Temples

Yimin Temple (褒忠義民廟)

If you've been following my blog for a while now, you'll know that I'm a big fan of Taiwan's temples - I love the history, the art and the culture that goes into making them some of the most interesting places to visit in Taiwan. Of all the temples that I've introduced however, none of them have been as difficult to write about than Hsinpu's Yimin temple.

I have lived in an area of Taiwan for the last decade and that ispredominately populated by Hakka people and most of my friends, coworkers and food I eat are all Hakka. I have a great respect for the culture and feel like if I'm going to write about this temple that I'm going to have to do it justice.

This temple is most responsible for the preservation of Hakka culture in Taiwan and no matter how many hardships the Hakka's have experienced throughout their history - this temple has played an instrumental role in reminding them that it is okay to stand up proudly and tell the world "I am a Hakka".

The Baozhong Yimin Temple (褒忠義民廟) in the tiny village of Hsinpu (新埔鎮) has thus become a Mecca-like place of worship and celebration for the Hakka people of Taiwan where their culture, history, and cuisine have been carefully preserved over the last few centuries of Taiwan's development despite discrimination and persecution from other ethnic groups. 

The Hakka (客家人) are an ethnic group which originated somewhere near the Yellow River (黃河) in what is now China's northern Shanxi (山西), Henan (河南) and Hubei (湖北) provinces. The early history of the group is shrouded in mystery and historical records aren't really clear as to their origin given that the earliest recorded history referring to the group was during the Song Dynasty (宋朝) between 960 and 1279.

They are part of the 55 different ethnic groups that makes up the Han people (漢族) and are genetically similar to the northern Chinese with the only distinguishable different being their language, culture and cuisine.

The Hakka are pejoratively known within China as the "Jews of Asia" due to the fact that throughout their recorded history they were forced to migrate en-masse on five different occasions mirroring that of the experience of the Jewish people in the Middle East and Europe. The problem with this comparison however is that the Jewish people often migrated due to the sheer hatred and racism directed towards them whereas the Hakka people migrated in order to escape the turbulence of China's warring states period and the political and social upheavals that occurred when there was a regime change in the Middle Kingdom. 

Each migration found the Hakka people moving further and further south ultimately settling in areas such as Guangdong (廣東), Jiangxi (江西), and Fujian (福建) provinces and once again becoming some of the earliest Han people to migrate to Taiwan (as well as other parts of South East Asia) where they would find a permanent home. Today they are considered the most diasporic among all of the Chinese ethnic groups with a total population of around 80 million living in countries all over the world.

The Hakka people started immigrating to Taiwan in the 16th century and even though life on the island was tremendously difficult in the early years, they persisted due to their wealth of experience and their ability to adapt to new environments. Today the Hakka population in Taiwan is around five million which is about twenty percent of the entire population of the country. They live all over the country but have concentrated populations in Taoyuan, Hsinchu and Miaoli as well as in the south of Taiwan in Kaohsiung and Pingtung counties.

Today the Taiwanese government has set up a division known as the Hakka Affairs Council (客家委員會) to assist in preserving and promoting Hakka culture in Taiwan as well as around the world. Hakka culture and traditions however have been passed down generationally and the group has become well-known in Taiwan for the importance they place on hard work, family and relationships. The Hakka people might have been guests (客人) in the places they migrated to in China hundreds of years ago, but today they treat guests like family making them one of the friendliest and most hospitable groups in Taiwan.

The Baozhong Yimin Temple was the original centre for the preservation and consolidation of Hakka culture in Taiwan and the role it has played over the last 200 years has been integral in keeping Hakka language and traditions alive.

Yimin Temple isn't a typical Taiwanese temple and while the exterior may look similar, there are quite a few differences that separate it from the rest. What makes it stand apart is actually quite simple - Most temples in Taiwan are dedicated to a specific deity (or even several) whereas the purpose of this one isn't for the worship a higher power but instead the proud history of the Hakka people.

To understand all of this, we have to go back to the reason why the temple was built in the first place - "Yimin" (義民) which translates into English as "righteous people" refers to a group of Hakka men who banded together to form a militia in order to protect their homes from invasion. Today they are memorialized as righteous, brave and loyal defenders of their homeland showing what is considered some of the best aspects of Hakka culture. The story is not unlike a feel-good Hollywood movie where a group of underdogs band together against all odds to achieve something incredibly unlikely.

