龍山寺

TokyoBike Taipei Cafe

If it weren’t obvious enough already, a large portion of the research and writing I do about Taiwan revolves around the island’s five decade-long Japanese Colonial era. Over the past few years, I’ve worked to combine my photography with my writing and research skills to help tell the stories of some of the nation’s historic buildings, which is admittedly a great time to be into this kind of thing with the number of buildings that have been restored in recent years.

Writing about Shinto Shrines, Martial Arts Halls, Civic Buildings, Train Stations, and the dormitories provided to the civil servants of the era, I’ve covered a wide range of topics, but one that I’m especially proud of was a long research project that delved deeply into the Taiwanese government’s attempt to restore these buildings, and then seek private enterprises to assist in their operation. Coming from a university background in International Development, it’s important for me to see that the government isn’t just throwing bags of taxpayers dollars at these historic buildings with no clear, or sustainable vision for the future - Because, let’s face it, the reach of the government can only go so far - and attracting a steady stream of visitors to these historic buildings is one of the best ways to ensure that they continue to be saved, rather than bulldozed.

If you haven’t had the chance to read it, I highly recommend taking a look at the (sorry, very long) article I wrote about how the Taiwanese government is officially enlisting the participation of private enterprises to assist with the operation of some of these buildings, especially since it will offer a lot more context to what I’m going to be introducing below.

Link: The role of Public-Private Partnerships in Conserving Historic Buildings in Taiwan

Since completing the article above, I’ve naturally become interested in how those remaining buildings from that era are put to use - and with restoration projects taking place around the country at an astounding rate, the resurrection of these buildings has brought about a new level of awareness about the nation’s modern history. That history, which spans periods of Dutch, Spanish, Qing and Japanese-eras of colonial control, is something that was largely frowned upon in the nation’s classrooms during the Martial Law Period, but has within the last few decades become an important tool for helping the people of Taiwan become more aware of the history, where they come from, and more important has assisted in forming a Taiwanese identity.

For some people, a visit to these historic buildings can help them learn more about what it means to be Taiwanese. Some of the time though, people just want to sit in a coffee shop and relax - and thanks to places like Tokyo Bike Taipei, people can do just that while enjoying a bit of history at the same time!

Before I start, there are a few housekeeping notes that I’d like to remind readers about: The first is that I’m going to spend a bit of time introducing the historic building and what it was used for prior to it’s recent restoration and the coffee shop taking up residence within. The next thing I’d like everyone to keep in mind is that as always, I’m not getting paid for this post. I’ll briefly introduce the coffee shop, but I’m not going to be sharing photos of the menu or the coffee that I had while visiting - I’m not a food blogger and I’m writing this purely out of interest for the building - although I did enjoy my visit as I feel like the building is being put to pretty good use.

Shintomicho Market Dormitory (新富町食料品小賣市場員工宿舍)

Restored alongside the dormitory, the historic Shintomicho Market building was brought back to life as a cultural and tourist attraction in early 2017. An important part of the Bangkha neighborhood for at least nine decades, the building fell into disuse in the early 1990s and was abandoned for quite a while prior to the city recognizing it as a civic historic monument (市定古蹟).

Walking through the artistically-designed building today, you’d probably find it hard to believe that it was constructed to house a wet market - especially if you’ve had experienced walking through any of Taiwan’s other traditional markets. Constructed in 1935 (昭和10年), which was pretty much the height of the Showa era (昭和) in Taiwan, the building was designed as a fusion of eastern and western architectural styles, but also displayed the modern approach to construction that the era is best known for.

To better explain, Taiwan was taken over during the Meiji era (1868-1912), followed by the Taisho era (1912-1926), and then the Showa era (1926-1989). Each of these so-called ‘eras’ is named after the emperor who ruled over the Japanese empire at the time. When the Japanese first arrived in Taiwan in 1895 (明治28年), the construction and development that took place was rudimentary, and later refined during the Taisho era. Initially, the infrastructure required for major construction projects was constrained, but as time passed by and the island was developed, it became much easier to construct more complex buildings. No where is this more prevalent than in the history of the nation’s historic railway stations, some of which (despite being a century old) are second and third generation structures. So, as the island developed, construction techniques were refined, and the Showa era thus became one of the more artistic with regard to architectural design.

Compared to modern wet markets, which are naturally dark, dank and smelly, the authorities at the time constructed this beautiful building with natural ventilation and natural light, making it the kind of place where vendors would compete ferociously to get a spot.

The newly constructed market brought with it not only prosperity for the local vendors, but a more sanitary experience where people were able to purchase daily necessities in an era where modern supermarkets had yet to appear. Attracting both Taiwanese and Japanese customers, the market would have been a cultural melting pot with freshly grown produce and meat. Suffice to say, like most buildings that were constructed in the late stages of the colonial era, prosperity would have been somewhat fleeting as the outbreak of the Second World War brought with it air raids by the allied forces and the decline of the local economy.

In the post-war era, the influx of refugees fleeing the Chinese Civil War created new opportunity for the market. One of the issues however was in order to actually open up shop within the building, vendors were required to obtain a license, something that would have been rather difficult for the local Taiwanese members of society given the political climate of the Martial Law period. Thus, the market started to expand from the original building to a wet market (which continues to remain in operation today) as it was easier for vendors to set up unlicensed stalls nearby. As Taiwan continued to develop over the next few decades, wholesale markets, supermarkets and hypermarkets started appearing across the country making it difficult for traditional wet markets to compete with lower prices.

As mentioned earlier, the market building was more or less abandoned in the early 1990s, and was left on its own for quite a while prior to being recognized as a protected civic monument. Years of abandonment left the building in pretty terrible shape, but it has been beautifully restored, and even though I’m not particularly a big fan of the way it’s used today, it’s a pretty cool place to visit if you’re in the area, especially for anyone visiting Longshan Temple (龍山寺).

The purpose of this article however isn’t to introduce the market, something that I might go into more detail in the future, but instead the Japanese-style dormitory constructed to the rear, where the TokyoBike Taipei coffee shop is located today.

Unfortunately, very little information has been published about the former dormitory, so I’ll be presenting a few facts based on the little information I could find and mixing it with my personal experience within the building and comparing it to some of the other buildings I’ve introduced in the past in order to offer readers a better idea of what you’d see during a visit to the building today.

