閩南人

Hoi An's Phuc Kien Assembly Hall (會安福建會館)

While planning my trip to Hoi An, the destinations that had me the most excited were the Overseas Chinese Assembly Halls situated throughout the historic quarter of the city. The hall that I anticipated visiting the most though was the amazingly beautiful Fujian Assembly Hall.

As one of the most popular tourist destinations in Hoi An, the average traveller would probably also enjoy this one as its one of the most historic of the bunch, its also the largest and most beautiful.

When it comes to this kind of thing though, I’m not the average tourist. 

Of course I respect that long history and its size but the main attraction for me was the relative familiarity that I could enjoy while visiting. Here in Taiwan, where I live, the Hokkien people make up a large part of the population and their culture, architecture and folk-religion have helped to shape Taiwan into the beautiful country that it is today. 

So, a visit to the Fujian Assembly Hall in Hoi An would give me the perfect opportunity to compare and contrast the experience of the immigrant Hokkien population in Vietnam to that of what I’m familiar with in Taiwan. What I looked forward to most though weren’t the similarities but the subtle differences and how the Hokkien immigrants adapted to their new home in Vietnam.

And hey, lets not forget the added bonus that not only is the Fujian Assembly Hall an important meeting place for the Hokkien people of Hoi An - It also serves as the “Mazu Temple” (會安天后宮) of Hoi An, making it a popular stop for all of the people around East Asia that worship the Goddess of the Sea. 

If you’d like to learn more about “Assembly Halls” before reading about this one, I recommend reading my earlier post about the Chinese Assembly Halls of Hoi An where I describe them in more detail.

Link: Chinese Assembly Halls of Hoi An (會安華人會館)

Phúc Kiến Assembly Hall (會安福建會館)

The Fujian Assembly Hall is the hands down the most popular, the largest, the most beautiful and the most historic of all the Overseas Chinese Assembly Halls in Hoi An. 

Given that Hoi An has become such a popular tourist destination, you’d think that you’d be able to find quite a bit of information about the hall online - Unfortunately that isn’t the case and a lot of the information that is available is unfortunately not all that accurate. 

I hope to clear some of that up here. 

The first thing you’ll want to know is that “Phúc Kiến” refers to “Fujian” (福建省), a coastal province in Southern China and the Assembly Hall was constructed by the immigrants who hailed from that specific area. Known as the “Hokkien” or the “Minnan” (閩南人), the people of Fujian speak their own distinct dialect and are well-known for their prowess when it comes to architectural design.

In fact, some of the most impressive Chinese-style architecture hails from the area and when many of us in the west think of ‘oriental’ design, what likely comes to mind is something that was constructed with Hokkien-style design.

With this particular hall, the Hokkien people brought their skills with them and constructed what is arguably one of the most beautiful buildings in the entire city.

One of the biggest misconceptions about the hall is its age. 

The area where the hall exists today was originally home to a Buddhist temple named the “Golden Mountain Temple” (金山寺) that was constructed by the local people in Hoi An. The temple was constructed around 1690 but after several decades of use, the temple became run down and the land was purchased by a group of Fujian immigrants who were doing business in Hoi An. 

After a period of renovation and a complete redesign of the exterior of the temple, the Fujian Assembly Hall reopened in 1759. With its Hokkien-style architecture, the Assembly Hall became not only one of the most beautiful buildings in Hoi An, but it was also one of the busiest thanks to the amount of Hokkien immigrants and of course, the success of the economy.

So no, the hall isn’t over 330 years old, its about 260 years old.

Still, thats pretty old, especially if you consider everything that has taken place in Vietnam over the past century.  

Design 

One of the things that makes this Assembly Hall stand out from the others around Hoi An is not only its long history but the amazing attention to detail in its traditional design - The people of Southern China, especially those from Fujian are known for their exceptional architectural design as well as the decorations placed throughout their homes and places of worship and that is something that stays true with this hall.  