In 1786, a Hoklo (閩南人) uprising against the Qing dynasty formed in Changhua (彰化) which later became known as the "Lin Shuang-Wen Insurrection" (林爽文件事). The Qing dynasty at the time had little resources in Taiwan (due to disinterest in the island) and was unable to quell the insurrection on its own which meant that they required assistance from groups loyal to the empire.

The Hakka people who had developed a prosperous economy in the Taoyuan, Hsinchu, and Miaoli areas of western Taiwan got together to discuss the insurrection and decided to form a volunteer militia in order to protect their lands from an army which conspired to oust the Qing and conquer lands to the north which threatened to once again send the Hakka packing.

This time, rather than migrating of their own free will, the Hakka amassed a force of 1,300 men and marched its way into Hsinchu to battle the rebels. When the dust settled and the battle was over the Hakka militia had lost around 200 soldiers yet were victorious in battle.

When it came time to return home, the militia piled up the bodies of the deceased and placed them on ox-carts to be taken back home so that their families could honour them properly. Upon reaching Hsinpu, it was decided that the bodies would be buried in a common tomb in the Fangliao area (枋寮) of the village.

Local people pooled together money and built a large tomb for the fallen heroes who were later awarded with a hand-written plaque of appreciation from the emperor which read "Baozhong" (褒忠) or "in praise of loyalty" which was regarded as a great honour for the people in the area and was the reason why the temple was given the name: "Baozhong Yimin Temple" (褒忠義民廟).

The Hakka people share a common history with many other ethnic-Chinese groups and ancestral worship has traditionally been an important part of their culture and religious beliefs. When the initial planning started for the temple it was decided that a building would be constructed in front of where the tomb was built and inside the temple would be a spirit tablet (神位) which would be dedicated to the deceased members of the Hakka community who died during the insurrection.

This would become the foundation for "Yimin" worship in Taiwan and is a tradition that has spread throughout Taiwan over the past two centuries having expanded to over thirty temples throughout the country known as either Baozhong Pavilion (褒忠亭) or Yimin Temple (義民廟).

Yimin Spirit Tablet (義民神位)

A spirit tablet is a plaque is meant to take the place of someone of importance or even a god. It is common to find spirit tablets within temples dedicated to Confucius (Taipei, Taoyuan Hsinchu) as well as in some Taoist temples. The purpose of a tablet like this is to designate the seat of a deity or an ancestor. Tablets like this are common throughout East Asia in places where ancestral worship is common. The tablet placed within Yimin temple reads "敕封褒忠粵東義民位" which basically refers to the fact that the Hakka warriors represented within the tablet were venerated by royal decree.  

The spirit tablet which became known as "Yimin Ye" (義民爺) isn't supposed to be a 'deity' in the traditional Taoist or folk religion sense but over time it started to serve a lot of the same function making Yimin worship a bit confusing in the context of traditional religion in Taiwan.

The original purpose of the Yimin spirit tablet was to allow the Hakka people to have a place to honour their ancestors as well as to keep the Hakka spirit alive. Local belief has it though that a few (so-called) miraculous events surrounding the tablets took place which led to people starting to pay their respect to the spirit tablet in the temple as well as using it to receive spiritual guidance and some much needed good luck. The superstitions that ultimately evolved from early Yimin worship helped to foster the importance of the Yimin Cultural Festival (義民文化節) which has become the largest event of the year on the Hakka calendar.

The Yimin festival had modest beginnings and started as a way for the Hakka community to come together once a year to celebrate the harvest and give thanks to the ancestors who helped save their land. There are many activities held around the temple and in other Hakka communities around Taiwan with a feast being one of the most important events. The festival has continued to this day and has unfortunately become most known for the 'Pigs of God' tradition which has become somewhat notorious in recent years. I explained the Pigs of God aspect of the festival in an earlier blog, so I won't go into much detail about that here. The important thing to remember is that the Pigs of God is actually just a small part of a very important festival which celebrates Hakka culture, history, cuisine and their way of life.

Design

Unfortunately the original temple succumbed to a fate much like that of Taipei's Longshan Temple and Confucius temple and only lasted until 1895 when it was either burnt down or bombed by the Japanese during the first Sino-Japanese War (第一日中戰爭).