Constructed alongside the market, the historic dormitory dates back to 1935, and to the naked eye appears similar to almost all of the other Japanese-era dormitories that I’ve introduced in the past. There is however a major difference about the building’s design that makes is different. Constructed to house the administrator of the market (and his family), the building also provided office space for the daily operation of the market. So, even though it might appear similar to other Japanese-era homes from the outside, the interior has some slight design variations that make it stand apart.

Officially classified as a ‘Single-Family Dwelling’ (獨棟木造日式建築), the size of the building was determined by the standard set in 1922 by the Taiwan Colonial Government’s building standards policy (台灣總督府官舍建築標準). In what would have been considered a low-ranking position in terms of the hierarchy of Japanese-era civic officials, the amount of space allotted for the construction of the building would have been about 83㎡ (25坪). In this case though, given that an office space for the administration of the market would have been included in the architectural design of the house, it would have made the amount of space somewhat cramped for the family living there.

Link: 台灣日式建築:官舍 —— 台灣樣.建築百科

While the building combined both private and public functions, the spatial design of the interior allowed for a comfortable separation between these two spaces, offering privacy to the families who occupied the space over the years. That being said, as (what would have been considered) a low-ranking official, the entrances to the house were notably different in comparison to its contemporaries.

For the family, the main entrance would have passed through the kitchen, where you’d have to pass through to reach the private space. For guests, or business-related visitors, a separate entrance would have offered access from a door to the right of the main entrance, offering direct access to the office space. Today, that ‘office space’ continues to be used as an administrative space for the coffeeshop, so it’s not actually open to the public.

In this particular case, what made the ‘family-side’ entrance different from others was that it was connected directly to the kitchen, which in most cases would have been a rear door to a garden. Passing directly through the ground-level kitchen brings you to a set of stairs where you walk up to the elevated private section of the house. Today, the coffeeshop maintains a similar design in that the barista’s bar as well as the kitchen is located in this ground-level area with the guest seating area in within the private area.

Despite some of the differences in interior design, its important to note that the basic design rule for traditional Japanese homes remains the same in that the building consists of the following three functional spaces: a living space (起居空間), a service space (服務空間) and a passage space (通行空間). Within each of these ‘spaces’ there can be a number of rooms, depending on the size of the building, but this one is somewhat basic, so it’s easier to describe.

Starting with the service space, you’ll find the kitchen (台所 / だいどころ), bathroom (風呂 / ふろ) and washroom (便所 / べんじょ). Interestingly, the bathroom and the washroom were located on opposite ends of the long ‘engawa’ (緣側/えんがわ) veranda between the living space and the office space.

Part of the ‘passage space’, the engawa is a large sliding-door veranda that could be opened up to allow some fresh air into the building as well as a space for the family to relax given that they didn’t have much of a front yard. The rest of the passage space in the building however is not as clearly defined as other Japanese-era residences, which only really consists of the space between the kitchen and the private living area and the kitchen and the office space.

Finally, the ‘living space’ may seem considerably different from what we’re used to by western standards but what the space essentially consists of is a two-room open space separated by something similar to a living room with the other being the bedroom. The first of these two spaces (座敷 / ざしき), and is essentially a living room where the family could spend time together. Within this space you’d find an alcove referred to as tokonoma (床の間/とこのま) and a chigaidana (違棚 / ちがいだな), which are both reserved for placing some decorative elements in the living space. During the Japanese-era, you’d likely find calligraphy, floral arrangements or simple artistic elements. Today, you’ll find one of TokyoBike’s beautiful bicycles on display.

Link: Tokonoma (Wiki) 

The second section of the living space is the area reserved as the family’s sleeping space (居間 / いま). Essentially just an open space, save for the two alcoves against the walls, known as ‘oshiire’ (押入 / おしいれ). Within these two closet-like spaces, the family would store their bedding during the day, in addition to their clothing and other personal items. Today this narrow bedroom space is simply home to a couple of tables for the patrons of the coffeeshop.

TokyoBike Taipei

Originally located in the Minsheng East Community (民生社區), a block of social housing that was recently demolished by the city, Tokyo Bike Taiwan was forced to relocate after seven years of operation in it’s original location due to a long-planned urban renewal plan, which coincidentally also saw the demolition of the former Taiwan Railway Dormitories that I wrote about a few years back.

The dorm, which was initially occupied by Dadaocheng’s famed Hoshing 1947 pastry shop (合興壹玖肆柒) became available in late March of 2021 when the branch, which housed a traditional tea shop paired with the company’s pastries closed its doors after three years of operation. Even though the final Facebook post on Hoshing 88’s (合興八十八亭) page doesn’t offer a reason as to why the teashop went out of business, it’s safe to assume that a lack of business due to the COVID-19 pandemic was one of the deciding factors. Taiwan remained relatively safe for much of the pandemic, due to proactive policy decisions, but businesses around the country, much like the rest of the world, suffered immensely.

The opportunity to migrate from one historic area of the capital to an even more historic building was probably almost too good to be true for the owners of Tokyo Bike Taiwan, but as I described in my article about these Public-Private Partnerships, there is an official application process that has to be undertaken, and a fair advertising period has to be ensured so that the process is undertaken fairly and transparently.

Prospective renters have to come up with a business plan and undergo a long contract process prior to any agreements being signed. While the pandemic might have dealt the final blow to the building’s previous tenants, it could also have proved to be an opportunity for TokyoBike as competition was not likely to have been as fierce for the operational rights of the building. The application was obviously approved, and on December 21st, 2021, TokyoBike Taiwan officially reopened in the Shintomicho Market.

Note: I’m just making some assumptions here. I haven’t actually confirmed any of that.

Suffice to say, that is an oversimplification of the events that led up to the move to Wanhua.

This leads me to an important point - TokyoBike Taiwan is primarily a bike-selling and rental company that also provides general maintenance for the hip Japanese bicycles. You won’t see any of the bike sales taking place within the coffeeshop though, which begs the question: Where are all the bikes?

