allowing space for a statue dedicated to Kōbō-Daishi.

Kōbō-Daishi, who is also known as Kukai (空海) was a prolific figure in Japanese history who served not only as a Buddhist monk but a civil servant, scholar, poet and artist.

Kukai, who received an education in Chinese classics was not only well-versed in Buddhism but also Confucianism and Taoism. He travelled to China and spent a period of time living and studying in temple there where he studied various forms of Buddhism as well as learning Sanskrit and translating texts to bring back with him to Japan.

He is remembered today for his founding of the Shingon (真言宗) or “True Word" school of Zen Buddhism as well as his contributions to improving Japanese society through the creation of the "kana" syllable system which is still used today as well as the founding of Japan's first public schools.

Kōbō-Daishi has become a legendary figure in Japan and while his legacy may be debatable, he is still arguably the most important Buddhist monk in Japan's history and his contributions to Japanese society cannot be overlooked.

The shrine dedicated to him in Taipei's Tian Hou Temple is not only a nod to his importance, but also to the history of the temple which in its present location was once the headquarters for Shingon Buddhism in Taiwan.

English language guide books may not spend much time talking about this temple, but if you visit you are sure to meet Japanese tourists who visit the temple to show their appreciation for the shared history and culture between the two nations.

Shrines

While the temple is dedicated primarily to the goddess Mazu, like most temples in Taiwan, there are of course several shrines in the building which are dedicated to a mixture of folk-religion, Taoist and Buddhist figures of importance.

Main Hall (正殿)

Main Shrine Room:

Right Shrine (左龕):Guanyin (觀音佛祖), Child Birth Goddess (註生娘娘)

 Main Shrine: Mazu (天上聖母), All-Seeing General (千里眼), All-Hearing General (順風耳)

Left Shrine (右龕): Lord Guan (關聖帝君), The God of Literature (文昌帝君)

Outer Hall Shrines:

Right Shrine (左側殿): Kōbō-Daishi (弘法大師), Ksitigarbha (地藏王菩薩)

Left Shrine (右側殿):Earth God (福德正神), The Tiger Generals (虎爺)

Second Floor Shrine:

Jade Emperor Hall (玉皇殿):The Jade Emperor (玉皇大帝), Emperors of the Three Offices (三官大帝), Lord of the Sun (太陽星君), Lord of the Moon (太陰星君)

In conclusion, have to ask the question: When is a 270 year old temple not a 270 year old temple?

There are some people who would argue that the building is not actually as important as the idols, traditions or the organization that makes it what it is. For me, I look at the timeline and have a hard time telling people that this temple is as old as people claim it to be.

I will admit though that even after researching and studying temple culture in Taiwan for the past few years, I sometimes feel like I don't really understand a lot of what is going on.

There are times when I think I really don't know anything - This is one of those times!

I read a lot of the literature provided by temples as well as reading books and checking online sources but I've found that the claims made by some of these places seem to be much more grand than they really are.

Taipei's Tian Hou Temple is a perfect example of such grand claims. Admittedly, there is a complicated 270 year history of Mazu worship in Bangka, but it is a stretch to say that this specific temple is as old as they claim it to be.

What I will say about this Tian Hou Gong is that there is still an extremely interesting history and that is where I think the focus should be.

This temple has a history that spans the modern history and development of this country from the Qing Dynasty to Japanese Colonial Era to the current era. Each era brought with it changes that the temple could not escape yet it still stands there today in the middle of Ximending.

Let's not waste time worrying about ostentatious claims and think more about the relationship the temple has shared with the development of Taipei which saw a nearly empty patch of land turn into a modern metropolis thanks to the efforts of the immigrants who came here to start a new life.


Qingshui Temple (艋舺清水巖)

The oldest district in the modern metropolis of Taipei goes by many names - To some it is “Bangka” (Báng-kah khu) or “Monga” (艋舺) and to others it is “Wanhua” (萬華區). Whatever you prefer to call the district, it is one of the most important districts in the city and is steeped in history, culture and religion.

Once one of the most prosperous areas in the city due to its proximity to the Xindian River (新店溪), the district served as a centre of commerce for over three hundred years. The area was originally settled by the Pinpu Kaitakela tribe, then Hokkien (閩南人) immigrants from Fujian Province and most recently by Chinese refugees of the civil war.

Bangka is known internationally for its historic sites which include Longshan Temple and the recently refurbished Bopiliao Historic Street (剝皮寮老街). Recent renovations have made the Huaxi Night Market (華西街夜市) a popular place again despite its reputation for once being one of the strangest and seediest places to visit in the city.

