彰化

Erlin Martial Arts Hall (二林武德殿)

I can be a patient person, but in some cases, enough is enough.

I’ve had a skeleton of a post about the Erlin Martial Arts Hall in Changhua sitting in my blog queue since 2017, waiting to be published. With little more than a dozen of these historic buildings remaining in Taiwan today, I figured that I’d hold off on publishing anything about this one until it was fully restored and reopened to the public.

My patience though, has sadly worn quite thin.

It got to the point that I thought if I keep waiting for Changhua County to get its act together, I’d likely be a senior citizen by the time they actually get around to restoring this building.

When I originally wrote an article about this Martial Arts Hall more than six years ago, I was still quite new to this whole blogging thing, and was likewise still new to my exploration of Taiwan’s historic buildings from the Japanese era. So, if I compare what I originally wrote years back to what I’m publishing today, it’s not even close.

This article should prove to be a much more well-rounded one that benefits from my years of experience and research on the topic.

That being said, while all of the text has been completely updated, I’m sad to say that the photos I’m sharing right now are the going to be the same as those I had prepared five years ago due to the fact that myself, nor anyone else has really been able to get many photos of the building in recent years.

Essentially, I’m publishing this article today to simply have the information in place for (what I sincerely hope) what will eventually become an updated version, which will be complete with photos of the fully restored building.

Until that happens, I’ll make use of some of the blue prints and designs of the building that have been published by the Changhua County Government to better illustrate some of the things I’m talking about. The work they have done researching the building and it’s architectural design is incredible, and without it, we would know very little about the building, so cheers to them for that!

For those of you who have been following my writing for a while, especially with regard to my Urban Exploration-related work, barriers don’t usually prevent me from getting the photos I need - Sadly though, in the case of this Martial Arts Hall, several factors that have combined to ensure that people like me aren’t snooping around. The most obvious is that building is completely locked up and a barrier has been erected around its perimeter to prevent anyone from getting too close to the historic building.

The other reason is that it is located next door to the Erlin Police Station, which has cameras watching the grounds. So, even though I found a way of getting around the barrier, I wasn't about to go snooping around while the police would be able to see me in plain sight from the police precinct.

So what exactly is the problem with the Erlin Martial Arts Hall and why have we had to wait for so long for it to get fixed up? Well, that’s a bit of a complicated issue, but I’ll do my best to explain it as briefly as possible.

To keep things simple, it’s all about money. Isn’t it always, though?

However, that’s a bit of a simplistic argument as to what’s going on here. As I mentioned earlier, the situation is a lot more complicated than that, and there is an ample amount of blame to be thrown around.

It would be easy to focus our indignation at the Changhua County Government, which as one of the nation’s most cash-strapped municipalities, has had trouble coming up with funding for the restoration of the heritage buildings within its borders - With so little cash to throw around, the county tends to spend it restoring buildings in the coastal town of Lugang (鹿港), one of the areas’s most popular tourist attractions - Obviously hoping that there will be a trickle-down effect that will help bring tourist dollars into the county.

The focus on Lugang obviously has been of great benefit to the people of Lugang, and its tourism sector, but the other townships within the county have more or less been left behind.

The blame here though cannot be placed solely on the local government as there are land ownership issues taking place here that have complicated the matter. Currently there are six land owners, who, in addition to the government own pieces of the land where the Martial Arts Hall is located.

Several years ago, the landowners got together and made an offer to sell the land to the government for NT $850 million (about $2.5 Million USD), which is an outrageous amount of money for the 400 square meter plot of land.

Link: 恢復二林武德殿風采 地主開價8500萬 (自由時報)

Unable to fork over so much of the public’s funds for the land, the Martial Arts Hall’s designation as a 'protected historic site’ ensures that the land owners are also handcuffed, and are unable to do any sort of construction on the land, making the issue a contentious one for all parties involved.

The only option at this point is for the landowners to sell the property to the government, but with the government refusing to pay the asking price, both parties have decided to just wait the other out to see who concedes first.

The most dangerous aspect of this financial stalemate is that if the landowners eventually get tired of waiting for the government to pay up, they may just enlist the assistance of local gangs to have the buildings burnt to the ground, which is something that has sadly become far too common as of late when it comes to historic and protected properties.

For those of us who care about these heritage buildings, the only thing we can do is continue being patient. However, as I mentioned earlier, I’ve grown tired of seeing this article sitting in my blog queue.

With all of that being said, on May 18th, 2023, a ceremony was held in front of the Martial Arts Hall marking the start of the restoration of the building, with several local figures in attendance. It seems like the saga of the Erlin Martial Arts Hall’s status has been resolved, and work will soon get underway to have it opened up as a cultural park, and tourist destination within the downtown core of the historic village.

Link: 彰化文化資產容積轉移首例 二林武德殿等20年今動工整修 (lian he聯合新聞網)

I will make sure to keep up with any of the updates regarding the hall’s restoration, and when it’s opened, I’ll be sure to make my way down to visit.

Before I start explaining the history of the Martial Arts Hall, it’s important to note that I’ve streamlined the way I write about these spaces.

In this article, I’m only going to focus about the history and architectural design of this specific building - So, in order to keep it shorter, I’ve removed some of the original elements that focused on the ‘general purpose’ of these Martial Arts Halls - Even though it should be fairly obvious that this building was once a space for practicing Martial Arts, the original intent and the significance of these buildings requires a bit more reading to understand the role that they played in communities across Taiwan.

To better explain all of that, I’ve put together a general introduction to Taiwan’s Martial Arts Halls, detailing their purpose, their history and where you’re still able to find them today.

If you haven’t already, I highly recommend reading that article before continuing. 

Link: Martial Arts Halls of Taiwan (臺灣的武德殿)

If you’re up to date with all of that, let’s just get into it!

Erlin Martial Arts Hall (二林武德殿)

Unlike many of the other Martial Arts Halls that I have written about in the past, the Erlin branch is probably one of the few remaining Martial Arts Hall that requires an introduction to the town where it was constructed; Even for most locals, if you bring up the name ‘Erlin’ (二林), it’s unlikely that they’ll know where it is, and even more unlikely that they’ve ever been there. So, allow me start by explaining a bit of the geography of the area, which should shed a bit of light as to why a Martial Arts Hall was constructed there.

Known these days as Erlin Township (二林鎮), it’s the largest of Changhua County’s administrative districts, with an area of 92.8578 square kilometers. Erlin features a relatively small urban sprawl surrounded mostly by farmland, which is where the town’s economy has historically been focused. With massive rice, grape and dragonfruit fields, the area isn’t particularly known for its tourist crowds, so most people tend to pass through on their way to other destinations in the area.

Originally settled by the Tackay Tribe (二林社), a group of Taiwan’s Plains Indigenous peoples (平埔族), known as the Babuza (巴布薩族), the area is and always has been an important farming community throughout the history of human settlement on the island.

During the Dutch period, a considerable amount of trade between the Dutch and the Indigenous people took place between the two groups, resulting in the Dutch constructing berths for ships along the coast. However, after the expulsion of the Dutch by Koxinga’s forces, the situation remained more or less the same for the Babuza people, who maintained their control over the land from the late 1600s until 1895, as they continued their trade with the Han people.

All of that came to an end with the arrival of the Japanese, who quickly got to work at ensuring that they maintained complete control over the island, often with violent means of suppression, especially when it came to the indigenous people.

By the 1920s, ‘Jirin (二林街 / じりんがい), as it had become known to the Japanese was designated a township within Hokuto County (北斗郡 / ほくとぐん) within greater Taichu Prefecture (臺中州 / たいちゅうしゅう).