The bike showroom and the coffeeshop are separated, with the latter located within the beautifully restored Shintomicho Market building, known today as the “Taipei U-Mkt”, which offers a beautiful showroom on the second floor of the building as part of the rental agreement with the city.

The TokyoBike café features a menu of reasonably priced coffees, single-origin drip coffees, tea, sandwiches, hamburgers and appetizers that can be enjoyed within the cafe or for take out. Seating within the café is limited with only about four tables, a sofa, and bar-style seating next to the windows.

While I did enjoy my coffee when I visited the café, I have to say that I really appreciated the minimalist style design, which falls in line with the branding of ‘TokyoBike’, that officially follows a philosophy coined as “TokyoSlow,” combining ‘simplicity’, with ‘local art’ and ‘culture’.

Something that Taiwan’s hipster scene I’m sure really appreciates.

If any of this interests you and you find yourself in the area, then I recommend you stop by to check out the historic building and try some of the coffee or food they have available.

It's also a pretty good opportunity to let you know that if you visit the market or the coffeeshop that a good friend of mine just opened the Wanderland Bar within the Shintomicho Market where you can enjoy some cocktails and craft beer. As I’m posting this, I haven’t had the chance yet to visit, but I look forward to going soon, and I’ll make sure to stop by for a coffee as well!

Link: Wanderland Bar 萬華世界下午酒場 (Facebook)

Getting There

 

Address: #70, Sanshui Street, Wanhua District, Taipei (台北市萬華區三水街70號1樓)

GPS: 25.034700, 121.504860

If you plan on visiting this quaint little coffee shop, the best way to get there is to just hop on the Taipei MRT. I could spend a bunch of time telling you how to get there with a car, scooter, or Youbike, but in each of these cases, it doesn’t really make a lot of sense to take either of these methods of transportation.

The reason for this is actually quite simple - parking in Wanhua, especially near Longshan Temple is a notorious pain in the ass. There are, of course, some parking lots and roadside parking spaces nearby, but it’s likely that you’ll find yourself circling for quite a while before you find a spot. Similarly, the closest Youbike docking station is near the entrance to the temple, but the coffeeshop is at least a five-to-ten minute walk from there, depending on the amount of foot traffic in the area.

If you choose to make use of the fastest and most convenient method of travel, simply hop on the Taipei MRT’s Blue Line (板南線) and make your way to Longshan Temple Station (龍山寺捷運站). From there you’ll want to head in the direction of Exit 3 (3號出口) where you’ll find a small alley on the left. From the exit you just walk to the end of the alley and you’ll find the coffeeshop hidden in a corner by the old Xinfu Market (新富市場) and the Shintomicho Cultural Market (新富町文化市場). If you take the MRT, the walk to the coffeeshop should take less than a minute, and you won’t have to pay for or search for parking!

Website: TokyoBike Taiwan | Facebook

Hours: Tuesday - Sunday (08:30 - 6:00)

While in the Bangkha (艋舺) area, there are a number of things that you can do to pass your time. In addition to the coffeeshop you’ll find what’s known as the Bangka Big Three Temples (艋舺三大廟門) -  Longshan Temple (艋舺龍山寺), Qingshan Temple (艋舺青山宮) and Qingshui Temple (艋舺清水巖) in addition to Bopiliao Historic Block (剝皮寮歷史街區) and several night markets.

As far as I can tell, since the opening of the coffeeshop within the historic dorm, it has become quite a popular spot for local Instagrammers and coffee lovers. Truth be told, I visited the during the week and was fortunately able to avoid the crowds, but a friend visited a few days later and commented that there weren’t any seats available and there were a bunch of people outside taking photos. If you’re planning a weekend visit, it’s probably important that you keep this in mind as the seating within the old dorm is quite limited.

The popularity of the coffeeshop is something that can hopefully last for quite a while, and I hope that its success is one that others might consider when applying to form a partnership with the government in one of these historic buildings. Putting these places to good use is one of the best methods of ensuring that they continue to be saved, allowing people to continue enjoying them for years to come!

References

  1. 台北最美單車咖啡廳「tokyobike」!落腳萬華新富町,獨棟木造日式古蹟建築 (Shopping Design)

  2. Taipei's U-Mkt: A traditional Market Reborn (Taiwan Panorama)

  3. 新富町文化市場 (Travel Taipei)

  4. 新富町文化市場──古老市集的新生 (中央社)

  5. 新富市場 (國家文化資產網)


Lukang Longshan Temple (鹿港龍山寺)

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When planning a trip to Taiwan, one of the stops that is always high on the list of places to visit is Taipei’s historic Longshan Temple - and for good reason - the bustling temple in the city’s historic Wanhua District (萬華區) offers tourists a first-hand experience with the vibrancy of Taiwanese religion, culture and the traditional architecture that is considered ‘exotic’ by a lot of foreign visitors.

What though do those tourists who are able to invest a bit more time exploring Taiwan do?

Well, they get out of Taipei and head south - Then they visit the ‘other’ Longshan Temple.

Yes, there is more than one Longshan Temple. (There are a handful of them actually)

Taipei’s Longshan Temple tends to be the busiest of the lot, but that is really only because it is conveniently located within the capital and is easily accessible thanks to the amazing MRT system. Don’t get me wrong, it is an amazing place to visit - I’ve been there a hundred times and I’ll probably go a hundred more times.

But, (yes, there is a but) Taiwan’s first “Longshan Temple”, the most historic of the group, not only stands out as one of the most attractive of the bunch - it is also regarded as one of the most beautiful temples in the whole of Taiwan as well as one of the best remaining examples of a building constructed during the Qing dynasty with traditional Fujian-style architecture.

Located in the historic village of Lukang (鹿港), the temple is just one of the many amazing destinations the small coastal village has to offer. Needless to say, if you haven’t heard of Lukang, you really should take some time to check it out. What might seem a small village in the middle of no where is actually an action packed day trip with some of the coolest historic sites you’re going to see in Taiwan. This is why it has become such a popular destination for both domestic and foreign tourists alike. Lukang is a village that has been frozen in time and provides visitors with an amazing snapshot of what the Taiwan of olde was like.