Despite a period of economic decline over the last few decades, Bangka is a place on the rise and big things are happening to make the district a much more attractive place for the young people of Taipei to live and work. The election of black-metal-rocker-turned-politician Freddy Lim (林昶佐) as the districts representative sent a clear message that the people of Bangka want change and that the future of the district will rely heavily on the ideas of young people.   

Bangka is most well-known today for the history that it displays on all the streets and alleyways of the district. Some of the best places to experience the history of the area however is in its well-preserved temples. The district is known in Taiwan for its 'Big Three Temples' (艋舺三大廟門), each of which have become popular tourist attractions and have been extremely busy places of worship for hundreds of years as well as being designated as cultural and historic relics by the local and central governments. 

Note: The temples are actually not all that 'big' but they are considered 'big' in Mandarin due to their historical importance, so I think 'great' might actually be a better translation here.  

I've blogged in the past about a few of Bangka's other famous temples which include Longshan Temple (艋舺龍山寺) and Qingshan Temple (艋舺青山宮) but today I will be focusing on another one of the area's most famous residents, the Bangka Qingshui Zushi Temple.

The Bangka Qingshui Temple (艋舺清水巖祖師廟), which was built in 1787 is not only considered one of the 'big three temples' of Bangka, but is also included in the list of the 'Big Three Temples' of Taipei (台北三大廟門) meaning that it is one of the most important temples in the entire city. Because of its age and its importance with relation to early immigrant culture, the temple is protected as one of Taipei's cultural relics (直轄市定古蹟) and has achieved the status as a level three historic site. 

The Bangka Qingshui temple is one of three temples in the greater Taipei region that is dedicated to Master Qingshui (清水祖師) with the other two in New Taipei City's Sanxia (三峽) and Tamsui (淡水) district.

 Link: Sanxia Qingshui Zushi Temple

Qingshui worship is a cultural tradition that was brought to Taiwan from China's Fujian Province and more specifically from Anxi County (安溪縣) in Quanzhou (泉州) where a lot of Taiwan's earliest Hokkien immigrants hailed from. The Hokkien people were some of the earliest immigrants to come to Taiwan with different groups setting up homes and businesses throughout the island. 

Several groups of immigrants settled in the area of Taipei which is now known as Wanhua (萬華) and it quickly became a major port of trade fuelling the development of the city and bringing riches to the immigrants who came to Taiwan for a new start. 

Unfortunately, control of the port in Bangka became a contentious issue among the Hokkien residents of the area and in 1853 a violent feud known as the "Ding-Xia feud" (頂下郊拼) erupted between four different groups of immigrants who wanted to control the economy of what was at the time the most prosperous town in northern Taiwan.

Coincidentally, the original Qingshui temple sat in the way of shipping routes and was burnt down as a means to irritate the people from Anxi. The destruction of the temple served as a motivator for the people from Anxi who rose up and swiftly ended the feud. 

In the end, the group of immigrants from Tong-An county (同安縣) lost the feud and were forced to relocate out of Bangka.

In retrospect though, losing the feud was ultimately in their best interest as the port area in Bangka eventually became unusable (silt issues) while their new home in Dadaocheng (大稻埕) had an excellent port.  

Dadaocheng shortly thereafter took control of shipping in the Taipei basin and became the most economically successful area of the city.

When the hostilities finally ended the community in Bangka got together and collected funds to rebuild the temple to its original state. Reconstruction started in 1867 and took eight years to complete with the reopening taking place in 1875.

It wouldn't be the last time that the temple would have to be renovated, but the main structure that you see today is what was completed over a century and a half ago. Despite the fact that it had to be rebuilt a few decades after its original completion, the temple is said to be the best remaining example of Qing-era temple architecture in Taipei.

Design

The temple design is quite basic and consists of a front hall, a main hall and two corridors on the side. The left corridor leads to a small Buddhist shrine and the rear of the temple while the right corridor leads to some offices used by the temple staff as well as public bathrooms.

The front hall is an open area where there is a small reception desk on each side with an open sky courtyard and an incense urn while the main hall is where people will visit to pray to Master Qingshui. I'm entirely unsure as to whether the main hall is actually "open" to the public or not. There is a gate that prevents people from entering the back part of the main hall area yet I have seen people coming and going on each of my visits. More on that later.