The temple was rebuilt shortly after and completed in 1904 and is the structure that we see standing in Hsinpu today. It is a very simple temple that doesn't have all the glitter of a typical Taiwanese temple but at the same time is one of the most important temples in Taiwan. It was constructed in a way that it has an exterior that is quite similar in design to the Hakka-style homes of that era (of which there are quite a few well-preserved specimens in nearby Jhubei) and while it is much larger than any home of that era would have been, its interior is very much like other temples that you'd see around Taiwan only a bit simpler.

To give a little more detail the temple is constructed in a specific style consisting of two main halls, two corridors and two side halls. (二殿二廊二橫屋). The hall at the entrance has help desks on the sides with a large courtyard and a large incense pot in the middle where there are often large groups of people paying their respects. The rear hall is elevated and by a few steps and is where the shrines are located. In the main shrine there is the Yimin spirit tablet with two shrines on the sides dedicated to the Three Mountain Kings (三山國王), Guanyin (觀音菩薩) and another dedicated to Lord Shennong (神農大帝) who acts as a patron to farmers.

The corridors to the side of the main halls lead to separate rooms filled with beautiful art and the cool-looking lamps that you see in almost every temple (光明燈) which are used as a way of collecting donations from patrons of the temple who get to have their name on a lamp for good luck and spiritual wellbeing.

Behind the temple is a small mountain where a beautiful park has been constructed. The walk up the hill during the winter months is especially nice because you get to see beautiful cherry blossoms. The important thing to notice behind the temple though is the tomb that is set up for the Hakka warriors who protected their lands and are the reason why the temple exists in the first place.

To the left of the temple there is a man-made lake with a bridge and a lot of cool things to see and the forest area behind it. Truthfully though the lake area seems a bit kitschy to me so I rarely spend a lot of time around there checking it out.

If you visit the temple during the week it can be surprisingly quiet and peaceful while on the other hand if you visit on the weekend it is usually quite busy with people doing their thing. The last time I visited when I went specifically to ask a few questions about the history of the Pigs of God festival I thought it was really cool to see a group of old men sitting at a table while a younger guy was sitting down recording the way they spoke which seemed like an attempt on his part to not only learn the Hakka language but also record the way that the older generation of people speak the language. If you visit the temple during Lunar New Year or during the Yimin Festival you're going to have a very different experience as the temple will be so busy and there will be so many things going on that it seems a little like sensory overload.

For me, I love visiting this temple, especially during the busy times because it is not your typical religious place of worship. There is so much more going on there than that and that's what makes it special - its a temple dedicated to the preservation of culture and as someone who is interested in the cultural anthropology of Taiwan, it is a great place to visit to not only learn about Taiwan's history but also experience it at the same time. If you find yourself in the Jhubei area or in Hsinchu, make sure to visit this temple.


Gyeongbokgung Palace (景福宮)

I took a week-long trip to South Korea earlier this summer, but unlike most of the trips I take this one wasn't going supposed to be an action-packed fully planned-out occasion where I would see as much as possible while trying to learn as much as I could about the place I was visiting.

I've been to Korea before and truthfully I'm a big fan of the country (especially its food) but I've resisted revisiting again in recent years as the country has become a hot spot in Asia for people wanting to experience the culture and fashion which has been popularized by the tremendously successful Korean music and entertainment industry.

This time my trip was a whole lot more simple - I'd carry a lot less around in my camera bag and I'd spend most of my free time searching out some of the best restaurants in Seoul while hanging out with some people from home that I haven't seen in almost twenty years!

I was in town to attend the wedding of a very special friend of mine from when I was growing up and having met her fiancé when they visited Taiwan a few months earlier, I was really happy to be able to attend the wedding of two very cool people! 

My friend Marie is a very vocal supporter of Korea and has combined her love of the country with her entrepreneurial skills to help promote Korean designers and products outside of Korea by founding the subscription box service Korea Curated which ships boxes of cool Korean products created by young Korean designers and entrepreneurs to people all over the world each and every month.

Marie's husband Cory is an expat Youtuber who promotes Korean culture, food and travel through his popular Youtube channel and together they've combined to form a formidable team that does excellent work promoting Korea to audiences both in and outside of the country.