Longshan Temples of Taiwan

The Longshan Temples of Taiwan have a history that is directly related to the early migration of Hokkien Chinese settlers from China’s Fujian Province (福建省). Starting in the early 1600’s, due to the political instability of the Ming Dynasty (明朝), many people hailing from the Fujian and Guangdong (廣東省) areas made the decision to emigrate across the Taiwan strait and throughout various parts of South East Asia.

In Taiwan’s case, the Hokkien people sought to make a go of it in what was a very under-developed land bringing with them only their language, culture, cuisine and folk religion as well as what little possessions they could fit on the boat.

The original Longshan Temple, constructed during the Tang Dynasty (唐朝) somewhere between 618-619, received its name thanks to its location on “Longshan” (龍山) or Dragon Mountain in Anhai, Fujian.

The original, like every other ‘Longshan Temple’ that followed is dedicated to the Buddha of Compassion, whom in the Chinese Buddhist tradition takes the form of Guanyin (觀音菩薩), a female Buddha.

  • Non-Chinese Buddhists are likely more familiar with Tibet’s Buddha of Compassion who appears in human form as the Dalai Lama.

Here in Taiwan, the tradition that these temples would be dedicated to Guanyin has continued, but as the centuries have passed they started to accommodate Taoist and local folk-religion deities as well - many of whom also happen to hail from the Fujian region.

Even though you can now find several deities housed within Taiwan’s various Longshan Temples, the fact remains that essence of religious worship that takes place within is rooted in Chinese Zen Buddhist tradition.

Something that I can’t underscore enough about the religious experience in Taiwan compared to the west is that temples here have the ability to house gods from what are considered to be ‘different’ religions yet there are never any problems that arise from this. The religious experience here is one of tolerance and should certainly act as a model for those around the world who would use their beliefs to cause harm to others.

Today there are five temples in Taiwan with histories that date between 160 - 370 years which were all constructed during the Qing dynasty.

Lugang Longshan Temple (鹿港龍山寺) - 1647

Tainan Longshan Temple (台南龍山寺) - 1715

Monga Longshan Temple (艋舺龍山寺) - 1738

Fengshan Longshan Temple (鳳山龍山寺) - 1765

Tamsui Longshan Temple (淡水龍山寺) - 1858

Daxi Longshan Temple (大溪龍山寺) - 1868

Each of the temples differs in its design, but they all share a similar history and purpose making the Longshan Temple’s of Taiwan an important place of worship and of course, historical value.

Lukang Longshan Temple (鹿港龍山寺)

The oldest of all of the Longshan Temple’s in Taiwan is located in Changhua County’s Lukang Village - With a history that is said to date back to 1647. and is considered to be one of the most historic in all of Taiwan.

Something I’ve learned over the past few years though is to take some of these historical “facts” with a grain of salt.

Does the Lukang Longshan Temple in fact date back to 1647? Technically yes and technically no.

The history of a ‘Longshan Temple’ in the area most certainly dates back to the mid-1600s. However that history doesn’t necessarily relate to building that we see today. The original was actually a much smaller shrine, in another part of the village and was constructed solely to house a statue of Guanyin that was brought to Taiwan from the original Longshan Temple.

The temple we see today moved to its current location in 1786 and since then has been expanded upon, renovated and restored on several different occasions with reconstructions in the 1800s forming the basis of the structure that we continue to enjoy today.

So, while it may not be as old as advertised, Its still quite old.

History

To make things a bit clearer, I’ve gone ahead and translated some of the more important historical events over the temple’s long history:

  • 1647 - Immigrants from Quanzhou (泉州) bring a statue of Guanyin from the original Longshan Temple in Fujian on the voyage across the Taiwan strait and set up a small shrine on what is now a small alley near Dayou Street (大有街).

  • 1786 - The original shrine moves to its current location across town on a larger plot of land.

  • 1798 - After only a decade the newly constructed temple turns out to be far too popular and needs to be expanded to accommodate the amount of people who visit. The expansion sets in stone (literally) the layout for the temple which confines the complex to the 5,300 square meter plot of land that we still see today.

  • 1897 - Two years after the Japanese Colonial Era began, the Japanese authorities rented out the rear hall of the temple to create a Pure Land Buddhist (浄土仏教) shrine to accommodate Japanese Buddhists who lived in the area. Part of the temple is also used as a school for teaching the Japanese language to the local people.

  • 1904 - The temple joins a network of Pure Land Temples (淨土真宗本願寺派 / じょうどしんしゅうほんがんじは) and the Guanyin statue is relocated to the Rear Hall and replaced with a statue of Amida (阿彌陀佛) in the Main Hall.

  • 1921 - In what would become one of the worst tragedies in Lukang history, a fire completely destroys the Rear Hall of the temple taking with it the historic statue of Guanyin.

  • 1938 - Reconstruction of the Rear Hall is completed.

  • 1961 - Sixteen years after the Japanese Colonial Era ended, it is decided that the Main Shrine of the temple would revert back to Guanyin and the statue of Amida would be moved to the Rear Hall.

  • 1983 - The temple is awarded the designation as a ‘First Class National Historic Site’ (國家第一級古蹟) making it a protected historic building.

  • 1999 - On September 21st the powerful Jiji Earthquake (集集大地震) rocked Taiwan and created mass destruction all over the country. The temple was badly damaged as a result of the quake, so another massive reconstruction project is started to repair the damage.

  • 2002 - Reconstruction project is completed.

  • 2005 - Josh visits for the first time and falls in love (with the temple).

Design

When most people talk about the Lukang Longshan Temple, they only briefly mention the temple’s long history - Numbers are thrown out and people nod their heads and think “cool”, because when it comes to this temple, its not its age that really matters.

This temple is often described as one of the best remaining examples of Southern Fujian Qing-style architecture remaining in Taiwan. Does the average tourist really understand what any of that means though?

When you walk around the temple you don’t really have to really understand the complexities of historic architecture to realize that this temple is a masterpiece of design.

Interestingly though, whenever you search for “Southern Fujian Architecture” or “Hokkien Architecture” (閩南風格) most of the search results will feature a photo of the temple as the prime example of the characteristics of this style of architecture.