It was during this period that the Japanese had constructed numerous Sugar Plantations (糖廠) around the island, with the vast majority of them located within central and southern Taiwan where the temperate climate allowed for massive fields of sugar cane to be cultivated.

With over 3000 kilometers of sugar-railways across the island, Erlin just so happened to find itself located in one of the geographic hot-spots, and even though the factories were somewhat of a distance away, the town benefitted economically through the industry.

Japanese-era map of Erlin with the location of the Martial Arts Hall marked in red.

Much of Erlin’s urban development started during this period with the colonial government constructing a number of large administrative buildings, schools, hospitals and clinics, and modern markets within the ever-expanding downtown core of the town. In 1928, construction started on the Erlin Police Precinct (北斗郡警察課二林分室), located within the administrative district of the town, close to Erlin Public School (二林公校).

Located on a corner that shared an intersection with a hospital, the town hall and a long row of administrative housing, the police precinct would have been situated within what would have been considered the ‘Japanese’ area of town, with some separation from the local farming community.

In 1900 (明治33年), a few years after the Japanese took control of Taiwan, the first Martial Arts Halls on the island started being constructed, with the first branches in Taipei, Taichung and Tainan. Over the years, the ‘Taiwan Butokuden Branch of the Dai Nippon Butoku Kai’ (大日本武德會臺灣支部) slowly expanded across the island, but one of the key developments with regard to these buildings came in 1920 (大正9年), when the organization was given a directive (and more importantly funding) from the government to start construction on these buildings within each of Taiwan’s prefectures towns, villages and boroughs.

This resulted in the construction of about two hundred of them across the island (and in Penghu, too) between the 1920 and the early 1940s.

Of those two-hundred halls, thirty were constructed within Taichu Prefecture (臺中州), an area that spanned modern day Taichung City (臺中市) Changhua County (彰化縣) and Nantou County (南投縣). They consisted of two Prefectural Branches (支部), eleven town branches (支所), twelve borough branches (分會), two prison branches (刑務所) and three school branches (學校分會).

That being said, the area we know today as ‘Changhua County’ was only home to five branches: Lugang Martial Arts Hall (鹿港武德殿), Changhua Martial Arts Hall (彰化武德殿), Yuanlin Martial Arts Hall (員林武德殿), Beidou Martial Arts Hall (北斗武德殿) and Erlin Martial Arts Hall (二林武德殿). With the exception of the Martial Arts Hall in Lugang, which was constructed in 1911 (明治44年), the rest were constructed between 1930 (昭和5年) and 1933 (昭和8年).

However, one of the important things to remember is that even though a number of Martial Arts Halls were constructed across Taiwan during the early 1930s, not all of them were equal. As I noted above, the halls adhered to a hierarchical organizational structure which helped to determine their size, depending on their location and their function.

The Changhua Martial Arts Hall, for example was classified as a ‘city-level’ hall as it was constructed within Shoka (Changhua City / 彰化市 / しょうかし). A bit lower on the ladder would have been the Yuanlin and Beidou Halls, both of which were county-level (郡市級 / 支所), while the Erlin Martial Arts Hall would have found itself at the lowest level as a village-level branch (街庄級 / 分會).

Not only did these classifications help to determine the size of the buildings, but also the amount of money that would have been invested in their construction. According to historic records, the Changhua Martial Arts Hall was afforded a budget of ¥27,000, while the Erlin Martial Arts Hall had a budget of ¥7500. If we were to calculate these figures in the rates of the day, the construction costs would would be approximately ¥40.2 million ($290,000 US), and ¥11.1 million  ($80,000 US) respectively.

Note: Calculating pre-war Japanese currency against today’s standards is somewhat of a difficult process given that most records only date back to the restructuring of the Japanese economy and inflation in the post-war period. To calculate the number above, I used the following formula: In 1901, corporate goods price index was 0.469 where it is currently 698.6, meaning that one yen in then is worth 1490 yen now. (217,000 x 1490 = 323,330,000)

Link: 昔の「1円」は今のいくら?1円から見る貨幣価値·今昔物語

Suffice to say, with a considerable amount of economic development taking place within Erlin in the early 1930s, the construction of the town’s Martial Arts Hall was a no-brainer for the local authorities. Construction on the building started in 1932 (昭和7年), at a time when the neighboring police precinct was still under construction.  Located to the side of the police station, and close to the Erlin Public School, the hall, like many of its contemporaries was tactically located in a neighborhood where it could have the most effect. The building would serve as a training centre for the local police as well as providing instruction to the children as well.

Interestingly, despite both buildings being constructed almost simultaneously, the police station took a modernist approach to its architecture with an Art-Deco Baroque design. The Martial Arts Hall however, was a no-fuss traditional Japanese style building - and even though it is the smallest of all of the Martial Arts Halls that remains in Taiwan today, its architectural beauty is on par with the rest of them.

On August 4th, 1933 (昭和8年), the Jirin Budokuden (二林武德殿 / じりんぶとくでん), otherwise known as the ‘Erlin Martial Arts Hall’, officially opened for the instruction of Judo (柔道) and Kendo (劍道).

Initially the hall served as a space for the local police to hone their martial arts skills. However, as the Japanese became engaged in the Pacific War and the expansion of their empire, the colonial government in Taiwan instituted a policy of forced assimilation, known as kominka (皇民化運動), which forced the people of Taiwan to take Japanese names, speak only Japanese, and contribute to the empire through military service.

Taking effect in 1938 (昭和13年), the nearly two-hundred Martial Arts Halls across Taiwan played a major role in the assimilation process by promoting ‘Japanese Spirit’ (大和魂), ‘Martial Arts Spirit’ (尚武的精神) and ‘Patriotism’ (愛國的精神) and from then on, the scope of the instructors at the Martial Arts Hall expanded from simply training the police to providing classes to the general public and the nearby Public School as well. They were also tasked with planning speaking events that were meant to promote nationalist sentiment through the propaganda that was disseminated by the colonial government.

Nevertheless, the Second World War came to a conclusion less than a decade later, and as part of their surrender, the Japanese were forced to give up control of Taiwan (and any other territory gained through militarism).

Control of Taiwan was ambiguously awarded to the Republic of China, who sent a governor and military forces to Taiwan in 1945 (昭和20年) in order to set up shop. However, even though the Second World War had come to an end, the Chinese Civil War between the Nationalists and the Communists raged on. It was during this time that administrative control of Taiwan had become an authoritarian mess, resulting in an infamous event that would become known as the 228 Incident (二二八件事).

With the Communists establishing the People’s Republic of China in 1949, President Chiang Kai-Shek (蔣介石) was forced to flee to Taiwan with the remnants of his army, and anyone still loyal to the Republic of China.

The sudden influx of around two million foreign refugees created a housing crisis in Taiwan, and even though the Japanese had left all of their infrastructure intact, the first few years were a nightmare of governance.

Nevertheless, for the next half century, the Erlin Martial Arts Hall maintained its role as a Martial Arts training center with the Republic of China’s police taking over.

One of the areas that wasn’t entirely clear with regard to my research about the Martial Arts Hall is what happened when the Erlin Police Precinct was expanded in the early 1970s. What is clear is that when the expansion project took place, the lack of space in front of the hall caused some issues, so they ended up removing the ‘hafu porch’ that lead to the front door of the hall.

Digging a bit deeper, I discovered that the police station essentially expanded into an ‘L-shaped’ structure that completely blocked the Martial Arts Hall from view.