Like all of the Assembly Halls in Hoi An, the Fujian Assembly Hall is designed with tradition in mind, but one of the things that makes this one stand out is its beautifully designed gate which is visible from the street.

The Assembly Hall consists of the following:  

  1. Main Gate (大門) - the gate that meets the street

  2. Courtyard (前院) - the area between the front gate and the middle gate. 

  3. Three-Arch Gate (三觀) - a beautifully decorated ‘Pailou Gate’ (牌樓). 

  4. Pond (水池) - an artificial pond in the courtyard in front of the Main Hall.

  5. Main Hall (正點) - The “Heavenly Goddess Temple” area. 

  6. East and West Halls (東西兩排屋子) - The areas reserved for community-related functions. 

  7. Rear Garden (後院) - A small garden between the front and rear hall. 

  8. Rear Hall (後殿) - The area reserved for ancestral worship. 

Once you’ve passed through the front gate, if you’re like most people, your eyes will automatically be drawn to the ornamental gate ahead of you. The three-arched gate, which is known as a “paifang” (牌坊), was constructed in traditional Southern-Chinese fashion and consists of a seven-layered roof that is beautifully decorated with ornamental dragons, lions and other mystical creatures. The gate was a later addition, which should be fairly obvious given how pretty it is.

I’m not confident about its age, but from what I found while doing research, it’s likely that this gate and the front gate were added sometimes around 1975 when the hall was undergoing a period of restoration.  

Above the doors you’ll find a beautifully designed plaque with the Chinese characters for “Fujian Assembly Hall” (福建會館) crafted using (a variation on) the ancient Chinese Seal Script (篆書). Just above the plaque is an open space where there is a dragon’s head with the sun in its mouth. On both the left and right you’ll also find statues of men holding the Chinese characters for “moon” (月) and “sun” (日) which form together to make “Yin” and “Yang” (陰陽) and a peaceful natural balance. 

One interesting thing that a lot of people people miss about the gate is that there is another plaque on both the top of the front side and the back side of the gate. On the front you’ll find the Chinese characters for “Golden Mountain Temple” (金山寺) while on the opposite side you’ll find the characters for “Heavenly Goddess Temple” (天后宮), which is a nod to the past and present of this Assembly Hall. 

Once you’ve passed through the gate, you’ll find yourself within the inner courtyard of the Assembly Hall.

This courtyard has quite a bit of potential, especially if they filled it with tropical flowers or plants, but when I visited I found that it was unfortunately run down and in need of some attention. There are however quite a few cute stray dogs that hang out and they’re quite friendly, so that was enough for me. 

When you reach the entrance of the main hall, it’s important to stop and take a moment to appreciate the architecture of the more than 250 year old facade of the building. Constructed in the traditional Hokkien style, you’ll notice that it is beautifully decorated with porcelain carvings (剪瓷雕) featuring dragons, phoenixes, turtles, fish, etc.

Even though some of the decorations on the roof have faded with age, the carvings on the lower section have recently been repainted.

One of the most prominent features of Hokkien architectural design is the “Swallowtail Roof” (燕尾脊), which has an upward-curved ridge, shaped like the tail of a swallow (a kind of bird). In the case of this Assembly Hall, the ridge is split into two separate tiers with the lower section curving at a much higher degree than the upper section. 

Most of the Assembly Halls you’ll find in Hoi An follow a similar formula in terms of the roof design, but that shouldn’t surprise you as the Hokkien style spread throughout Southern China. The thing that differentiates the hall from others in town though are (in part) thanks to the decorations that you’ll find on the roof. This may seem like a minor difference to the untrained eye, but is actually an important distinction in terms of the different cultures.

I should warn you that one of the things that you’re going to notice as you walk into the main hall are the giant incense coils hanging from the ceiling. The incense, which is locally made in Hoi An is quite fragrant, but if you’re sensitive to this kind of thing, you might feel a little uncomfortable. Fortunately there is an open-air roof, so the smoke shouldn’t be too overpowering.