Hokkien-style architecture shares many similarities with other styles of Chinese architecture but there are of course several different ways that make buildings constructed in this style distinctive from others. First, the material used to construct this style of building is usually a mixture of red brick and wood. For most commoners in China, the usage of the colour red was frowned upon because “red” was typically reserved for imperial buildings. The Hokkien people it seems didn’t really care much about that though.

Swallowtail Roof

Another important characteristic is the “Swallowtail Roof” (燕尾脊) which refers to having a roof with an ‘upward-curving ridge’ shaped like the tail of a swallow. This design tends to vary in terms of the degree of the curve as well the number of layers on the roof but is something quite common throughout Taiwan.

Finally, to compliment the swallowtail roof designs, the Hokkien style often includes colourful porcelain carvings (剪瓷雕) which became common not only on the roofs of temples but also homes and ancestral shrines as well. The porcelain designs range from plants and animals to mystical creatures from Chinese mythology including dragons and phoenixes.

As one of the most well-preserved temples of its kind, the Lukang Longshan Temple combines all three of these architectural designs with beautiful red brick, swallowtail designed roofs on the main halls and gates and expertly crafted porcelain figures decorating the buildings.

The temple also follows the traditional ‘Three-Hall-Two-Courtyard’ design (三進二院) which refers to the three halls - The Front Hall (五門殿), Main Hall (正殿) and the Rear Hall (後殿) which are separated by the front courtyard and the rear courtyard and surrounded by passage ways on the perimeter of the building.

If you take a look at the diagram above, you may discover that the temple is constructed to resemble the Chinese Character “日“ which translates into English as either “sun” or “day”.

You could easily spend hours of your day enjoying the minutia and intricate designs of this temple, so I hope the following descriptions of each section helps to point out some of the things that you should pay close attention to when you visit.

Even if you can’t read Mandarin, I recommend checking out this site to see some historic photos of the temple as well as some sketches that beautifully illustrate the layout of the temple.

The Main Gate (山門)

The Main Gate of the temple, often referred to as the “Mountain Gate” (山門) is one of the most impressive you’ll see in Taiwan. The courtyard in front of the gate is decorated with red lanterns that lead up to the beautifully constructed wooden gate. Between the layers on the roof is a plaque that reads “Longshan Temple” (龍山寺). There are also red lanterns hanging off of the layer below that read “Lukang Longshan Temple” (鹿港龍山寺).

Not only is the gate held up on the front end by wooden pillars, it is also connected to a brick base that forms the entrance and also part of the wall that surrounds the entire perimeter of the temple.

The Main Gate is not only impressive from a distance but when you get close enough you can easily see the mastery it took to design such an intricate roof with the pillars holding the gate up.

Before entering the temple make sure to take some time to stand under the gate looking up at the beautiful work and all of its intricate pieces.

Paper Incinerator (惜字塔)

In the front square before you enter the temple quietly sits a relic of the past that isn’t widely talked about in English-language articles. What looks like a simple brick tower is actually a paper-burning incinerator that is of cultural and historic significance.

To describe it simply, Taiwan is a very humid place which makes it easy for things (like paper) to rot or become moldy. Before we had dehumidifiers and air conditioners people had little recourse to preserve the books they had, so as a show of respect for the written word, when people finished reading something they wouldn’t just leave it around. Likewise, throwing books in the garbage was simply not an option, so they took the book to an incinerator like this one and burnt it so that the words would live on in eternity.

I know, it sounds weird, right?

This practice was especially common with the Hakka people of Taiwan who constructed these special furnaces in the areas where they lived. As time went on, these towers became more and more unnecessary, so in many places around the country they’ve unfortunately been torn down.

In recent years however there has been a push to preserve them as they are of cultural and historical significance. In Taoyuan for example two of these incinerators, which are known as “Miracle Terraces” (聖蹟亭) have been restored and are open to the public as cultural shrines.

The paper incinerator at the temple looks like it hasn’t been in use for decades and sits quietly in a corner, still though, most people, including locals walk by it and don’t pay it any attention despite its historic significance.

Front Hall (五門殿)

The “Front Hall” is a actually a very simplistic term for what the main entrance of the temple actually is; In Chinese, the name translates directly as the “Five Door Hall” and is sometimes referred to as the “Five Door Portal”. No matter how you like to translate the name of the Front Hall, it consists of five doors with the three in the middle separated by four stone pillars.

Directly in front of the centre-most door is an incense cauldron with beautifully carved calligraphy on it.

On either side of the cauldron are stone pillars that have a dragon encircling the column.

On the walls you’ll find traditionally carved windows that are made out of wood and allow for the natural flow of air through the gate. On the windows you’ll find various designs including dragons, tigers, phoenixes which together symbolize prosperity and longevity.

On the interior it is important to pay attention to the ‘Door Gods’ (門神) that are painted on the doors.

When the doors are open they will face the inside of the temple and when the temple closes at night they’ll face the exterior. The ‘Door Gods’ have somewhat faded over the years but this style of artwork has started to become something of a lost art in Taiwan, so its great that we can still enjoy these.

The Door Gods on the main door in the centre represent Skanda (韋馱), the guardian of Buddhist Monasteries as well as Sangharama (伽藍), the Buddhist name for popular historical figure known as Guan Yu who is highly regarded for his ability to offer spiritual protection and grant blessings. The remaining four doors each have one of the Four Heavenly Kings (四大天王) who bestow wealth, success, peace and protection.

Theatre Pavilion (戲殿)

The ‘Theatre Pavilion’ is traditionally an area where temple performances would take place.

Temples constructed in Taiwan within the last century have (for the most part) constructed their performance stages in a separate area from the rest of the temple, usually outside of the main gates. This has allowed for larger, more mobile stages and more space for the audience, while reducing the amount of noise within the temple.

Truthfully, in all my years of temple hopping I can only count a handful of times where the Theatre Pavilion was actually constructed in such a central location in the temple.

Once you enter the Front Hall, the Theatre Pavilion is a large flat space with a spider-web caisson decorating the ceiling above it.

Few performances are held in this area anymore but the open space it provides in addition to the caisson above make it an especially grand spot that you won’t find at many other temples in Taiwan.

The Caisson (八卦藻井)

While doing research for this post I learned a new word - I’ve never actually known the English word for these so-called ‘spider web ceilings’ but whenever I see them I’m absolutely amazed by them.