Even though the Martial Arts Hall remained as a training center for the police, it had essentially disappeared from the view of the general public for the next few decades after the expansion.

By 1999 (民國88年), the buildings utilized by the police in town were being reconstructed, so for a short time time, the Martial Arts Hall was used as an office space prior to their migration to a new building.

With the buildings that surrounded the Martial Arts Hall abandoned, it took a few years before the were demolished, thankfully, with careful consideration taken to preserve the condition of the hall, which had been recognized as a protected heritage property a few years earlier.

After being hidden from sight for almost four decades, the Martial Arts finally made its reappearance in 2008 (民國97年), but as mentioned earlier, its status remains a contentious one as it is a protected heritage property that just so happens to sit on land that is considered part private and part public.

This has understandably frustrated all of the parties involved, and is the main reason why the hall has yet to be restored, like so many of its contemporaries across the country. While I may be accused of a bit of bias on the subject, it really does come across as a missed opportunity for Erlin as the town has recently restored several other historic Japanese-era properties in the downtown area in addition to the promotion of its links to the historic sugar railway. These days there is more and more for tourists to see when the visit the area, so one would hope that at some point there will be a favorable solution to this stalemate.

Before I move onto the architectural design of the Martial Arts, I’m going to provide a brief timeline of events detailing the history of the hall.

Erlin Martial Arts Hall Timeline

  • 1895 (明治28年) - The Japanese Colonial Era begins in Taiwan and the ‘Dai Nippon Butoku Kai was formed in Japan in order to instruct ordinary citizens in the various Japanese Martial Arts disciplines.

  • 1900 (明治33年) - The first Martial Arts Halls start to appear in Taiwan with branches in Taipei, Taichung and Tainan.

  • 1920 (大正9年) - A governmental directive is made to construct Martial Arts Halls in each of Taiwan’s prefectures, towns, villages and boroughs.

  • 1920 (大正9年) - Due to the Colonial Government’s administrative redistricting plan, Erlin is upgraded into Jirin Town (二林街 / じりんがい), part of Hokuto County (北斗郡 / ほくとぐん) in Taichu Prefecture (臺中州 / たいちゅうしゅう).

  • 1928 (昭和3年) - Construction on the Erlin Police Precinct (北斗郡警察課二林分室) officially starts with a budget of ¥17,000.

  • 1932 (昭和7年) - Construction on the Erlin Martial Arts Hall with a budget of ¥7500 and is located next door to the police station.

  • 1933 (昭和8年) - Construction on the hall is completed in July and the munafuda (棟札 / むなふだ) raising ceremony is held a month later on August 4th, marking the opening of the hall.

  • 1936 (昭和11年) - The Colonial Government’s “Japanization” or ‘forced assimilation’ Kominka (皇民化運動) policy comes into effect in Taiwan.

  • 1938 (昭和13年) - Jirin Public School’s Auditorium (二林公學校禮堂) is constructed and a number of ‘kominka’ events take place within, including Judo classes provided by the instructors from the Martial Arts Hall for the students of the school.

  • 1945 (昭和20年) - The Second World War comes to a conclusion and Japan is forced to surrender control of Taiwan.

  • 1949 (民國38年) - Chiang Kai-Shek and the government retreat to Taiwan and bring with them several million refugees displaced by the Chinese Civil War.

  • 1972 (民國61年) - Due to the reconstruction of the Erlin Police Precinct, and a lack of space caused by a number of buildings constructed around the perimeter of the Martial Arts Hall, the traditional front porch in the front of the building is removed.

  • 1976 (民國65年) - The ceiling within the building is reconstructed and modern lighting is installed within the interior.

  • 1999 (民國88年) - Due to a lack of office space within the Erlin Police Precinct, the Martial Arts Hall starts being used as an administrative space for the local police.

  • 2004 (民國93年) - The Martial Arts Hall is officially recognized as a Changhua County Protected Heritage Site (彰化縣歷史建築)

  • 2007 (民國96年) - All of the buildings that were constructed around the Martial Arts Hall are carefully demolished, allowing the hall to be viewed by the general public for the first time in decades.

  • 2023 (民國112年) - Restoration of the building is set to get underway with public funds allocated for the creation of a culture park with a focus on the Martial Arts Hall.

Architectural Design

Over the year or two, I’ve written about two of Taiwan’s other smaller Martial Arts Halls, the Taichung Martial Arts Hall (臺中刑務所演武場) and the Hsinchu Prison Martial Arts Hall (新竹少年刑務所演武場), which share a number of similarities with this hall with regard to its architectural design. Each of the three buildings were constructed in the early 1930s, and although two of them were used as extensions of the Japanese-era prison system, in a lot of ways the other two restored halls offer a glimpse into how the Erlin Martial Arts Hall might appear when it is restored. So, today I’ll start by describing their similarities and end with their subtle differences.

One of the defining characteristics of the early Showa-era, the architectural design of these Martial Arts Hall was at heart, traditionally Japanese, but there were also considered east-west fusion-style buildings (和洋混合風格). Constructed with a mixture of brick, wood and reinforced concrete, the hall was constructed during a period of the colonial era where the colonial government had learned through trial and error that any building constructed in Taiwan would have to be able to withstand earthquakes, typhoons and termites. This approach led to traditional Japanese-style buildings having to adapt to a bit of modernity in order to ensure their longevity.

Nevertheless, keeping with tradition, the hall was designed using the irimoya-zukuri (入母屋造 / いりもやづくり) style of architectural design. I’m sure not a lot of you are very familiar with the term, so what that means is that the design features a variation of the ‘hip-and-gable’ roof. Similarly, the base of the building, known as the ‘moya’ (母屋) was constructed in a way that even though it is much smaller than the roof, it is easily able to support its massive weight.

Suffice to say, if you’ve ever seen a Japanese building with a roof that eclipses the size of the base by quite a bit, it’s very likely designed in the irimoya-style, or at least in one of its variations.

Similar to the two buildings mentioned above, the exterior of the building consists of washed stone, giving each of them their beige-like color. Likewise, given that these halls required bouncy floors, it was constructed with elevated footings that featured an intricate system of springs below the floor (彈簧地板), which allowed it to better absorb the shock of people constantly being thrown around while practicing Judo.

The original network of springs installed beneath the floor of the building.

The elevated base featured a number of covered ventilation holes, which would have allowed people to climb under to repair any broken springs, while also keeping animals and termites out.

Despite being considerably smaller than the two halls mentioned above, another one of their design similarities is that the mixture of brick and reinforced concrete allowed for a number of large wooden-panel glass windows on every side of the building.

Even though access to the building has been blocked off, blue prints show that its design is essentially the same as every other Martial Arts Hall in Taiwan. The interior space was partitioned into two sides, with the west side reserved for Judo and the east side for Kendo.

Located in the center-rear of the room (directly facing the front door) you would have found a small space reserved for a shrine (神龕), and likely some decorative additions in addition to any trophies or awards won by members of the dojo. 

Interior floor space of the Martial Arts Hall

Now, let’s talk about two of the most important design differences from this hall, and the two mentioned above. Both of which, I’m sure you’ll agree make this one considerably more beautiful than the other two.

First, let’s start out with the piece that’s missing, the front porch. Known in Japan as a ‘kurumayose porch’ (車寄 / くるまよせ) porch, it was essentially a beautifully designed covered-porch that opened up to the front door of the hall. This particular design feature is a popular style of design indicative of Japanese architecture dating back to the Heian Period (平安時代) from 794-1185. While these porches are more commonly associated with Japanese castles, temples, and shrines, its inclusion makes the building stand out a lot more thanks to its addition.