Once inside you’ll notice that the “Assembly Hall” sections of the building are situated on the eastern and western sides while directly in front of you is main attraction, the “Heavenly Goddess Temple.” 

During my visit, the people at the hall were getting ready for the annual “Tet” Lunar New Year holiday, so part of the Assembly Hall area was used for food donations for those less fortunate. They had massive stacks with bags of rice and other types of food that were donated by locals.

There is also an administration area where the people who run the building hang out, drink tea, watch tv and chat with friends. The majority of the “Assembly Hall space though is empty and used for storage for the massive coils of incense that are constantly being lit.

Tian Hou Temple (天后宮) 

Even though this is considered the “Fujian Assembly Hall”, the actual “assembly” part of the building is almost completely overshadowed by the “Heavenly Goddess Temple” (天后宮).

If you weren’t already aware, the “goddess” refers to the immensely popular Hokkien goddess Mazu (媽祖), who is known as “Thien Hau” (天后) in Vietnam.

Here in Taiwan there more than three-thousand temples dedicated to Mazu, the goddess of the sea. Her worship though has spread throughout the world and you’ll find temples dedicated to her throughout China, Japan, South East Asia and anywhere the Hokkien people have immigrated.

It would be an understatement to say that Mazu worship is a huge thing here in Taiwan, but in Vietnam it is something that has transcended cultural traditions, so even though its part of a regional Chinese folk-religion, you’ll still find Vietnamese showing up to the temple to show their respect to the goddess. 

Link: Mazu (媽祖)  

NOTE: It’s important to remember that in some of the literature that you’ll find about this Assembly Hall is that the temple inside is full of “Buddha” statues. While that’s not entirely false (there’s a statue of Guanyin), Mazu, her guardians and the other deities within are a harmonious blend of Chinese folk-religion, Buddhist and Taoist traditions. As the temple is primarily dedicated to Mazu, it is primarily a Chinese folk-religion place of worship and not Buddhist.  

As is tradition, accompanying the goddess you’ll find her two guardian demon friends “Thousand Mile Eye” (千里眼) and “Wind-Following Ear” (順風耳) who are known in Vietnam respectively as “Thien Ly Nhan” and “Thuan Phong Nhi” in Vietnam.

Yes, I realize that their names are direct translations from Chinese, but the green-skinned ‘Thousand-Mile Eye’ keeps his eyes open for danger while the red-skinned ‘Wind-Following Ear’ is always listening. The names are helpful for differentiating them as well as helping people remember what their abilities are.

Together with the Goddess of the Sea, the three deities help to protect people at sea, which obviously would have been especially important for the sea-faring traders going back and forth from China to Hoi An during Hoi An’s heyday as a major trading port.

Link: Qianliyan (千里眼) | Shunfeng’er (順風耳)

The Main Hall is also home to shrines to Guanyin (觀世音菩薩), the Buddha of Compassion as well as the Taoist God of Wealth (財神). Most notably though, the hall is home to a shrine dedicated to the Goddess of Fertility (註生娘娘) and her Twelve Midwives (十二婆姐). This is significant because the temple has become a popular stop for local couples who are having trouble giving birth as well as those who are looking for blessings during their pregnancy.

If you visit, make sure to note the offerings of fruit left by couples - which ironically more often outnumber the offerings left at the main shrine for Thien Hau. 

Accompanying the main shrine is a separate shrine in a room off to the side where you’ll find statues of the heads of the original six families who immigrated from Fujian and helped construct the Assembly Hall. You’ll also find ‘Spirit Tablets’ (牌位) dedicated to the generations of people who have lived in Hoi An since then. 