In the case of this temple, the “caisson” is jaw-droppingly beautiful. There are so many adjectives that could be used to describe how beautiful the craftsmanship on this ceiling is but I’m at a loss for words - and if you have the chance to see it, I’m sure you will be too.

Known as the most beautiful “caisson” (藻井) in all of Taiwan, the “Ba-Gua ceiling” as I’d prefer to call it is an architectural masterpiece found in many East Asian temples and palaces. The reason I call it a “Ba-Gua” ceiling is because it is octagonal, a shape that has particular significance in local folk religion and culture.

Note: Bagua (八卦) refers to eight symbols in Taoism that represent the fundamental principles of reality and are interrelated with each other. At the centre of the Bagua is the Yin-Yang symbol. (Wikipedia link)

This particular caisson was constricted during the temple’s 1831 reconstruction and there are claims that it is one of the oldest of its kind in Taiwan.

A caisson is basically a sunken layered panel in a ceiling that raises above the rest of the ceiling almost as if there were a dome above it. The layers of the caisson are often beautifully decorated and with a design at the centre - in this case a beautifully painted dragon.

The most amazing thing about these caisson’s is that they are designed using expertly measured interlocking pieces that go together in a way that mean that neither beams nor nails are used to keep them together.

They just lock together to form a six-layer deep spider-web of beauty.

The Ba-Gua ceiling here commands respect and has become one of the most defining features of the temple. If you are visiting, I can’t stress it enough that you need to spend a few minutes with your head in the air appreciating the beauty and genius of this architectural masterpiece.

Worship Hall (拜殿)

To make a bit of a comparison, the Worship Hall at the temple is similar to something like the front patio of a house - It is more or less just a large covered platform that allows people to perform religious rituals without actually entering the Main Hall.

On the left and right side of the Worship hall sit a couple of century-year old trees that offer a bit of shade in front of the hall. Likewise each side of the hall has a station that allows people to light candles and incense for their prayers. In the centre there is another large incense cauldron with beautiful calligraphy carved on it. Behind the cauldron sits a large table where people can place offerings and is where you’ll often find beautiful floral decorations donated by visitors to the temple.

Of note when it comes to the design are the two stone dragon columns on either side of the incense cauldron - The columns which date back to 1852 are each carved with a dragon encircling the pillar. The dragons each have a pearl in their mouth and one in their foot while showing their fangs. The way the dragons encircle the columns make them is said to make them almost lifelike as they seem like they’re constantly in motion.

On the back of each column you’ll find the same four creatures featured in the windows of the Front Hall - A Phoenix (鳳), Qilin (麟), Crane (鶴) and Turtle (龜) - known as the ‘four spirit animals’ and together represent an idiom in Chinese (鳳毛麟趾、鶴算龜齡) that is really hard to translate to English but more or less refers to the rarity of the animals, how precious they are and the longevity of their lifespans (稀奇珍貴、祥瑞長壽) - certainly a metaphor for the temple.

Also of note are the two octagonal passageways on either side of the Worship Hall that lead to the the rear area of the temple. The passageways have become quite popular with photographers, especially wedding photographers who you might run into while touring the temple.

If you visit the temple make sure to take a few photos from the two doors as they’ve become quite iconic.

Main Hall (正殿)

To start, the roof of the Main Hall is actually quite simple; Following the same design as the other sections, the roof is a double-layered swallowtail design. On each of the tips you’ll find a dragon that is facing a pagoda in the middle.

Interestingly the Door Gods at the Main Hall mirror those of the Front Hall and consisting of the Four Heavenly Kings (四天大王), Skanda (韋馱), and Sangharama (伽藍). This time however they are painted a bit differently representing different aspects of their character. In this case they appear more ‘compassionate’ and ‘scholarly’ while they appear a bit more threatening on the outside.

Note: The scary, threatening Door Gods are considered to be “martial” (武) representations while the compassionate representations are considered ‘scholarly’ (文).

The interior of the hall is really where the design of the temple really shines - It is dark, not very well-lit and constructed with a network of stained wooden beams that hold everything up.

In the centre of the building, the ceiling rises almost a level higher than at the entrance - On the sides there are windows on both the east and west ends that allow for natural light to flow into the building offering a bit more light on the inside.

On the far right of the shrine room you’ll find statues dedicated to the Eighteen Arhats (十八羅漢), the original disciples of the Buddha. Next to them you’ll see desks nearby where there are attendants watching over the building and are there to answer any questions you may have.

The main shrine consists of several different statues of Guanyin, the Buddha of Compassion.

The largest statue is a replacement for the original that was brought to Taiwan in the 1600s. Accompanying the large image of Guanyin are several others which were carved out of wood or molded out of bronze.

Once again, to the direct left of the main shrine you’ll find martial representations of Sangharama (伽藍) and to the right Skanda (韋馱) whose purpose is to act as spiritual bodyguards for Guanyin.

You’ll also find a shrine dedicated to the Goddess of Childbirth (註生娘娘), The Monkey King (齊天大聖) and the Dragon King (龍王).

Rear Hall (後殿)

The Rear Hall of the temple is considered the youngest part of the entire complex due to the fact that it had to be rebuilt after a fire destroyed the original hall.

The new version of the hall dates back to 1938, during the Japanese Colonial Era and its design us a reflection of the era with a mixture of both Japanese and Chinese styles.

The exterior of the hall is a simple one that follows the Hokkien style of design making using of the swallowtail roof. The doors and the interior however are constructed completely of Taiwanese Cyprus and the Stone Dragon Columns are more ‘Japanese’ in design than the columns in the previous two halls.

To the sides of the Rear Hall you’ll find two round doors which used to be the dorm rooms for the temple abbot. Today the room to the right has been converted into a kitchen and the room on the left is partly used for storage and also allows guests to go to visit the back garden or the public restrooms.

On the doors of the Rear Hall you will find General’s Heng and Ha (哼哈二軍) who are mythical generals that date back to the Shang Dynasty (商朝). They’re mostly known today in their capacity as ‘Door Gods’ at Buddhist Temples.

Like the exterior, the interior of the hall is very simple in design with shrines dedicated to various Buddhist figures. In front of the shrines there is ample floor space that allows for the nuns who hold daily prayer services to take a seat on the floor.