As is the case with this style of porch, it blended in really well with the roof, creating a beautiful 3D-like curvy design. Sadly, as I mentioned earlier, it was removed in 1972 to make way for the construction of a building in front of the hall. On the other hand, we’re actually quite fortunate (compared to the Hsinchu Prison Hall) in that there are both well-preserved blue prints and photos of this hall, which should make reconstructing the porch relatively easy when the time comes.

The most obvious design difference between the Erlin Martial Arts Hall and the other two is with the design of the roof - In this case, the roof is the more traditionally designed and aesthetically-pleasing of the three, giving the building a lot of character. Amazingly, after almost a century, and the demolition of the buildings that surrounded the hall in 2008, the roof remains in pretty good shape.

Expanding on my explanation of irimoya-design earlier, the iconic ‘hip-and-gable roof’ that comes with this design doesn’t necessarily mean that the roof of each building constructed in this style will always appear the same. Introduced to Japan in the sixth century, a number of variations have appeared over the years, making the specific shape of the ‘hip’ and the ‘gable’ important.

Link: Irimoya-zukuri (JAANUS) | East Asian Hip-and-Gable Roof (Wiki)

In this case we have a combination of kirizuma-zukuri (切妻造) and yosemune-zukuri (寄棟造), which is essentially a fusion of a ‘two-sided’ upper ‘hip’ section and a four-sided’ lower ‘gable’ section.

Looking directly from the front, the two-sided hip section of the roof, which is designed to look like the Chinese character “入,” or an ‘open book’, rises to its apex, and extends beyond the base of the building at the bottom. Supporting that part of the roof is the four-sided gable section below, which covers the base of the building and is where you’ll find the majority of the roof trusses that help to distribute the weight of the upper section and keep everything stabilized.

The shape of the roof however is not the only complicated part of its design. There are also a number of decorative elements that also play a very functional role. Using a diagram provided below, I’ll explain each of these important pieces and their purpose.

  1. Hiragawara (平瓦 / ひらがわら) - A type of arc-shaped clay roofing tile.

  2. Munagawara (棟瓦 / むながわらあ) - Ridge tiles used to cover the apex of the roof.

  3. Onigawara (鬼瓦 / おにがわら) - Decorative roof tiles found at the ends of a main ridge.

  4. Nokigawara (軒瓦 / のきがわら) - The roof tiles placed along the eaves lines.

  5. Noshigawara (熨斗瓦 / のしがわら) - Thick rectangular tiles located under ridge tiles.

  6. Sodegawara (袖瓦 / そでがわら) - Cylindrical sleeve tiles

  7. Tsuma (妻 / つま) - The triangular-shaped parts of the gable on the roof under the ridge.

  8. Hafu (破風板 / はふいた) - Bargeboards that lay flat against the ridge ends to finish the gable.

Link: 台灣日式建築的屋瓦 (空間母語文化藝術基金會) 

Finally, two of the special features with regard to the roof and its decorative elements are the ‘onigawara’ end tiles, which are beautifully decorated with the Chinese character for ‘budo’ (武), which is a bit of a deviation from tradition, but makes the building more easily identifiable.

Likewise, within the triangular ‘tsuma’ (妻) on the east and west ends of the roof, you’ll find what is known as gegyo (懸魚 / げぎょ), which are simply decorative wooden boards in the shape of a ‘hanging fish’ that are used as charms against fire, similar to porcelain dragons you’ll find on the roofs of Taiwanese temples.

Unfortunately, with the restoration of the building yet to take place, the missing front porch, and the inability to gain access to the interior, it’s difficult to say much else with regard to the buildings architectural and interior design.

I might be beating a dead horse here, but I’m eagerly anticipating visiting the area again in the relatively near future to check out the fully restored building. Fortunately, as I mentioned earlier, the original blueprints and designs for the hall have been well-preserved, and there are also a number of historic photos of both the exterior and interior that will greatly assist the restoration team when the time comes. So I’m very much looking forward to the future of this hall, which should be a bright one!

Getting There

 

Address: No. 110, Section 5, Douyuan Rd, Erlin Township, Changhua County (彰化縣二林鎮斗苑路五段110號)

GPS: 23.899570, 120.369830

Erlin Village (二林鎮) is located in south-western Changhua County (彰化縣), close to the border with Yunlin County (雲林縣). Considered a relatively rural town, getting there through public transportation certainly won’t be as convenient as it would be for somewhere like Lugang (鹿港).

It is not impossible though, so if you don’t have access to your own method of transportation, you still have some options.

If you have your own method of transportation, I’m not going to spend too much time offering directions here. Simply input the address or the GPS coordinates provided above into your GPS or Google Maps, and you’ll have your route mapped out quite easily for you.

Public Transportation

While getting to Erlin might be a bit confusing for some, one of the best things about taking public transportation to the area is that the local bus station is located directly next door to the Martial Arts Hall.

There are, of course a number of options for getting to the area, but you’re probably going to have to use a combination of train and bus to get there more conveniently. Below, I’ll provide explanations for how to get to Erlin from each of the closest train stations.

Link: Erlin Bus Station Timetable (員林客運)

Changhua Train Station (彰化車站)

From Changhua Train Station you’ll transfer to Yuanlin Bus (員林客運) bus #6713 or #6714. The shuttle bus doesn’t come that frequently, so you’ll want to be mindful of the time when you go.

From Changhua Station you also have the option of taking Changhua Bus #19 (彰化客運) directly to Erlin, but there are only ten departures per day, so, once again, you’ll want to keep track of the schedule, especially when you’re in Erlin so you won’t miss your bus back to wherever you’re headed.

Link: Yuanlin Bus #6713/6714 schedule | Changhua Bus #19 (彰化 - 二林)

Yuanlin Train Station (員林車站)

Located to the south of Changhua Train Station, your next option is to take the train to Yuanlin Train Station (員林車站) and from there taking Yuanlin Bus #6707 to Erlin. There are only a few shuttles every day, though, so this is probably not your best option.

Link: Yuanlin Bus #6707 (員林 - 二林)

Tianzhong Train Station (田中車站)

If you’re traveling north into Changhua, stopping at Tianzhong Train Station (田中車站) is one of your first options for getting to Erlin. From the station you’ll transfer to Yuanlin Bus (員林客運) bus #6709. However, the shuttle bus comes even less frequently than the option above, so you’ll want to be mindful of the time when you go.

Link: Yuanlin Bus #6709 (田中 - 二林)

Changhua High Speed Rail Station (彰化高鐵站)

Despite being named “Changhua” Station, the High Speed Rail station isn’t actually located within Changhua City, it’s located within Tianzhong Village (田中鎮). If you’re coming from a much further distance, the High Speed Rail is a pretty good option for getting to the area, but you’ll have to transfer from the HSR Station to a shuttle bus that takes you Tianzhong Train Station, and then you’ll follow the directions above and take Bus #6709.


Obviously, as it stands right now, I can't really recommend a trip all the way out to Erlin to see the Martial Arts Hall. There are of course a few other interesting tourist destinations in Erlin, but if you find yourself in Changhua, there are probably some better places for you to spend your time.

Hopefully though, at some point the ownership issues will be resolved and the government can start restoring the Hall to its original condition. When that time finally arrives, I'll make another trip down to check it out and will quickly update this article.