As you might imagine the two of them and I get along quite well because we are very vocal lovers of our adopted country's and while they promote Korea through their videography and entrepreneurial skills, I try to do with same for Taiwan with my photography.

While I didn't have a lot of time to do a whole lot of 'touristy' stuff during my short visit to the country, I did what almost every other tourist who visits Korea does and ate a lot of amazing BBQ and drank a lot of soju - Way too much soju actually - and visited one of Seoul's most prized attractions.  

Gyeongbokgung Palace (경복궁/景福宮) also known as the Northern Palace was the primary home of the Joseon Dynasty (대조선국/大朝鮮國) which ruled Korea for five centuries between 1392 and 1897. The palace originally built by King Taejo (태조/太祖) in 1395 was the seat of the central government in Seoul where the rulers of the Joseon dynasty would sit on the Phoenix Throne (어좌/王座).

I had visited the palace on my previous trip to Korea, but I wanted to visit again because like the phoenix which symbolized the Joseon dynasty, the palace itself has risen up from the ashes of destruction several times in its history and what I saw this summer was much different than what I was able to see during my last visit as the palace is in a constant state of reconstruction that is set to be completed within the next fifteen years.

The palace's first bout of bad luck was a fire which severely damaged the grounds in 1553. It was then destroyed by the Japanese invasion of 1592 during the Imjin War (임진조국전쟁/萬曆朝鮮之役) and was left in ruin for 250 years with the monarchy and government formally moving to nearby Changdeokgung Palace (창덕궁/昌德宮), another one of the dynasty's Five Grand Palace's, which just like Gyeongbokgung has also had an unfortunate history.

Work started in 1865 to repair the palace to its original condition by Heungseon Daewongun (이하응/李昰應), regent and father of King Gojong (고종/高宗) who assumed the throne and moved back into the palace in 1868. The renovation almost bankrupted the government and contributed to the decline of the economy and of the dynasty itself. By the time Gojong assumed the throne, the monarchy was viewed as a corrupt vassal state of the Qing Dynasty (清朝) in China and had to resist a push for modernization from within as well as constant threats of Japanese invasion.

The dynasty was renamed to the "Korean Empire" (대한제국/大韓帝國) in 1867 in an attempt to appease domestic concerns but did not last very long as Japan annexed the Korean Peninsula and forced Emperor Gojong to abdicate the throne, put an end to the Korean monarchy as well as putting the governance of Korea under the control of the Japanese for the next 35 years.

After the annexation of Korea, Gyeongbokgung Palace was viewed by the Japanese as symbolic of Korean culture and heritage so in an attempt to subdue Korean nationalism and dissent, the palace was almost completely destroyed with the majority of the buildings within the complex torn down leaving only a few dozen structures left standing.

The structures which escaped destruction notably include Geunjeongjeon, the Imperial Throne Hall (근정전/勤政殿), the beautiful Geunjeongjeon (경회루/慶會樓) and a few other buildings which today which are listed as National Treasures (국보/國寶) by the Korean government.

Notably missing however is a building called the Hall of Worthies (집현전/集賢殿) which was where the Korean writing system Hangul (한글/韓文) was created under direction from the king. The hall is thought to have been somewhere within the palace grounds but it seems that archaeological research has yet to turn up evidence of where it was located despite popular belief that it was likely somewhere near the Sajeongjeon Hall (사정전/思政殿) which was used as the main executive building of the king.

During its heyday the 419,000 square meter palace consisted of 500 buildings with over 7,700 rooms, a staff of 3000 people and housed the offices of the central government which conducted all of its business from within the walls of the compound. 

Today the palace has traded in the monarchy, scholars, concubines, government officials and military for hoards of tourists who visit the spectacularly rebuilt compound which includes museums, gardens and some of the best examples of traditional Korean architecture in the country.

The Gyeongbokgung Palace that we see today is the result of a lot of hard work undertaken by the South Korean government to restore the compound to its former glory. The government benchmarked the project to be completed within 40 years and has partially funded the rebuild with the price of admission for tourists who have been visiting since it was reopened to the public.

In 2009 (two years after my first visit to the palace) it was estimated that 40% of the palace had been reconstructed and it would take yet another twenty years to fully restore the palace.