In fact, the main reason why I don’t have many photos of the interior of the Rear Hall is due to one of the daily prayer services taking place at the same time of my visit. Even though I missed out on getting better photos of shrines inside, I did enjoy taking photos of the ladies who were busy chanting.

As mentioned above, the Rear Hall is home to several Buddhist figures which include Amida (阿彌陀佛), Sakyamuni Buddha (释迦牟尼) and the Medicine Buddha (藥師佛) - known as the ‘Three Treasures’ (三寶佛).

You’ll also find statues of Manjusri (文殊菩薩), Puxian (普賢菩薩), Jizo (地藏王菩薩), the Wind God (風神), Rain God (雨神), the God of Literature (文昌帝君) and the Zhenwu Emperor (玄天上帝).

Last but not least in the courtyard in front of the Rear Hall you’ll find an old well known as the “Dragon Stream Well” (龍泉井) which used to be where the people who lived and worked at the temple got their water. Today the well is closed up but you can still see that there is water inside.

Getting There

 

Lukang isn’t particularly a large town and is easily walkable - If you arrive in a car or on a scooter the best thing you can do is just find a parking space walk around to better explore the magic of the historic village.

Home to several historic temples, buildings, businesses as well as an old street were you can sample local delicacies, there is certainly more than enough to do while you’re in Lukang and if you plan your day well enough you should be able to explore for an entire day (or more if you have the time).

If you get tired of walking there are bicycle rental vendors all over the city - I’d recommend saving yourself some money and getting a Youbike instead. 

Lukang doesn’t have its own railway station, so if you want to visit using public transportation you have a few different options:

  1. Take a Ubus direct to the village from Taipei Bus Station ($350NT).

  2. Take a bus from Taichung - You can choose either Bus #6936 from Taichung HSR Station or Bus #6933 from Taichung Railway Station.

  3. Take a bus from Changhua - From the Changhua Railway Station you’ll find buses that frequently travel back and forth. (Buses: 6900, 6901, 6902, 6909, 6933, 6934, 6936 - Website)

  4. Take a scenic ride with a YouBike from Changhua Train Station on the six kilometre ride to Lukang - There are stations all over Changhua City as well as in Lukang to get a bike. Make sure to download the YouBike App so you’ll know where to get a bike.

Whatever method you choose to get to the village, I can’t stress it enough that once you’re there you should walk around and enjoy the quiet ambience of one of Taiwan’s most historic villages. You’ll easily be able to walk through the village and see all of the most important sites without needing a car or a scooter.

The Lukang Longshan Temple is located at “No. 81, Jinmen Street” (彰化縣鹿港鎮金門街81號) and is open to the public and to tourists everyday from 6:00am - 9:00pm.

Okay, so this post turned out much longer than I actually expected - And I really only scratched the surface when it comes to the history and design - You could write a thesis about this place and you still wouldn’t come close to describing all of the fine details. 

I suppose it is arguable whether or not Lukang‘s Longshan Temple is factually one of the “oldest” temples in Taiwan, it is however the oldest “Longshan Temple” in the country and when it comes to its beauty, it really does stand out as one of the most stunning places of worship in Taiwan. Its age and adherence to traditional architectural styles place it very high on the list of the most important historic temples to visit and I can assure you that if you do have the chance to go, you’ll certainly be glad you did.

Visiting Taipei’s Longshan Temple is obviously much more convenient for the majority of people who travel to Taiwan, but if you’re one of those people who takes a little bit of extra time to explore the country, a visit to Lukang and the many historic temples within the small village should be high on your list of things to do.


Tamsui Longshan Temple (淡水龍山寺)

When tourists visiting Taiwan want to experience a bit of traditional culture they almost always make their way to Taipei’s beautiful Longshan Temple. The historic temple is one of the best and most easily accessible examples of Taiwanese traditional culture, art and architecture and is always packed full of worshippers going about their daily routines.

What many fail to realize however is that Taipei’s popular Longshan Temple is only one of several temples around Taiwan (as well as China, Hong Kong, Singapore, Malaysia, Thailand, etc.) which share the same name.

There are currently eight temples throughout Taiwan and its outlying island territories where you can find a ‘Longshan Temple’ - Of those eight temples, five of them are historically significant in buildings which date between the 17th and 19th centuries.

For westerners, I suppose its easiest to compare how the various denominations of the Christian church have set up a network of branches all over the place.

Here in Taiwan the situation is very similar with major temples like Longshan Temple (保安宮), Qingshui Temple (清水祖師廟), Bao-An Temple (保安宮), Confucius Temple (孔廟) all having branches in several locations throughout the country.

While the majority of Taiwan’s most significant Longshan Temple’s were constructed in the 1700’s, the baby of the group, Tamsui’s Longshan Temple might not have such a storied history, nor is it as popular as its siblings but it does nonetheless have a charm of its own and should be on the list of every tourist’s itinerary if they are planning to visit Tamsui.

Before we get into the history of the Tamsui Longshan Temple though, I think I should give a brief explanation of the common features of all of these temples:

Longshan Temple (龍山寺)

The Longshan Temple’s of Taiwan have a history that is directly related to the early migration of Hokkien Chinese settlers from China’s Fujian Province (福建省).

Starting in the early 1600’s, due to the political instability of the Ming Dynasty (明朝), many people hailing from the Fujian and Guangdong areas made the decision to pack up and move across the Taiwan strait and throughout South East Asia.

Bringing their language, culture, cuisine and folk religion, the Hokkien people sought to make a go of it in what was then a very under-developed Taiwan.

The original Longshan Temple which received its name thanks to its location on Dragon Mountain (龍山) in Fujian, was constructed during the Tang Dynasty (唐朝) somewhere between 618-619.

The temple, like every other Longshan Temple that followed it is dedicated to the Buddha of Compassion whom in the Chinese Buddhist tradition takes the form of Guanyin (觀音菩薩), a female Buddha. Non-Chinese Buddhists are likely more familiar with Tibet’s Buddha of Compassion who appears in human form as the Dalai Lama.