References

  1. 二林武德殿 (Wiki)

  2. 臺灣的武德殿 (Wiki)

  3. 二林鎮 | 彰化縣 (Wiki)

  4. 武德會與武德殿 (陳信安)

  5. 二林武德殿 (國家文化資產網)

  6. 彰化-二林 武德殿 (Just a Balcony)

  7. 二林武德殿:日本武士精神的遺跡 (京築居)

  8. 失而复得的大唐建筑-台湾武德殿 (Willie Chen)

  9. 台灣武德殿發展之研究 (黃馨慧)

  10. 武德殿研究成果報告 (高雄市政府文化局)

  11. 二林武德殿調查研究暨修復計畫 (黃俊銘 / 中原大學)


Changhua Sea-Shell Temple (彰化貝殼廟)

One of the benefits of being a foreigner here in Taiwan is that I have somewhat of an advantage over my local friends when it comes to not getting freaked out by the multitude of scary supernatural things that they worry about on a daily basis. Superstition is a real thing here and from a young age people are conditioned to do a lot of quirky things that might make you scratch your head.

I’m pretty sure the only thing I grew up being afraid of was clowns. 

When I explore abandoned buildings or weird temples, my friends often ask how I could be so ‘brave’ to visit these places. I’ve never considered it to be a question of whether or not I was being courageous, I just assumed that the difference was that I was brought up in a different culture and the things that bother people here don’t bother me at all.

On the other hand if a clown suddenly jumped out in front of me on a dark street, I’m sure they probably wouldn’t understand why I ran away screaming.

That being said, I have to admit that there are times when I do get freaked out. 

There have been a few such occasions. 

The first time was when I was exploring an abandoned Military Village (眷村) with my good friend Alexander Synaptic. As I walked into one of the abandoned homes, no less than a half-dozen Huntsmen Spiders dropped down from above the door frame and separated the two of us - I wasn’t sure I was going to make it out alive.

If you don’t know what a Huntsmen spider is, count yourself lucky. They’re bigger than my hand and you can see their eyes moving around. Gross.

Coincidentally, the second time I got freaked out was also thanks to Alexander. 

I’m starting to sense a pattern.

A few months ago I wrote about the Sanzhi Seashell Temple on Taiwan’s northern coast. Shortly after Alex mentioned to me that there was another seashell temple in Taiwan and it was even cooler than the one in Sanzhi. He also mentioned that it was one of his favourite temples. In the back of my mind I knew that for a temple to be on the top of his list, it would have to be “special” but I figured I should probably find some time to visit anyway. 

When I did visit, I ended up finding myself a bit weirded out. 

The Changhua Seashell Temple certainly isn’t what you’d consider a typical Taiwanese place of worship, but it is one that has the ability to freak out locals (and foreigners alike) and acts as a bit of a strange tourist attraction for those brave enough to visit.  

The Changhua Sea Shell Temple (彰化貝殼廟)

The so-called “Changhua Sea Shell Temple”, is actually just the nickname given to the “Sanqing Sanyuan Temple” (三清三元宮) which is located conveniently just across the river from the popular tourist town of Lukang (鹿港). The temple is the earliest of Taiwan’s “Sea Shell Temples” (貝殼廟) and like Taichung’s Rainbow Village is the work of a single man who brought his dreams to life. 

Constructed by a local man named Huang Chi-Chun (黃奇春), the temple took several decades to complete.

Having previously spent much of his youth working in Taipei, Mr. Huang returned to his childhood home in Changhua in 1978 (民國67年), bought some land and as one does, got himself into the tropical fish farming business.

The thing is though, Mr. Huang was a high school dropout and after working his whole life to provide for his family, purchasing land and starting a business was no small matter. Fortunately his fish farming business was a relatively successful venture and his retirement savings weren’t completely wasted. 

I’m sure when Mr. Huang purchased the land that he got it for a really good price. It was after all situated next to a cemetery. I’m also sure that his friends and family would have reminded him about the hazards of purchasing the land, but it would seem that he was a bit of a quirky guy, so he didn’t really pay much attention to the warnings. 

Shortly after opening his fish farm, Mr. Huang started having strange dreams where images of a mysterious underwater temple appeared to him almost every night. Memories of his days as a soldier also often appeared in his dreams and in particular he tells of a vivid recollection of a time when a ranking officer gifted him with statues of the “Three Pure Ones” (三清道祖). 

Link: The Three Pure Ones (Wiki) - 中文 / English

The frequency of the dreams convinced Mr. Huang that something supernatural was taking place and that his visions were telling him that it was his responsibility to construct the temple exactly as it appeared in his dreams.

Interestingly Mr. Huang claims that once the temple was completed his dreams suddenly stopped, which he took as a message of divine gratitude for the work he had spent decades to complete.

Like Noah who constructed the Ark, Mr. Huang had little experience in temple design or building techniques, so the construction of the temple required a bit of divine assistance. Save for hiring a few workers to help him construct the foundation of the temple, the rest of the temple was completed single-handedly between 1978 and 1993 when it was (roughly) finished. 

To construct the temple, Mr. Huang collected several species of mollusc shells from nearby waters (Specifically: 唐冠螺, 鐘螺, 錐螺, 蠑螺, 寶螺, 玉螺, 鳳凰螺, 海兔螺, 法螺, 貝殼) and purchased a large amount of sandstone from Hengchun (恆春) in the south of Taiwan. 

To fix the seashells to the walls, Mr. Huang first connected them together with a network of wires and then molded them into the walls with the sandstone - which is notable for its relatively soft nature and the ease of carving it into various designs. 

The temple sits on 200 square meters of land but is actually just a small part of a larger complex that consists of Mr. Huang’s fish farm, a seashell shop and what looks like a failed attempt at creating a restaurant - oh and of course the grave of his wife is inside as well. 

As you drive down the narrow country road to the temple you can’t help to notice the odd shape of the exterior as you approach. The exterior which is almost castle-like is covered in white seashells that have turned a shade of yellow or black due to exposure to the sun and pollution.

Near the front gate you’ll find a parking lot that sits between directly between the temple and the cemetery on the other side. 

Something you’ll note as soon as you step out of your car is that the area is infested with insects - This shouldn’t really be a huge surprise though considering the temple is located on farmland, next to a fish farm and a million sea shells. 

The entrance to the temple is probably one of the most attractive parts of the whole complex (at least in my opinion). The gate has a traditional round door adorned with seashells on the sides. There is a wooden plaque above the entrance with really cool Chinese calligraphy indicating the name of the temple and porcelain images of gods on top of the arch. The gate is also somewhat shrouded in greenery with trees and plants on both sides giving it somewhat of a natural look as you enter.  

Once you pass through the gate, you will be immediately met with an incense urn and a walkway that is lined with creepy-looking figures on one layer and more recognizable local deities on the layer above.

The nightmare-inducing human-like figures that line the walls on both sides of the walkway are made even creepier thanks to the intricate coral decorations behind them that look eerily similar to bones.

As you approach the Main Hall of the temple, you’ll walk next to four pillars decorated with large sea-shells that lead to the roofed part of the temple. Like the rest of the temple, the roof is intricately decorated but it a bit hard to see given the angle of the walkway that leads up to it. 

After you’ve passed the four pillars you’ll notice that there is a walkway on the left and right with even more sea-shell designs. Before you enter the Main Hall its a good idea to walk around the perimeter of the exterior of the hall to check out the murals of dragons, phoenixes and other mythical creates that Mr. Huang created using sea shells and coral.

The whole thing is surreal and reminded me of some of the awkward 1980’s style designs that I saw at the abandoned amusement park in Taoyuan.