Still, despite only being half completed, the palace is one of Seoul's largest attractions for both foreign and domestic tourists and the changing of the guard ceremony which happens once every hour is one of the highlights of the visit to the palace.

When you visit you are also likely to see tourists, especially those from China walking around in traditional Korean clothing which is great for a photo op if you are visiting and aren't really concerned with seeing much of the compound.

If you're like me however you'll probably ignore all of that and try to see and learn as much as you can. Unfortunately after dedicating around 5 hours to the palace, I probably only got to see about a fifth of the 50% that has been completed meaning that I unfortunately missed quite a bit.

If I ever find myself back in Seoul again, I will no doubt end up back at the palace to see the progress that has been made but also some of the beautiful places that I've missed. The reason I'm so willing to visit this palace again and again is actually quite simple - I'm a big fan of cultural anthropology and the care that has been taken to rebuild this palace and all of the buildings within almost brick for brick is extremely commendable and is a testament to the strength of the Korean people and the dedication to the preservation of their culture and their history.

There is so much more detail that can be said about this palace which has been said many times before by people who know much more than I - If you want to learn more about the palace and the history of the Joseon Dynasty please check out some of the links below for reference: 

Official SiteThe Seoul Guide | Life in Korea | Koreana |  Synapticism | Wikipedia 

If you ever find yourself in Seoul, make sure to visit this palace, which has a subway station that drops you off right outside!

Also, if you are interested in learning a little more about Korea, make sure to follow my friends Cory & Marie on Youtube as they continue to explore and promote the country that they love. 


Hsinchu City God Inspection (新竹城隍廟遶境)

While you’ll find places of worship dedicated to so-called the “City God” all over Taiwan, the Hsinchu City God Temple (新竹都城隍廟) is regarded more or less as the king of them all.

Like Hsinchu itself, the temple has a long history and over the years it has assumed the role of ‘spiritual headquarters’ for the other ninety-five temples dedicated to the deity throughout the country.

The City God, also known as Cheng Huang Ye (城隍爺) is an interesting figure in Chinese Folk Religion and is an important god in the hierarchy of deities within the religion - especially here in Taiwan.

Literally the “Lord of Walls and Moats”, the City God performs the role of a spiritual magistrate and acts as a medium between the real-world and the ‘otherworldly’ bureaucracy.

This is something that will become much more obvious as you read on.

While it would be easy to liken the City God’s role to a modern-day mayor of a city, his role is a much more traditional one that is similar to what a bureaucrat in ancient China would have performed.

Not only is he responsible for order and stability within his realm, it’s also important for him to ensure that justice be swiftly carried out while also offering protection and material benefits to his constituents.

Link: City God (Wiki) | Cheng Huang (Britannica)

To carry out his duties, the City God comes complete with a court, divine officials, judges, generals soldiers to help ensure that his will is done.

If you have a keen eye and know a bit about this stuff, you’ll notice that quite a few of these figures are common in Taiwan’s temples and aren’t always exclusive to the City God.

Most notably, General Fan and General Hsieh (范謝將軍), General Han and General Lu (韓盧將軍), Ox-Head and Horse-Face Generals (牛馬將軍), the Eight Infernal Generals (八家將) and the Lock and Cangue Generals (枷鎖將軍), among others.

Link: Chenghuang—City God, Judge, and Underworld Official (Digital Taiwan)

While it may seem cliche to say this, the importance of the City God and his court is Confucian in nature and his worship is representative of ancient Chinese philosophical notions of political ideology and urban development.

To explain, worship of the City God is thought to have started sometime during the Ming Dynasty (1368-1644) in the early 14th Century. At that time, cities in China and other countries in the region were commonly walled-communities with large guarded gates. Coincidentally, the original urban design of Hsinchu itself was no different and you can still find one of the gates, Yingximen (竹塹城迎曦門), otherwise known as the East Gate, near the City God Temple.

The City God in his Palanquin

The purpose of the gates was obviously for practical security purposes, but also demarcated the physical perimeter of towns and cities in addition to the spiritual area, which the City God (as well as his human counterparts) were expected to reign over.

Each of the ninety-five City God temples in Taiwan “presides” over an administrative region of the country, which could be anything from a small village, town, city, county or off-shore island.