Link: Spirit Tablets (神位)

Interestingly in Vietnam there is a subset of the Oversea Chinese community known as the “Minh Hương” (明鄉) who were people who fled China and settled in Vietnam when the Ming Dynasty (明朝) in China was toppled by the Manchu’s. The six statues of the people who founded the Assembly Hall were a part of this group, so if you pay attention you’ll see the Chinese characters above on some of the spirit tablets. The Minh Huong, who are know considered Vietnamese and not ethnic-Chinese coincidentally have their own Assembly Hall, but as some of the first settlers in the Hoi An area, their history and their presence permeates throughout town.

Link: Minh Hương (明鄉) | Minh Huong Communal Hall (Coming Soon)

Even though Vietnam is home to two “official” Heavenly Goddess Temples, this spiritual space set up within the Fujian Assembly Hall (that goes by the same name) has been an important place of worship for the Hokkien immigrants who have settled in Hoi An, helping them to not only keep their cultural traditions alive in the Assembly Hall but their religious practices as well.

The Phúc Kiến Assembly Hall is one of the most popular tourist destinations in Hoi An, so if you’re in the area, this is a must-visit destination. It’s unfortunate that there isn’t much information available in English to explain the history and significance of what you’ll find inside the hall. I hope that this article helps travelers understand a little more of what you’ll see when you visit this beautiful location.  

Getting There

 

Hoi An is a coastal town in Vietnam’s central Quang Nam province that is a 30km drive southeast of neighbouring Da Nang City (峴港市). Since Hoi An has become such a popular destination for travellers, getting to the historic town from Da Nang is quite convenient. Whether you arrive by air through Da Nang International Airport, by train through Da Nang Station or by coach, you’ll be able to easily get yourself to Hoi An through public or private transport, all of which are quite affordable. 

While staying in Vietnam, you should also download the “Grab” app for your phone so that you can easily grab a taxi during your travels without having to worry about a language barrier or getting cheated. 

Link: Transportation Guide: How to Get from Da Nang to Hoi An

Once you’ve arrived in Hoi An, getting around is really easy - just walk everywhere! 

The ‘Old Town’ area of Hoi An that has become a UNESCO World Heritage Site isn’t all that big, and due to so much pedestrian traffic, they’ve blocked the area off from cars, so unless you’re riding a bicycle or a scooter, the best way to get around is on foot. 

When you’re ready to start exploring you’ll find that the majority of historic properties, temples, museums and restaurants are located on or between the riverside and Tran Phu Street. What you’ll want to keep in mind though is that exploring the historic properties of Old Town isn’t free, so you’re going to have to purchase an entrance ticket. 

The entrance tickets are 120,000 VND (5 USD) per person and gives you access to five sightseeing places. The tickets are valid for the duration of your stay, so if you don’t use all of the tickets on your first day, you’ll still be able to use what you have remaining on the next day.

With so many places to visit within the Old Town though, five tickets might not be enough, so you might have to purchase a second set of tickets if you want to fully experience the town. 

Link: Hoi An Old Town Ticket, Entrance Fees & Sites (Hidden Hoi An

Conveniently, as I mentioned above, quite a few of the destinations that you’ll want to visit with Hoi Ann’s Old Town are situated along the stretch of Tran Phu Street. The Fujian Assembly Hall just so happens to be an unmissable part of the street thanks to its grand front gate, its massive size and how different it looks compared to everything else along the street.

Like the Chaozhou Assembly Hall, the Fujian Assembly Hall is located somewhat on the outskirts of the main drag of the old district and is a bit of a distance from other popular destinations like the Japanese Covered Bridge. Still, the pedestrian tourist area of Hoi An isn’t that large, so you won’t have any problem walking back and forth from wherever you plan on visiting.

There are two ticket stalls nearby the Fujian Assembly Hall where you can purchase your tourist pass. The hall is also located nearby the Hoi An Market where you’ll be able to purchase food and drinks. Likewise, the world-renowned (thanks to Anthony Bourdain) Bánh Mì Phượng is a short walk away from the hall. If you’re visiting Hoi An, you’ll definitely not want to miss either the Fujian Assembly Hall or the Banh Mi, so make sure to stop at both! 