The entrance to the Main Hall is similar to the main gate, however the door here is octagonal (八卦) and has dragon pillars on either side. The plaque above the door likewise uses the same style of Chinese typography as the entrance, but this time it is written horizontally with the words “Sanqing Sanyuan Temple” (三清三元宮). 

When you enter the Main Hall of the temple you’ll suddenly realize that there is a distinct lack of sea shells or coral and it would seem the whole underwater theme got thrown out the window.

The Main Hall is dark, smoky, full of dust and somewhat unkept.

For local visitors, its customary to pay respects to the deities enshrined inside, but as far as temples go, the whole set up is a bit odd. There is only one shrine, and its littered with a bunch of randomly placed statues surrounding the “Three Pure Ones” (三清道祖). Offhand I recognized the Earth God (福德正神), Guanyin (觀音菩薩) and Kuixing (魁星).

Now here’s where things get a bit creepy. 

While I was inside the shrine room attempting to take photos in the dark, the caretaker lady who runs the place came in and told me that it was closing time. She informed me that she already closed the gate behind me, so I’d have to exit through the basement. 

So here I am in this weird temple next to a cemetery that is infested with insects and the lady is telling me that I need to go through the basement to exit.

If you’re not already aware, basements aren’t really all that common here in Taiwan, so the fact that I’d have to “exit” through the basement was a bit weird. Not only that, the stairs down to the basement were strangely steep and narrow and at the bottom the lightbulbs were neon red. 

I was pretty sure I was about to get murdered. 

Fortunately Taiwan is a pretty safe place, so I sucked it up and walked down the stairs which opened up to a weird hallway with more neon lights on the walls as well as more of Mr. Huang’s sea shell art.

After checking out some of the murals, I decided it was about time to get my ass out of there.

After a minute or two of walking down the hallway it opened up to a large area where you can buy sea shells and check out the fish farm. By that time though, I wasn’t really very interested in sticking around any longer.

It was getting dark, I had to get my rental scooter back to Changhua City and hop on the train back home.

There are a lot of reasons why this place is likely to freak people out. It’s not your typical temple, but then again, there are quite a few flamboyant places of worship constructed by ‘imaginative’ people around the world, so who am I to criticize this guy’s life’s work and his art? 

I visited and got out alive, so I can’t really complain, right? 

Getting There

 

Address: 彰化縣福興鄉福南村振興巷10-1號

Getting to the temple isn’t really that difficult if you have access to Google Maps, but in this case you’re unfortunately not going to be able to rely on public transportation to get there. 

If you’d like to visit, the temple is a short distance away from the popular tourist town of Lukang (鹿港). To get there you simply cross the river that takes you into Fuxing Township and then follow Fusan Road (福三路) until you reach Zhengxing Alley (振興巷). From there you’ll turn and drive down a narrow road until you reach the temple.

The best way to get there is to either ride a scooter, drive a car, take a taxi or ride a Youbike. You can easily find YouBikes in Lukang and the ride to the temple is less than two kilometres, so it shouldn’t take you too long.

If I were to compare the two sea shell temples, it would be easy to say that the temple in New Taipei is the clear winner when it comes to beauty. That however wouldn’t take into consideration that the temple had a team of artisans and copious amounts of cash thrown at it. This temple on the other hand was fully funded, designed and constructed by a single man who used his ingenuity and several decades of his life to make it into what it is today. 

While I don’t particularly understand the necessity of a temple full of dead aquatic life ripped from the ocean, there’s not much I can say now that its been completed. Religion makes people do weird things sometimes and while this temple might be a bit creepy, a bit haunted, or whatever else you’d like to say, its also an interesting look into the creativity of a man whose work I suppose you could compare to the work Gaudi did on Barcelona’s Sagrada Familia - and if thats the case, I guess you could say that’s quite the compliment. 

Whether or not you should visit is up to you. It is a weird and wonderful place and if you’re looking for something different, this is one that you’ll not want to miss.


Lukang Longshan Temple (鹿港龍山寺)

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When planning a trip to Taiwan, one of the stops that is always high on the list of places to visit is Taipei’s historic Longshan Temple - and for good reason - the bustling temple in the city’s historic Wanhua District (萬華區) offers tourists a first-hand experience with the vibrancy of Taiwanese religion, culture and the traditional architecture that is considered ‘exotic’ by a lot of foreign visitors.

What though do those tourists who are able to invest a bit more time exploring Taiwan do?

Well, they get out of Taipei and head south - Then they visit the ‘other’ Longshan Temple.

Yes, there is more than one Longshan Temple. (There are a handful of them actually)

Taipei’s Longshan Temple tends to be the busiest of the lot, but that is really only because it is conveniently located within the capital and is easily accessible thanks to the amazing MRT system. Don’t get me wrong, it is an amazing place to visit - I’ve been there a hundred times and I’ll probably go a hundred more times.

But, (yes, there is a but) Taiwan’s first “Longshan Temple”, the most historic of the group, not only stands out as one of the most attractive of the bunch - it is also regarded as one of the most beautiful temples in the whole of Taiwan as well as one of the best remaining examples of a building constructed during the Qing dynasty with traditional Fujian-style architecture.

Located in the historic village of Lukang (鹿港), the temple is just one of the many amazing destinations the small coastal village has to offer. Needless to say, if you haven’t heard of Lukang, you really should take some time to check it out. What might seem a small village in the middle of no where is actually an action packed day trip with some of the coolest historic sites you’re going to see in Taiwan. This is why it has become such a popular destination for both domestic and foreign tourists alike. Lukang is a village that has been frozen in time and provides visitors with an amazing snapshot of what the Taiwan of olde was like.

Longshan Temples of Taiwan

The Longshan Temples of Taiwan have a history that is directly related to the early migration of Hokkien Chinese settlers from China’s Fujian Province (福建省). Starting in the early 1600’s, due to the political instability of the Ming Dynasty (明朝), many people hailing from the Fujian and Guangdong (廣東省) areas made the decision to emigrate across the Taiwan strait and throughout various parts of South East Asia.

In Taiwan’s case, the Hokkien people sought to make a go of it in what was a very under-developed land bringing with them only their language, culture, cuisine and folk religion as well as what little possessions they could fit on the boat.

The original Longshan Temple, constructed during the Tang Dynasty (唐朝) somewhere between 618-619, received its name thanks to its location on “Longshan” (龍山) or Dragon Mountain in Anhai, Fujian.

The original, like every other ‘Longshan Temple’ that followed is dedicated to the Buddha of Compassion, whom in the Chinese Buddhist tradition takes the form of Guanyin (觀音菩薩), a female Buddha.

  • Non-Chinese Buddhists are likely more familiar with Tibet’s Buddha of Compassion who appears in human form as the Dalai Lama.

Here in Taiwan, the tradition that these temples would be dedicated to Guanyin has continued, but as the centuries have passed they started to accommodate Taoist and local folk-religion deities as well - many of whom also happen to hail from the Fujian region.

Even though you can now find several deities housed within Taiwan’s various Longshan Temples, the fact remains that essence of religious worship that takes place within is rooted in Chinese Zen Buddhist tradition.

Something that I can’t underscore enough about the religious experience in Taiwan compared to the west is that temples here have the ability to house gods from what are considered to be ‘different’ religions yet there are never any problems that arise from this. The religious experience here is one of tolerance and should certainly act as a model for those around the world who would use their beliefs to cause harm to others.

Today there are five temples in Taiwan with histories that date between 160 - 370 years which were all constructed during the Qing dynasty.