There are two separate shrines set up for Master Qingshui - The first is one that is in front of the gate and consists of three statues of Master Qingshui. Far behind those three statues is a much larger statue of Master Qingshui that you can view from the distance. There are also separate shrines to the sides dedicated to the Goddess Mazu (媽祖), Lord Guan (關帝君), the God of Literature (文昌君) the Earth God (福德正神) and others to the sides.

The temple is said to have seven statues of Master Qingshui, all of which were brought from China as well as being famous for the treasure trove of stone wall carvings found throughout the temple. While a lot of the original structure was destroyed by fire, the stone murals remain the same and seeing the beautiful craftsmanship of immigrant artisans from well over two centuries ago is a really cool experience.

The murals date back to the late 18th and early 19th centuries and have inscriptions referring to the Qing dynasty and Emperor Qianlong (乾隆帝) who was the ruler at that time.

Apart from the stone murals on the walls, its also important to take notice of the two dragon pillars at the entrance of the temple which were carved at the same time as the murals. Today they have a protective covering in front of them in order to preserve them, but they are excellent examples of the ability of the artisans of the time.

During the Japanese colonial era the temple was used as a school and played an important role bringing modern education to the people of Taiwan. The school eventually outgrew the temple and in 1925 became what is today known as the Cheng-Gong High School (臺北市立成功高级中學). Today the temple celebrates the fact that it was once a school and is a leader in promoting education in Taiwan. 

Qingshui Worship (清水祖師)

Master Qingshui (清水祖師) was a Buddhist monk who lived over 1500 years ago. Official records record that he was born in the year 1047 and died in 1101 at the age of 54. He was born with the name Chen Zhaoying (陳昭應) in Anxi County (安溪縣), Quanzhou (泉州) during the Northern Song Period (宋朝).

In life the monk was credited with being so highly skilled in Chan Buddhist (禪) doctrine that he eventually gained supernatural skills and was able to use those skills to end a terrible drought that plagued the people of Anxi by simply walking from village to village bringing with him rain.

Thanks to these 'supernatural' skills and the fact that he was credited with saving the people from certain starvation, temples were built in his honour which elevated his status as a simple Buddhist monk to that of a folk-hero, a patron saint for the people of Anxi county and a deified person within Chinese Folk Religion.

Some may find it strange that while Qingshui was an accomplished Buddhist master that today he is more widely revered as a Chinese folk religion deity - This intermixing however is not uncommon with Chinese history and religion. If someone was thought to have performed any sort of miracle, they could later become deified for that action.

While there are many figures throughout Chinese history who have become deified like this and are universally recognized, Master Qingshui is a regional figure and is most important to the Hokkien people who originally came from the coastal Fujian province of China.

Today, worship of Master Qingshui is most common here in Taiwan thanks to the immigrants who brought with them their culture and traditions and were able to cultivate them and practice them over the past few centuries without fear of reprisal.  

Master Qingshui was a simple Buddhist monk in life, but in death became a folk-hero and defied within local folk-religion. The hero status achieved by Qingshui and the legends of his exploits allowed for him to become a protector deity for the people from his home of Anxi County. As a protector deity his temple helped to bring together the Hokkien immigrants who came to Taiwan and gave them a sense of community. 

When you see images of Master Qingshui you may wonder why he appears with a 'black face' and even sometimes missing a nose. Over the centuries Qingshui has earned the nicknames "black faced ancestor" (烏面祖師公) as well as the hard to translate "dropping nose ancestor" (落鼻祖師公) which are the result of a few interesting myths surrounding his exploits. 

Black Faced Ancestor (烏面祖師公)

Master Qingshui earned his nickname as the "Black Faced Ancestor" thanks to the legends which were told of his life after he had passed away. The "black face" comes from a story that people told of an experience Master Qingshui had while meditating alone on a mountain. While meditating the mountain came under attack from ten demons who thought it would be fun to burn him alive while he sat there.

For seven days and seven nights the master sat there calmly while engulfed in flames, yet due to his strong faith and meditation skills, only his face was burnt and the rest of his body was unharmed. Four of the demons were so impressed with his skills that they decided to become followers of the master and serve as guardians at temples in his honour.

As far as legends go, this one isn't really that far fetched and is similar to a lot of myths of the 'trials and tribulations' of other prophets or religious leaders or prophets.

The lasting effects of his legend however is that whenever you see an image of Master Qingshui today, his face is black.

Dropping Nose Ancestor (落鼻祖師公)

Legend has it that whenever a natural disaster is about to occur, a statue of Master Qingshui will suddenly lose its nose in an attempt to warn people of the impeding calamity. It has thus become quite common to see statues in Qingshui temples around Taiwan with nose-less faces. For foreigners it probably seems really random that a god would suddenly lose his nose in an attempt to warn people of disaster but that is probably what makes legends so interesting.