Address: 46 Trần Phú, Cẩm Châu, Hội An, Quảng Nam, Vietnam

The hall is open from 8:00 am - 5:00 pm daily. 


Taipei Tian Hou Temple (台北天后宮)

The oldest district in the modern metropolis of Taipei goes by many names - To some it is “Bangka” (Báng-kah khu) or “Monga” (艋舺) and to others it is “Wanhua” (萬華區). Whatever you prefer to call the district, it is one of the most important districts in the city and is steeped in history, culture and religion.

Once one of the most prosperous districts in the city due to its proximity to the Xindian River (新店溪), the district served as a centre of commerce for over three hundred years. The area was originally settled by the Pinpu Kaitakela tribe, then Hokkien (閩南人) immigrants from Fujian Province and most recently by Chinese refugees of the civil war.

The district has suffered from a period of decline over the past few decades, yet efforts are being made by the local government to spruce things up, reinvent its image and make Bangka a cool place to visit for people of all ages!

The district is well-known for its treasure trove of historic sites which notably include Longshan Temple and the recently refurbished Bopiliao Historic Street (剝皮寮老街).

On the other hand, Bangka is also home to the popular Ximending Shopping District (西門町), Taipei’s answer to the hip and modern Shibuya shopping district in Tokyo where all of the latest fashion, technology and cuisine meet to offer a great shopping experience for those who visit.

The history of Bangka would not be what it is though without the influence of its 'Big Three Temples' (艋舺三大廟門) which have served not only as important places of worship but also as the glue that helped to preserve the cultural heritage and traditions of one of Taiwan's largest groups of immigrants alive for the past few centuries.

I've blogged in the past about a few of Bangka's other famous temples which include Longshan Temple (艋舺龍山寺), Qingshan Temple (艋舺青山宮) and Qingshui Temple (艋舺清水巖) but today I will be focusing on Taipei's Tian Hou Temple (台北天后宮).

The Main Shrine Room

Taipei's Tian Hou Temple, which is also known by locals as the "Ximending Mazu Temple" (西門町媽祖廟) is one that is easy to miss as it sits in an obscure and almost hidden location in the bustling Ximending shopping district. Most tourists pass by the temple and don't actually even realize that it is there.

The entrance to the temple looks like the entrance to a normal building, with a few lanterns on the outside and a temple plaque which indicate that a temple is inside. To reach the temple you have to walk through a small tunnel-like corridor which opens up to an open courtyard with a beautiful temple that surprised even me on my first visit. You would never expect to find a place like this in the middle of Ximending and is part of why I'm so fond of it.

The words "Tian Hou" (天后) in the temple's name translate as "Heavenly Queen" and refer to the goddess Mazu (媽祖), the principle deity of the temple and one who is an extremely popular deity in Taiwan.

It is estimated that there are over 1000 different locations to worship Mazu in Taiwan with temples dedicated solely in her honour as well as having shrines set up in other temples as well giant statues in various spots throughout the country. Mazu worship is an important part of life in Taiwan and as time has passed, the goddess has become known as a patron saint of the country.

History

Looking towards the entrance to the temple. 

There are many temples dedicated to Mazu worship all over the country but the name "Tian Hou Temple" (天后宮) however is one that has become synonymous with worship of the sea goddess and has been an important part of Taiwanese culture since 1593.

The first 'Tian Hou Temple' was constructed on the offshore islands of Peng Hu (澎湖) and the next one in 1664 in Tainan. Since then, many other Tian Hou temples have been constructed all over the country with the Taipei branch being a young one at over 270 years old.

Originally constructed in 1746, the temple is technically one of the oldest in the city yet, like a lot of Taipei's other major places of worship, the structure you see today has had to be rebuilt on more than one occasion, has changed locations and strangely enough has become a story of two different temples from two different religions merging into one.