Lugang Longshan Temple (鹿港龍山寺) - 1647

Tainan Longshan Temple (台南龍山寺) - 1715

Monga Longshan Temple (艋舺龍山寺) - 1738

Fengshan Longshan Temple (鳳山龍山寺) - 1765

Tamsui Longshan Temple (淡水龍山寺) - 1858

Daxi Longshan Temple (大溪龍山寺) - 1868

Each of the temples differs in its design, but they all share a similar history and purpose making the Longshan Temple’s of Taiwan an important place of worship and of course, historical value.

Lukang Longshan Temple (鹿港龍山寺)

The oldest of all of the Longshan Temple’s in Taiwan is located in Changhua County’s Lukang Village - With a history that is said to date back to 1647. and is considered to be one of the most historic in all of Taiwan.

Something I’ve learned over the past few years though is to take some of these historical “facts” with a grain of salt.

Does the Lukang Longshan Temple in fact date back to 1647? Technically yes and technically no.

The history of a ‘Longshan Temple’ in the area most certainly dates back to the mid-1600s. However that history doesn’t necessarily relate to building that we see today. The original was actually a much smaller shrine, in another part of the village and was constructed solely to house a statue of Guanyin that was brought to Taiwan from the original Longshan Temple.

The temple we see today moved to its current location in 1786 and since then has been expanded upon, renovated and restored on several different occasions with reconstructions in the 1800s forming the basis of the structure that we continue to enjoy today.

So, while it may not be as old as advertised, Its still quite old.

History

To make things a bit clearer, I’ve gone ahead and translated some of the more important historical events over the temple’s long history:

  • 1647 - Immigrants from Quanzhou (泉州) bring a statue of Guanyin from the original Longshan Temple in Fujian on the voyage across the Taiwan strait and set up a small shrine on what is now a small alley near Dayou Street (大有街).

  • 1786 - The original shrine moves to its current location across town on a larger plot of land.

  • 1798 - After only a decade the newly constructed temple turns out to be far too popular and needs to be expanded to accommodate the amount of people who visit. The expansion sets in stone (literally) the layout for the temple which confines the complex to the 5,300 square meter plot of land that we still see today.

  • 1897 - Two years after the Japanese Colonial Era began, the Japanese authorities rented out the rear hall of the temple to create a Pure Land Buddhist (浄土仏教) shrine to accommodate Japanese Buddhists who lived in the area. Part of the temple is also used as a school for teaching the Japanese language to the local people.

  • 1904 - The temple joins a network of Pure Land Temples (淨土真宗本願寺派 / じょうどしんしゅうほんがんじは) and the Guanyin statue is relocated to the Rear Hall and replaced with a statue of Amida (阿彌陀佛) in the Main Hall.

  • 1921 - In what would become one of the worst tragedies in Lukang history, a fire completely destroys the Rear Hall of the temple taking with it the historic statue of Guanyin.

  • 1938 - Reconstruction of the Rear Hall is completed.

  • 1961 - Sixteen years after the Japanese Colonial Era ended, it is decided that the Main Shrine of the temple would revert back to Guanyin and the statue of Amida would be moved to the Rear Hall.

  • 1983 - The temple is awarded the designation as a ‘First Class National Historic Site’ (國家第一級古蹟) making it a protected historic building.

  • 1999 - On September 21st the powerful Jiji Earthquake (集集大地震) rocked Taiwan and created mass destruction all over the country. The temple was badly damaged as a result of the quake, so another massive reconstruction project is started to repair the damage.

  • 2002 - Reconstruction project is completed.

  • 2005 - Josh visits for the first time and falls in love (with the temple).

Design

When most people talk about the Lukang Longshan Temple, they only briefly mention the temple’s long history - Numbers are thrown out and people nod their heads and think “cool”, because when it comes to this temple, its not its age that really matters.

This temple is often described as one of the best remaining examples of Southern Fujian Qing-style architecture remaining in Taiwan. Does the average tourist really understand what any of that means though?

When you walk around the temple you don’t really have to really understand the complexities of historic architecture to realize that this temple is a masterpiece of design.

Interestingly though, whenever you search for “Southern Fujian Architecture” or “Hokkien Architecture” (閩南風格) most of the search results will feature a photo of the temple as the prime example of the characteristics of this style of architecture.

Hokkien-style architecture shares many similarities with other styles of Chinese architecture but there are of course several different ways that make buildings constructed in this style distinctive from others. First, the material used to construct this style of building is usually a mixture of red brick and wood. For most commoners in China, the usage of the colour red was frowned upon because “red” was typically reserved for imperial buildings. The Hokkien people it seems didn’t really care much about that though.

Swallowtail Roof

Another important characteristic is the “Swallowtail Roof” (燕尾脊) which refers to having a roof with an ‘upward-curving ridge’ shaped like the tail of a swallow. This design tends to vary in terms of the degree of the curve as well the number of layers on the roof but is something quite common throughout Taiwan.

Finally, to compliment the swallowtail roof designs, the Hokkien style often includes colourful porcelain carvings (剪瓷雕) which became common not only on the roofs of temples but also homes and ancestral shrines as well. The porcelain designs range from plants and animals to mystical creatures from Chinese mythology including dragons and phoenixes.

As one of the most well-preserved temples of its kind, the Lukang Longshan Temple combines all three of these architectural designs with beautiful red brick, swallowtail designed roofs on the main halls and gates and expertly crafted porcelain figures decorating the buildings.

The temple also follows the traditional ‘Three-Hall-Two-Courtyard’ design (三進二院) which refers to the three halls - The Front Hall (五門殿), Main Hall (正殿) and the Rear Hall (後殿) which are separated by the front courtyard and the rear courtyard and surrounded by passage ways on the perimeter of the building.

If you take a look at the diagram above, you may discover that the temple is constructed to resemble the Chinese Character “日“ which translates into English as either “sun” or “day”.

You could easily spend hours of your day enjoying the minutia and intricate designs of this temple, so I hope the following descriptions of each section helps to point out some of the things that you should pay close attention to when you visit.

Even if you can’t read Mandarin, I recommend checking out this site to see some historic photos of the temple as well as some sketches that beautifully illustrate the layout of the temple.

The Main Gate (山門)

The Main Gate of the temple, often referred to as the “Mountain Gate” (山門) is one of the most impressive you’ll see in Taiwan. The courtyard in front of the gate is decorated with red lanterns that lead up to the beautifully constructed wooden gate. Between the layers on the roof is a plaque that reads “Longshan Temple” (龍山寺). There are also red lanterns hanging off of the layer below that read “Lukang Longshan Temple” (鹿港龍山寺).

Not only is the gate held up on the front end by wooden pillars, it is also connected to a brick base that forms the entrance and also part of the wall that surrounds the entire perimeter of the temple.

The Main Gate is not only impressive from a distance but when you get close enough you can easily see the mastery it took to design such an intricate roof with the pillars holding the gate up.

Before entering the temple make sure to take some time to stand under the gate looking up at the beautiful work and all of its intricate pieces.

Paper Incinerator (惜字塔)

In the front square before you enter the temple quietly sits a relic of the past that isn’t widely talked about in English-language articles. What looks like a simple brick tower is actually a paper-burning incinerator that is of cultural and historic significance.

To describe it simply, Taiwan is a very humid place which makes it easy for things (like paper) to rot or become moldy. Before we had dehumidifiers and air conditioners people had little recourse to preserve the books they had, so as a show of respect for the written word, when people finished reading something they wouldn’t just leave it around. Likewise, throwing books in the garbage was simply not an option, so they took the book to an incinerator like this one and burnt it so that the words would live on in eternity.