Besides, I seem to remember my parents telling me when I was young that if I lied, my nose would grow longer.

Its important to remember that in life Master Qingshui was renowned for his efforts to save people from drought and disaster, so it probably shouldn't be a surprise that even now he is still trying to save people.

This temple is old, full of history and is considered one of the most important places of worship in the city, but no matter how many great things I tell you about it, I'm not going to lie and tell you that this is a great place to visit, nor is it a popular 'tourist attraction' like Longshan, Bao-An or the City God temple are. The people who work/volunteer in the temple are not very friendly and from my visits over the years I've found are actually not very welcoming to tourists.

For example, on one of my trips to the temple I had set out to get a shot of a stone carving on one of the walls which happened to be a cultural relic from the Qing dynasty. The problem was that it was behind a barrier and a chair was blocking it.

I asked the lady working at the temple if I could go past the barrier (its not actually a barrier, its just a small gate that temple worshippers commonly walk through). She promptly replied "no", so I asked if she could at least move the chair so I could get a shot of the relic.

She replied "I'm busy" and went back to watching television. The next time I visited I tried again as there was a different person by the gate. I asked him if I could get in to get a shot and he promptly replied "No foreigners“ and went back to smoking his cigarette.

I'm not really sour that I wasn't allowed past the gate, but I hear the "No Foreigners" thing, it rubs me the wrong way and makes me feel unwelcome. I speak fluent Mandarin, I'm not sure how a tourist would feel under the same circumstances. Besides, people are free to come and go as they please through the gate and I was polite enough to ask permission but was still rudely refused.

I suppose you might think this is some sort of white privilege thing, but when it comes to temples, I know what I'm doing and have never had this type of experience before. 

This temple is a historical relic and deserves appreciation, but as of now its not the kind of place that I'd recommend tourists to visit. There are so many other beautiful temples in the city to visit where tourists are welcome and encouraged to visit.

You can learn so much about Taiwan and its culture by visiting temples, so its up to you whether or not you want to visit this one. If you do visit, be polite and enjoy it. I hope your experience will be different than the ones I had while visiting and I hope that at some point the temple staff realizes that the way they treat tourists probably reflects on the fact that the temple is not as busy as it should be.


Qingshan King Festival (青山王祭)

The Qingshan King Ritual (青山靈安尊王) is an annual three-day temple festival held in the Monga district (艋舺/萬華) of Taipei and is used to celebrate the birth of the Taoist god Lin-An Chun Wang (靈安尊王) or the Qingshan King (青山王). 

The Qingshan King is an important deity hailing from the Quanzhou (泉州) area of Fujian province in China, an area where many of the first immigrants who settled in the Taipei area originated hundreds of years ago.

Legend has it that shortly after their arrival in Taipei, a plague broke out and a lot of the new immigrants to the island suffered from a terrible sickness.

Qingshan Temple (青山宮) was one of the few places unaffected and soon became a popular place for the pious residents of the area to visit and pray for their continued health and safety.

The popularity of the temple and the god swelled after the effects of the plague subsided and the Qingshan King became an even more important patron saint for the Hokkien immigrants.

As a patron saint, the god would perform inspections of the area on occasion and thus the Qingshan King Festival evolved out of this practice and is celebrated annually during the birthday of the king. 

The festival is held between October 20th-22nd (on the Lunar Calendar) and during the festival the temple followers parade the temple god around the district with his troops, oracles and generals to inspect the homes and businesses to eliminate evil spirits and suffering and to bring good luck to the locals.

It is one of the largest and liveliest temple festivals in Taipei and the entire Bangka district looks forward to this special time of the year where residents will often celebrate into the late hours of the night.

For more information about the festival and the temple, check out my blog posts about them from last year. 

Qing Shan Temple | Qingshan King Festival: Part 1 / Part 2

The King on his palanquin performing the annual inspection of Bangka. 

In an attempt to attract more young people to the festival, the temple enlisted the help of their local rockstar turned politician Freddy Lim (林昶佐) to arrange a music festival the day before the festival was to kick off.

Lim, the former front man for the Taiwanese death metal band Chthonic who currently represents Bangka as a legislator took the opportunity to come out of his semi-rock-star retirement to perform with another local band which kicked off the festival in style.

The festival will be on for the next two days, but here are some photos from the second day. Enjoy.   

The Parade (暗訪)

The Military Officers (八家將)