Interestingly, a few centuries ago, these temples would have been (somewhat) off-limits to the general public with only local government officials allowed to visit. Today though, things are quite different and people all over Taiwan visit regularly to pray and make offerings to the City God and those in his court.

They also come to pay respects to his wife, who is well known for her exceptional match-making skills! 

To that effect, when you enter a City God temple, the design is supposed to mimic that of what you’d find in a traditional Chinese-style palace with the City God sitting on a throne and each of the members of the court having their own office (shrine) to perform their duties.

When interpreting City God worship, its important to take into consideration that traditional and contemporary folk religion in Taiwan tend to differ slightly. For many of the reasons listed above, the City God has performed a divine role as a unifying figure for a specific geographic location, kind of like a sports team does for a lot of people.

His worship has also helped to enforce the notion of bureaucratic hierarchy and devotion to ones community and country. More importantly though, of the long list of deities from Taoism and Chinese Folk Religion, he has always considered to be the most loyal and just of them all and is meant to serve as a role model for any who take up public office.

All of this tends to be reinforced by the company that he keeps as many of the more well-known members of his court are known for their adherence to personal sacrifice, loyalty, justice and honour.

A much-needed Supau break!

The modern approach to the City God in Taiwan though is one that takes into account many of the attributes listed above but goes even further into making the City God somewhat of a divine superhero who is capable of performing miracles and assisting local people with whatever problems life might throw at them.

Essentially the City God has become a multi-purpose deity who not only provides peace and protection to his constituents, but is also the go-to deity for any problems that you might have. This is important because if you haven’t noticed already, Taiwanese pride themselves on convenience - so if you have a deity that is able to help solve any issue you may have, it’ll end up saving you some time.

So if for example you were a farmer with health problems whose crops were being stolen, instead of visiting the Land God (福德正神), the Baosheng Emperor (保生大帝) and the Lord of Grains (神農), you could just visit the City God.

Makes sense right?

It goes without saying that worship of Mazu (媽祖) and the Earth God are probably much more prevalent in contemporary life in Taiwan, but the City God is still one of the most important deities here and thus the festivals in his honour are some of the largest temple festivals on the yearly calendar and this one in Hsinchu is the largest!

Now that we have all of that out of the way. Let’s talk about the festival!

The schedule of interesting cultural and religious events during Taiwan’s annual month-long Ghost Month Festival is a long one, but one of the highlights is always the three-day long Hsinchu City God Inspection.

During these three days, the city comes alive with events that pretty much shut down the downtown of the city while gods parade through through the streets with a constant barrage of fireworks and fire-crackers.

The event starts on July 13th (of the Lunar Calendar) and lasts until the final night on July 15th when the City God leaves his temples and goes on an inspection tour of the city.

  • July 13th - Night Patrol (查夜暗訪,祈福平安)

  • July 15th - City God Inspection (城隍威巡,遶境賑孤)

A quick note:

This may confuse some people, but July 15th on the Lunar Calendar just so happens to be an important day within the schedule of events during Ghost Month (中元節) as it marks the middle of the month-long celebrations. On this day, all around Taiwan people place offerings outside their homes and businesses as a show of compassion for the ‘hungry ghosts’ (餓鬼), who are regarded as people who have died without a family to worship them.

While the ‘Pudu’ (中元普渡) celebrations take place all over Taiwan, as well as in Hsinchu, the City God Inspection is an event that can be considered to be “part” of the celebrations, but is something that is exclusive only to Hsinchu, which is a tradition in the city that goes back a few centuries.

The Spirit Medium / Oracle (乩童)

For those of you who like myself have a difficult time keeping track of events on the Lunar Calendar, you should start preparing for this event sometime near the end of August or the beginning of September.

If you do have a hard time, I recommend bookmarking this website, which should help you keep track of what is happening at the different times of the year in Taiwan.

Link: Taiwan Religious Culture Map (台灣宗教文化地圖)

This event is similar to a lot of other temple festivals in Taiwan but more so comparable to what happens during the Qingshan King Inspection tour (青山靈安尊王) of Wanhua district in Taipei.

Although there are quite a few differences, the atmosphere is just as electric and the parade that ensues throughout the city is one of those Taiwanese cultural events that should definitely be seen at least once!

On the first day of the festival, several ceremonies take place before the son of the City God leaves the temple in his palanquin with torch-carrying believers following through the route that will be taken two days later.