Here in Taiwan the tradition that these temples would be dedicated primarily to Guanyin has continued but as the centuries have passed they have evolved and started to accommodate Taoist and local folk religion deities as well - many of whom also hail from the Fujian region.

Even though you can now find several deities housed within Taiwan’s various Longshan Temples, the fact remains that the majority of the religious practices that take place inside are rooted in ancient Chinese Zen Buddhist tradition.

Something that I can’t underscore enough about the religious experience in Taiwan compared to the west is that temples like Longshan Temple have the ability to house gods from what are considered to be different religions yet there are never any problems that arise from this. The religious experience in Taiwan is one of tolerance and should act as a model for those around the world who would use their religious beliefs to cause harm to others.

The Hokkien people who brought with them their cultural and religious practices constructed their first Taiwan branch of Longshan Temple in Changhua’s historic port town of Lugang in 1647 and later constructed several others.

Today there are five temples in Taiwan with histories that date between 160 - 370 years which were all constructed during the Qing dynasty.

  1. Lugang Longshan Temple (鹿港龍山寺) - 1647

  2. Tainan Longshan Temple (台南龍山寺) - 1715

  3. Monga Longshan Temple (艋舺龍山寺) - 1738

  4. Fengshan Longshan Temple (鳳山龍山寺) - 1765

  5. Tamsui Longshan Temple (淡水龍山寺) - 1858

Each of the temples differs in its design, but they all share a similar history and purpose making the Longshan Temple’s of Taiwan an important place of worship and historical value.

Tamsui Longshan Temple (淡水龍山寺)

Tamsui’s Longshan Temple was originally constructed in 1853 by residents of the Tamsui port area who had immigrated from the Quanzhou (泉州) area of Fujian.

Unfortunately after only a few short years the temple burnt to the ground.

In 1858, the current version of the temple was reopened and even though it has been repaired and renovated several times over that period of time, it still maintains its original design.

In comparison to the other Longshan Temples around Taiwan, the Tamsui version is a considerably smaller place of worship - Its beauty however lies in its design and its simplicity.

The entrance to the temple is strangely in a dark, covered traditional market that makes the temple seem somewhat mysterious from the outside. The elaborately decorated traditional stone-front temple facade even on the brightest of days is barely visible.

The entrance however opens up to a beautifully naturally lit interior that tends to transform depending on the weather. On sunny days the temple shines - on rainy days the colours of the temple are accentuated by the dull grey skies with clouds of burning incense.

Coincidentally the temple has become a popular place or photographers for this very reason. Its a very photogenic place

As is tradition, the temple was constructed sitting in the west and facing east (座西朝東) and has a simple ‘two-hall and two-passage-way’ design (兩殿兩廊式). Basically what this means is that the temple was constructed according to Feng Shui for great energy and is rectangular in shape with two different sections - a common design for temples. The entrance area forms one of the ‘halls’ (殿) with an open-air courtyard in the middle. There are two covered walkways (走廊) on either side that lead to the rear hall where the main shrine is located.

Considering its size, the temple only has one shrine room but the decorations in the interior not only show their age but the expert craftsmanship of Taiwanese temple architecture. The wood and stone work inside is beautiful, especially the large wooden plaques with calligraphy that hang from the ceiling.

The main shrine is (of course) dedicated to Guanyin (觀音菩薩), the Buddha of Compassion. But what you might find interesting is that all three of the shrines in the temple are dedicated to popular female deities from Buddhism, Taoism and Chinese folk religion.

The statue of Guanyin is a large golden one with beautifully hand-painted calligraphy in the background. To her right is a shrine to the Goddess Mazu (天上聖母), the patron-saint of Taiwan and to her left is a shrine to the Goddess of Child Birth (註生娘娘) rounding out the all-female cast of deities.

It probably goes without saying that when people pay a visit to the Child Birth Goddess they’re looking to have success in becoming pregnant or divine protection for a safe and healthy delivery.

Guanyin, the principle deity of Longshan Temple on the other hand serves a myriad of different roles - Known as the goddess of mercy, her name loosely means that she ‘hears the cries of mankind’ and seeks to help solve people’s problems. A visit to Guanyin is thus important when seeking protection for your family, health, career, etc.

Finally, Mazu, as mentioned above, serves as the patron-saint of Taiwan and especially those who work on the seas -  There are over a thousand places to workshop Mazu around Taiwan with most shrines historically constructed in port areas by fishermen who wanted to express gratitude for watching over them while out at sea.

As the patron-saint of Taiwan however Mazu has over the years transcended her traditional role as protector of the seas to the protector of the nation. People of all walks of life in Taiwan pay respects to the goddess and also request protection for theirselves and their families.

Getting There

 

Tamsui’s Longshan Temple is a short walk from the Tamsui Metro Station (淡水捷運站) and makes for a great visit if you are taking the time to visit the Danshui Old Street (淡水老街).

Somewhat hidden within a bustling traditional market, there isn’t much signage in English that will point you in the direction of the temple which means that you’ll probably want to follow Google Maps for this one.

From the Metro Station you’ll want to follow Zhongshan Road (中山路) into the downtown area of Tamsui making a right turn when you arrive at Zhongshan Road Lane 8 (中山路8巷).

From there you’ll walk up the hill for a minute or two before you turn right into a market alley on Qingshui Street (清水路) which you will walk down for a minute before turning left and seeing the main entrance to the temple.

While visiting Danshui, apart from the other obvious tourist destinations, you may also want to consider visiting the local Qingshui Temple (清水祖師廟) and the historic Fuyou Temple (福佑宮), one of Danshui’s most important and historic places of worship.  

If you are like many other tourists who make visiting Tamsui part of their Taipei itinerary you’ll definitely want to include a visit to the local temples to enjoy a bit of the storied history of the area that you will completely miss while walking down the so-called “old street”.

Tamsui played an instrumental role in the development of Northern Taiwan and you don’t have to look very far for its history. Its on display all over its streets. Try not to be like all the other tourists walking around with their giant ice-creams thinking they’ve seen the real Tamsui.

A visit to Tamsui’s Longshan Temple will be a completely different experience than what you will have at Taipei’s temple - The relative peace and quiet of the Tamsui temple allows guests to walk around and really appreciate the fine details of the beautiful artwork and architecture without a billion other people getting in the way.