Minnan

Sanxia Old Street (三峽老街)

Sanxia Old Street (三峽老街) otherwise known as San Jiao Yong Old Street (三角涌老街) is located in the Sanxia district of New Taipei City and is a popular old street for the residents of northern Taiwan. The street is about 260 meters long, but don't tell that to the people going on the weekends who will ultimately have to endure a massive traffic jam to get there!

The Sanxia area is steeped in history and there are several other notable attractions in the area that make the old street a worthwhile day trip out of the city. The street has a similar history to that of the Daxi Old Street (大溪老街) in Taoyuan and was once an economic powerhouse due to its location next to the Dabao River.

Sanxia had a long history of trade and exporting goods (mostly wood) from the mountains nearby to other parts of the island and to China which brought with it quite a lot of prosperity. When methods of transportation improved and transport by way of boat became less useful the town started to decline, merchants moved away and the economy suffered. 

The buildings we see today are a reflection of the former prestige of the town - Much like Daxi, Hukou and other old streets throughout the country, the facades of the buildings on the street were built in the baroque (巴洛克式風格) style. Sanxia stands out from the rest however due to the fact that the facades of the buildings were built uniformly in red brick and that both sides of the street have an arched sidewalk. The street was renovated by the local government in 2007 in an attempt to attract more tourists but that doesn't take away from the fact that the buildings on the street are said to be an excellent example of the architecture of the Japanese colonial era.

I’m not particularly a huge fan of crowds so I usually visit the street during weekdays - If you visit on weekdays like I do you won't get the full “old street” experience and not all of the stores will be open, but what you will get is the opportunity to take some great photos of this historic relic dating back to 1685. 

I've been to Sanxia Old Street dozens of times and I've found that I now enjoy walking along the road and checking out the wood carvings on the houses as well as the small alleys you might not notice if it were full of people.

Weekend traffic

Weekday traffic

On days when the street isn't that busy, the locals seem to be much more willing to have a chat and explain the history than they would if there were thousands of people walking along the road. On my last visit for example I was walking around alone shooting some stuff and I ran into an old man wearing a fedora who struck up a conversation with me. He told me I should pay close attention to a few things along the road and showed me an ancient “door bell” that was beside the door on his house. The door bell was a carved horse and was actually a bell that you would have pulled a string to ring which I never would have noticed on my own or even if I did think it was historically significant. 

These days the street is full of vendors selling traditional handicrafts, antiques, tea and kitschy things that tourists would buy. There are also tea houses, restaurants, shaved ice dessert places and the streets most popular product: A type of hard and sugary croissant called a “bulls horn” (牛角) that I can't say I'm particularly fond of. Whenever I visit the street I find that I don't spend any money and for me, I think that is a problem. The government invested a lot of money into the rejuvenation of the old street, so I think that it should be more than something that people just walk through once in a while. 

Sanxia's famous bulls horns. 

When Taiwanese people visit an old street, they expect to enjoy the history while following their stomachs to the place that has the best food. If you asked me about any of the old streets in Taiwan I would be able to tell you a few specific places to go and eat or have a drink. The problem with Sanxia is that the street itself doesn't really have that staple “famous” place to go and eat (save for the various vendors selling bulls horns) which is kind of a problem because it doesn't really offer anything particularly special like the others do.

The good thing however is that there are a lot of attractions in the area and the other parts of the town have some great places to eat. The Qingshui Zushi temple (清水祖師廟) is next to the old street and any visit to the street should also include a visit to one of Taiwan’s most beautiful temples designed by one of Taiwan's most famous artists.

If you enjoyed the art in the temple you may want to visit the Li Mei-Shu Memorial Gallery (李梅樹紀念館.) You may want to bike along the river path or enjoy the sunset on the banks of the river next to the temple. When you're hungry you may want to go to Batiao Sushi (八條壽司) a popular Japanese restaurant that serves up some pretty authentic dishes, fresh seafood and sushi.

The town is also close enough to Yingge (鶯歌) with its pottery street (鶯歌老街) and museum (鶯歌陶瓷博物館) and a trek up into the mountains following along the Dabao river (大豹溪) to places like Wuliaojian (五寮尖) one of my favourite hikes, the Great Roots Forestry Spa resort (大板根森林溫泉渡假村), the Cloud Forest Waterfall (雲森瀑布) and Manyueyuan forest park (滿月圓森林公園) are all highly recommended for filling up a day trip.

If you are planning a trip to Sanxia old street, I recommend taking public transportation or a scooter. If you travel by car it's likely that you will be struck in traffic for quite a while. You can takes buses from Taipei or Xindian and a train from Taipei to Yingge and then a bus or taxi to the street itself. If you have a scooter, the street isn't a long drive from the city and gives you more access to spots away from the old street.