The reason why it’s important that the son checks out the route beforehand is that it is especially important during Ghost Month that the route is ‘safe’ for the City God to leave his throne-room.

To ensure that no angry ghosts are lurking around the route, the City God’s son is accompanied by members of the court as well as torch-carrying believers who parade through the streets on a “night patrol” (查夜暗訪) making lots of noise to announce their arrival and scare away anyone or anything that could cause a problem.

On July 15th, the day of the inspection, temples from throughout the country form a traditional parade and come to Hsinchu to pay respect to the City God. This parade is something that starts early in the afternoon and goes on well into the night.

If you’re reading this and wondering why City God statues from temples around the country come to pay respect to the Hsinchu City God, you’re probably not alone.

They are after-all all statues of the same god aren’t they?

To explain it simply, there is a hierarchy of importance when it comes to these statues - The Hsinchu City God is (unofficially) considered to be the emperor of them all and the statues from minor temples are thought to derive their spiritual power from it, which is why they have to visit and pay their respect.

As I mentioned above, when a major deity like the City God comes out of their temple for an inspection, there will always be an entourage traveling with them. In this case, there is the "night patrol" on the first night of the event that scares away any evil or ghosts which may be hiding in the area. Then when the god starts its inspection, another large parade is formed to help ensure security.

The entourage is probably my favourite part of these inspection tours as they usually include the Eight Generals (八家將), the First Officers (官將首) and the Infernal Generals (大仙尪仔) in addition to others dressed up in robes beating gongs, lighting fire crackers and generally causing about as much noise pollution as possible.

Link: Eight Generals (Wiki) | The Eight Generals and the Neimen Songjiang Battle Ritual (TaiwanEverything)

The night of the inspection is considered to be the liveliest time of the year in Hsinchu City and attracts thousands of spectators and believers from all over the country.

Hsinchu has changed a lot since the early days of this festival and as it has developed into one of Taiwan’s most modern cities, the annual City God Inspection has likewise followed suit.

These days you’ll find a masterful medley of modernity and tradition on display at the event which helps make the event accessible to everyone with the usage of large screens, live feeds and the internet.

To that effect, this year a large covered stage was set up in the public square next to the City God Temple where the god accepted visitors from various temples around the country. This allowed for a smooth flow of pedestrian traffic and saved quite a bit of time. It was also helpful for those who wanted to take part in the event as the space was large enough for people to line the streets.

Likewise, there was a live stream of the event on large screens set up throughout the city as well as on the internet.

One of the most interesting modern additions was the usage of an electric fire-cracker box that simulates the sound of firecrackers, but doesn’t pollute the air in the same way actual firecrackers do - something that I hope catches on with temples all over the country.

That being said, the downtown core of Hsinchu is notorious for its terrible traffic and even though traffic control measures were put into place in the area where the inspection was taking place, it was still kind of a mess with traffic backed up for quite a long time while various portions of the parade were visiting other local temples.

If you’ve read this far, I think I should probably mention that this is a much-needed update to the original City God Inspection post that I made several years ago. This time around I’ve added more in-depth information about the festival as well as some new photos.

When I first attended the City God Inspection several years ago, I did so with my good friend and fellow blogger Alexander Synaptic (website / instagram) who did some visual story-telling through his social media accounts while I took photos. This time around, when I arrived in Hsinchu, Alexander had already been there for a few days touring Hsinchu and documenting the early stages of the festival. It was great to once again walk around and enjoy ourselves during this important cultural event.

Before we met up though, I spent a few hours on the coast of Hsinchu taking photos of the Xiangshan Wetlands and the Xiangshan Train Station for some upcoming articles.

When I arrived in the city, I quickly made my way to the parade route and started taking photos of some of the early processions around town. When I came across a group of Eight Generals (八家將) from Tainan’s Xianwei Hall (府城玄威堂), who came up to Hsinchu for the day to perform and pay their respects to the City God, I spent quite a bit of time following them and taking portraits.

As time goes by, I hope to be able to continue attending this festival and likewise posting future updates to this blog. If you have any questions, feel free to get in touch and I’ll try to help out. Likewise, some of the information about is open to interpretation. If you think I could have explained something better, don’t hesitate to let me know!