Temple's like Longshan Temple and Bao-An Temple have also experienced their fair share of misfortune over the past few centuries, but I have to say that the history of Taipei's Tian Hou Temple is probably one of the most interesting (and confusing) of the temples I've researched so far!

I'll lay out the reasons why I think the history of this temple is particularly interesting in a timeline to hopefully give a less confusing idea of what happened:

The Tiger General Army

 1746 (乾隆11年) - Hsin-Hsing Temple (新興宮)

Taipei's "Mazu Temple" was originally constructed with the name "Hsin-Hsing Temple" (新興宮) after funds were collected from immigrant merchants hailing from Quanzhou (泉州) in Fujian Province. These immigrants were some of the same people who funded the construction of Longshan Temple, Qingshan Temple and Qingshui Temple and helped to build a spiritual network for the Hokkien people who settled in the area.

1813 (嘉慶十八年) - Hsin-Hsing Temple (新興宮)

Hsin-Hsing temple was completely destroyed in a fire and reconstructed over a period of 12 years.

1899 (明治32年) - Hong-Fa Temple (弘法寺)

In 1899, a Zen Buddhist temple in the Shingon Tradition (真言宗) was built in Ximending as a mission to help with the spread Buddhism in Taiwan. The mission was to become part of what would eventually a concerted effort by the colonial government to convert the locals into Japanese citizens.

1910 (明治43年) - Hong-Fa Temple (弘法寺)

The mission was renamed "Hong-Fa Temple" (弘法寺) in honour of the prolific Japanese Buddhist monk Kōbō-Daishi (弘法大師) who helped spread Buddhism in Japan. Interestingly, Kōbō-Daishi is still worshipped at Tian Hou Temple today, a nod to the temple's history.

1943 (昭和十八年) - Hsin-Hsing Temple (新興宮)

In order to protect Japan and its interests in Taiwan and in the Pacific, the Japanese constructed several air strips throughout the country and began to further build up its military presence. In order to construct an airstrip close to the Governors Residence (Now Taiwan's Presidential Palace) the Japanese demolished Hsin-Hsing Temple. The statues inside would be moved to nearby Longshan Temple for safekeeping.

The reds in this temple are beautiful. 

1948 (民國37年) - Hong Fa Temple becomes the Taipei Mazu temple.

After Japan's cessation of Taiwan, the Republic of China government in Nanjing haphazardly decided that the Japanese designed Hong Fa temple would be reclaimed and the former Hsin-Hsing temple would move in and take control of the grounds.

This decision met with controversy with the local population due to the fact that Hong-Fa Temple was designed by the Japanese and did not follow the rules of Feng-Shui which made it unsuitable.

1953 (民國42年) - Taiwan Tian Hou Temple (臺灣省天后宮)

A fire completely destroys the temple which ends up offering the locals a chance to redesign the temple and its grounds according to Feng Shui and traditional design.

1959 (民國48年) - Taiwan Tian Hou Temple (臺灣省天后宮)

On the 1000 year anniversary of Mazu's birth, the temple reconstruction is completed and opens to the public just in time for celebrations.

1967 (民國56年) - Taipei Tian Hou Temple (台北天后宮)

Taipei City officially becomes a municipality and the temple is renamed "Taipei Tian Hou Temple" by the city government.

Mazu Worship

The Heavenly Goddess herself. 

Mazu, the goddess of the sea is a popular folk religion deity who is worshipped by the people's of Taiwan, Southern China, Malaysia and Singapore.

As a deity, she is thought to travel the seas protecting her believers which for Taiwan (as an island nation) was important with its early sea-based economy. Mazu worship has been a popular aspect of life in the country for hundreds of years with over a thousand temples or shrines dedicated to her.

As the patron deity of Taiwan, Mazu worship is said to be the 'glue' which binds together the people of various ethnicities as well as being the foundation for Taiwan's evolving culture and national identity.