The street is an excellent excursion out of the city and is great for experiencing a bit of the history of greater Taipei. If you're in the country for a short time, a visit to this old street is recommended more so than visiting any of the overcrowded museums. For me the best kind of museum is an interactive one and the Sanxia old street is about as interactive of an experience as you're going to get.


Ming Hwa Yuan (明華園戲劇團)

In my last post about the Taiwanese Opera I explained the cultural importance of the opera and how its origin in Taiwan was directly related to the history and development of the people living in this tiny country over the past few centuries. The opera has had to work hard to evolve and adapt to modern audiences and has also been quite lucky to have survived through the various precarious political situations the land has had to endure.

Part of what makes the Taiwanese opera so special is that it transcended the boundaries defined by the various styles of opera in China evolving into a new form of folk art that rejected a rigid system of rules for a more simplistic approach to performance art and storytelling. All of this adaptation and evolution has formed into a unique art form that clings to the roots of Taiwanese culture and identity and is the reason I argued in my previous post that the opera (while having origins in China) is actually quite different and is inherently “Taiwanese.”

Taking into consideration the history of the opera and its struggles with modernity, the opera could have ultimately become a distant memory without the efforts over the last century of the Ming Hwa Yuan Opera troupe (明華園戲劇團) which has worked tirelessly to promote the opera not only in Taiwan, but around the world.

As a Canadian, it is easy for me to compare what Ming Hwa Yuan has accomplished to our very own Cirque Du Soleil. When you think of performing arts in Canada, especially in Quebec with our vibrant French culture, Cirque is probably one of the first things that comes to mind. Likewise Ming Hwa Yuan’s accomplishments and worldwide performances have done pretty much the same thing for preservation and putting Taiwanese opera and culture on the world map on a smaller scale. 

The opera troupe was established during the Japanese colonial period in 1929 by Mr. Chen Ming-Chi (陳明吉) in what is now known as Pingtung county (屏東縣.) The Japanese initially allowed the local cultures inhabiting the island to continue some of their practices. When war broke out however, the Governor instituted a policy named “Kominka” (皇民化運動) or the “Japanization” of the locals which meant that it was mandatory to adopt Japanese language, culture and customs in all aspects of life as well as facing entry into the Imperial army. Despite these policies, Ming Hwa Yuan was one of the few troupes permitted to continue public performances and since being established hasn't ever stopped. 

Acrobatics

The Japanese were forced to relinquish control of the island when they were defeated at the end of WW2 allowing for another (foreign-led) regime to claim sovereignty over the island. In 1945, a few years before their ultimate defeat, the KMT-led Republic of China set up shop on the island bringing with them around two million refugees who needed some form of entertainment. This allowed for a short-lived opera renaissance with over five hundred registered troupes throughout Taiwan.

I say short-lived because as I mentioned in the previous post, modern technology and imported movies from the US and Japan soon became much more popular than the traditional opera. The KMT government in exile also started to institute its own version of “Kominka” which required all the people living in Taiwan to learn and speak Mandarin. Most of the opera troupes eventually disbanded due to their inability to attract large audiences, earn a living and put up with the police state that Taiwanese people had to endure during the martial law era. 

This is where Ming Hwa Yuan differentiated itself from the rest and is the reason why this opera troupe has been so successful in carrying the banner of Taiwanese opera around the world. Ming Hwa Yuan has endured due to its ability to evolve – especially when it comes to adapting new elements of theatre, modern technology and keeping track of the social trends in the nation. The troupe is one of the few in Taiwan that makes use of elaborate stages, costumes and props as well as professional lighting and large screens that offer subtitles.

Ming Hwa Yuan performances are quite a bit different than what you would normally see on the roadside or at temple performances. The actors who perform with the troupe are the best in the country and are well recognized figures in society. If you have a chance to see them live, you will be treated to a show that runs several acts and is usually almost two hours long.

I've had the luck to attend two Ming Hwa Yuan performances during my time in Taiwan. The first performance was just after I arrived and I had almost no idea what was going on, but the visual spectacle was enough to say that I enjoyed it a lot more than the Peking opera performance I saw in China.

The second time to see them was completely different. I spent some time getting the shots I needed for a contract I was working on, but then I got a seat and sat down to enjoy the show and get a few shots for myself as well. This time I had the aid of improved listening skills in the Taiwanese language and subtitles to reinforce the parts I didn't get. The story was allegorical and an interesting take on family structure and the filial nature of Taiwanese society. The conclusion was quite moving and cheers erupted from the crowd when they got their happy ending.

Curtains on another successful performance!

Keep your eye out for Ming Hwa Yuan performances – They play in outside theatres and large concert halls alike. There are also several different groups within the company, so it is really easy to find them. There are a lot of things to see and do in Taiwan but I think experiencing one of these performances should be at the top of anyone's bucket list and is an experience that will teach you more about the land, the culture and its history than a trip to the top of Taipei 101 will do!  

Ming Hwa Yuan Website: English / 中文版


Gallery / Flickr (High Res Shots)