I'm not sure how much of this is true, but there is no doubt that Mazu is an important figure in Taiwan and the respect that is given to her often trumps that of all of the other important deities worshipped throughout the country. Statistics show that before 1980 there were only 509 temples or shrines in Taiwan dedicated in her honour compared to the over one thousand today.

Mazu worship has been a popular aspect of Taiwanese history for hundreds of years, but that worship shows no history of slowing down and is now more popular than it has ever been.

Mazu, who in life was named Lin Moniang (林默娘) is thought to have been born on (my birthday) March 23rd in the year 960 in China's Fujian Province. Despite living a short life, legends are told of how she performed several miracles saving seafaring people from ultimate doom with her skills before ultimately ascending to the heavens as a deity.

In all of the legends that tell of Mazu's life, she was unmarried and a virgin by choice. She is described as a pious young woman who worshipped the Goddess Guanyin (觀音) and was a person filled with kindness and compassion for all living beings.

She is said to have been an extremely proficient swimmer who had supernatural gifts and was born into a family that made its living by the sea.

Mazu is believed to have died at the young age of 27 yet stories of her death differ. Some people believe that she died while attempting to rescue her family who were out at sea during a typhoon while others believe she climbed a mountain and ascended into heaven on her own.

If you are interested in learning more about Mazu worship and the legends surrounding her life and death check out this very well-detailed Wikipedia article about her: Mazu (Goddess) 

Kobo Daichi (弘法大師)

Kobo-Daishi

When the Chinese Nationalists retreated to Taiwan in 1949 at the end of the Chinese Civil War, they attempted to erase the influence of Japanese culture, religion and language and impose Mandarin upon the people. This campaign led to the destruction of many Buddhist and Shinto temples all around the country but due to a lack of housing, some buildings were spared in the purge.

Its interesting to note however that Taipei's Tian Hou Temple gives not only a nod to Taiwan's history, but its own history by allowing space for a statue dedicated to Kōbō-Daishi.

Kōbō-Daishi, who is also known as Kukai (空海) was a prolific figure in Japanese history who served not only as a Buddhist monk but a civil servant, scholar, poet and artist.

Kukai, who received an education in Chinese classics was not only well-versed in Buddhism but also Confucianism and Taoism. He travelled to China and spent a period of time living and studying in temple there where he studied various forms of Buddhism as well as learning Sanskrit and translating texts to bring back with him to Japan.

He is remembered today for his founding of the Shingon (真言宗) or “True Word" school of Zen Buddhism as well as his contributions to improving Japanese society through the creation of the "kana" syllable system which is still used today as well as the founding of Japan's first public schools.

Kōbō-Daishi has become a legendary figure in Japan and while his legacy may be debatable, he is still arguably the most important Buddhist monk in Japan's history and his contributions to Japanese society cannot be overlooked.

The shrine dedicated to him in Taipei's Tian Hou Temple is not only a nod to his importance, but also to the history of the temple which in its present location was once the headquarters for Shingon Buddhism in Taiwan.

English language guide books may not spend much time talking about this temple, but if you visit you are sure to meet Japanese tourists who visit the temple to show their appreciation for the shared history and culture between the two nations.

Shrines

While the temple is dedicated primarily to the goddess Mazu, like most temples in Taiwan, there are of course several shrines in the building which are dedicated to a mixture of folk-religion, Taoist and Buddhist figures of importance.

Main Hall (正殿)

Main Shrine Room:

Right Shrine (左龕):Guanyin (觀音佛祖), Child Birth Goddess (註生娘娘)

 Main Shrine: Mazu (天上聖母), All-Seeing General (千里眼), All-Hearing General (順風耳)

Left Shrine (右龕): Lord Guan (關聖帝君), The God of Literature (文昌帝君)

Outer Hall Shrines:

Right Shrine (左側殿): Kōbō-Daishi (弘法大師), Ksitigarbha (地藏王菩薩)

Left Shrine (右側殿):Earth God (福德正神), The Tiger Generals (虎爺)

Second Floor Shrine:

Jade Emperor Hall (玉皇殿):The Jade Emperor (玉皇大帝), Emperors of the Three Offices (三官大帝), Lord of the Sun (太陽星君), Lord of the Moon (太陰星君)

In conclusion, have to ask the question: When is a 270 year old temple not a 270 year old temple?

There are some people who would argue that the building is not actually as important as the idols, traditions or the organization that makes it what it is. For me, I look at the timeline and have a hard time telling people that this temple is as old as people claim it to be.

I will admit though that even after researching and studying temple culture in Taiwan for the past few years, I sometimes feel like I don't really understand a lot of what is going on.

There are times when I think I really don't know anything - This is one of those times!

I read a lot of the literature provided by temples as well as reading books and checking online sources but I've found that the claims made by some of these places seem to be much more grand than they really are.

Taipei's Tian Hou Temple is a perfect example of such grand claims. Admittedly, there is a complicated 270 year history of Mazu worship in Bangka, but it is a stretch to say that this specific temple is as old as they claim it to be.

What I will say about this Tian Hou Gong is that there is still an extremely interesting history and that is where I think the focus should be.

This temple has a history that spans the modern history and development of this country from the Qing Dynasty to Japanese Colonial Era to the current era. Each era brought with it changes that the temple could not escape yet it still stands there today in the middle of Ximending.

Let's not waste time worrying about ostentatious claims and think more about the relationship the temple has shared with the development of Taipei which saw a nearly empty patch of land turn into a modern metropolis thanks to the efforts of the immigrants who came here to start a new life.


Qingshan King Festival (青山王祭)

The Qingshan King Ritual (青山靈安尊王) is an annual three-day temple festival held in the Monga district (艋舺/萬華) of Taipei and is used to celebrate the birth of the Taoist god Lin-An Chun Wang (靈安尊王) or the Qingshan King (青山王). 

The Qingshan King is an important deity hailing from the Quanzhou (泉州) area of Fujian province in China, an area where many of the first immigrants who settled in the Taipei area originated hundreds of years ago.

Legend has it that shortly after their arrival in Taipei, a plague broke out and a lot of the new immigrants to the island suffered from a terrible sickness.

Qingshan Temple (青山宮) was one of the few places unaffected and soon became a popular place for the pious residents of the area to visit and pray for their continued health and safety.

The popularity of the temple and the god swelled after the effects of the plague subsided and the Qingshan King became an even more important patron saint for the Hokkien immigrants.

As a patron saint, the god would perform inspections of the area on occasion and thus the Qingshan King Festival evolved out of this practice and is celebrated annually during the birthday of the king. 

The festival is held between October 20th-22nd (on the Lunar Calendar) and during the festival the temple followers parade the temple god around the district with his troops, oracles and generals to inspect the homes and businesses to eliminate evil spirits and suffering and to bring good luck to the locals.

It is one of the largest and liveliest temple festivals in Taipei and the entire Bangka district looks forward to this special time of the year where residents will often celebrate into the late hours of the night.

For more information about the festival and the temple, check out my blog posts about them from last year. 

Qing Shan Temple | Qingshan King Festival: Part 1 / Part 2

The King on his palanquin performing the annual inspection of Bangka. 

In an attempt to attract more young people to the festival, the temple enlisted the help of their local rockstar turned politician Freddy Lim (林昶佐) to arrange a music festival the day before the festival was to kick off.

Lim, the former front man for the Taiwanese death metal band Chthonic who currently represents Bangka as a legislator took the opportunity to come out of his semi-rock-star retirement to perform with another local band which kicked off the festival in style.

The festival will be on for the next two days, but here are some photos from the second day. Enjoy.   

The Parade (暗訪)

The Military Officers (八家將)