I know, it sounds weird, right?

This practice was especially common with the Hakka people of Taiwan who constructed these special furnaces in the areas where they lived. As time went on, these towers became more and more unnecessary, so in many places around the country they’ve unfortunately been torn down.

In recent years however there has been a push to preserve them as they are of cultural and historical significance. In Taoyuan for example two of these incinerators, which are known as “Miracle Terraces” (聖蹟亭) have been restored and are open to the public as cultural shrines.

The paper incinerator at the temple looks like it hasn’t been in use for decades and sits quietly in a corner, still though, most people, including locals walk by it and don’t pay it any attention despite its historic significance.

Front Hall (五門殿)

The “Front Hall” is a actually a very simplistic term for what the main entrance of the temple actually is; In Chinese, the name translates directly as the “Five Door Hall” and is sometimes referred to as the “Five Door Portal”. No matter how you like to translate the name of the Front Hall, it consists of five doors with the three in the middle separated by four stone pillars.

Directly in front of the centre-most door is an incense cauldron with beautifully carved calligraphy on it.

On either side of the cauldron are stone pillars that have a dragon encircling the column.

On the walls you’ll find traditionally carved windows that are made out of wood and allow for the natural flow of air through the gate. On the windows you’ll find various designs including dragons, tigers, phoenixes which together symbolize prosperity and longevity.

On the interior it is important to pay attention to the ‘Door Gods’ (門神) that are painted on the doors.

When the doors are open they will face the inside of the temple and when the temple closes at night they’ll face the exterior. The ‘Door Gods’ have somewhat faded over the years but this style of artwork has started to become something of a lost art in Taiwan, so its great that we can still enjoy these.

The Door Gods on the main door in the centre represent Skanda (韋馱), the guardian of Buddhist Monasteries as well as Sangharama (伽藍), the Buddhist name for popular historical figure known as Guan Yu who is highly regarded for his ability to offer spiritual protection and grant blessings. The remaining four doors each have one of the Four Heavenly Kings (四大天王) who bestow wealth, success, peace and protection.

Theatre Pavilion (戲殿)

The ‘Theatre Pavilion’ is traditionally an area where temple performances would take place.

Temples constructed in Taiwan within the last century have (for the most part) constructed their performance stages in a separate area from the rest of the temple, usually outside of the main gates. This has allowed for larger, more mobile stages and more space for the audience, while reducing the amount of noise within the temple.

Truthfully, in all my years of temple hopping I can only count a handful of times where the Theatre Pavilion was actually constructed in such a central location in the temple.

Once you enter the Front Hall, the Theatre Pavilion is a large flat space with a spider-web caisson decorating the ceiling above it.

Few performances are held in this area anymore but the open space it provides in addition to the caisson above make it an especially grand spot that you won’t find at many other temples in Taiwan.

The Caisson (八卦藻井)

While doing research for this post I learned a new word - I’ve never actually known the English word for these so-called ‘spider web ceilings’ but whenever I see them I’m absolutely amazed by them.

In the case of this temple, the “caisson” is jaw-droppingly beautiful. There are so many adjectives that could be used to describe how beautiful the craftsmanship on this ceiling is but I’m at a loss for words - and if you have the chance to see it, I’m sure you will be too.

Known as the most beautiful “caisson” (藻井) in all of Taiwan, the “Ba-Gua ceiling” as I’d prefer to call it is an architectural masterpiece found in many East Asian temples and palaces. The reason I call it a “Ba-Gua” ceiling is because it is octagonal, a shape that has particular significance in local folk religion and culture.

Note: Bagua (八卦) refers to eight symbols in Taoism that represent the fundamental principles of reality and are interrelated with each other. At the centre of the Bagua is the Yin-Yang symbol. (Wikipedia link)

This particular caisson was constricted during the temple’s 1831 reconstruction and there are claims that it is one of the oldest of its kind in Taiwan.

A caisson is basically a sunken layered panel in a ceiling that raises above the rest of the ceiling almost as if there were a dome above it. The layers of the caisson are often beautifully decorated and with a design at the centre - in this case a beautifully painted dragon.

The most amazing thing about these caisson’s is that they are designed using expertly measured interlocking pieces that go together in a way that mean that neither beams nor nails are used to keep them together.

They just lock together to form a six-layer deep spider-web of beauty.

The Ba-Gua ceiling here commands respect and has become one of the most defining features of the temple. If you are visiting, I can’t stress it enough that you need to spend a few minutes with your head in the air appreciating the beauty and genius of this architectural masterpiece.

Worship Hall (拜殿)

To make a bit of a comparison, the Worship Hall at the temple is similar to something like the front patio of a house - It is more or less just a large covered platform that allows people to perform religious rituals without actually entering the Main Hall.

On the left and right side of the Worship hall sit a couple of century-year old trees that offer a bit of shade in front of the hall. Likewise each side of the hall has a station that allows people to light candles and incense for their prayers. In the centre there is another large incense cauldron with beautiful calligraphy carved on it. Behind the cauldron sits a large table where people can place offerings and is where you’ll often find beautiful floral decorations donated by visitors to the temple.

Of note when it comes to the design are the two stone dragon columns on either side of the incense cauldron - The columns which date back to 1852 are each carved with a dragon encircling the pillar. The dragons each have a pearl in their mouth and one in their foot while showing their fangs. The way the dragons encircle the columns make them is said to make them almost lifelike as they seem like they’re constantly in motion.

On the back of each column you’ll find the same four creatures featured in the windows of the Front Hall - A Phoenix (鳳), Qilin (麟), Crane (鶴) and Turtle (龜) - known as the ‘four spirit animals’ and together represent an idiom in Chinese (鳳毛麟趾、鶴算龜齡) that is really hard to translate to English but more or less refers to the rarity of the animals, how precious they are and the longevity of their lifespans (稀奇珍貴、祥瑞長壽) - certainly a metaphor for the temple.

Also of note are the two octagonal passageways on either side of the Worship Hall that lead to the the rear area of the temple. The passageways have become quite popular with photographers, especially wedding photographers who you might run into while touring the temple.

If you visit the temple make sure to take a few photos from the two doors as they’ve become quite iconic.

Main Hall (正殿)

To start, the roof of the Main Hall is actually quite simple; Following the same design as the other sections, the roof is a double-layered swallowtail design. On each of the tips you’ll find a dragon that is facing a pagoda in the middle.

Interestingly the Door Gods at the Main Hall mirror those of the Front Hall and consisting of the Four Heavenly Kings (四天大王), Skanda (韋馱), and Sangharama (伽藍). This time however they are painted a bit differently representing different aspects of their character. In this case they appear more ‘compassionate’ and ‘scholarly’ while they appear a bit more threatening on the outside.

Note: The scary, threatening Door Gods are considered to be “martial” (武) representations while the compassionate representations are considered ‘scholarly’ (文).

The interior of the hall is really where the design of the temple really shines - It is dark, not very well-lit and constructed with a network of stained wooden beams that hold everything up.

In the centre of the building, the ceiling rises almost a level higher than at the entrance - On the sides there are windows on both the east and west ends that allow for natural light to flow into the building offering a bit more light on the inside.

On the far right of the shrine room you’ll find statues dedicated to the Eighteen Arhats (十八羅漢), the original disciples of the Buddha. Next to them you’ll see desks nearby where there are attendants watching over the building and are there to answer any questions you may have.

The main shrine consists of several different statues of Guanyin, the Buddha of Compassion.

The largest statue is a replacement for the original that was brought to Taiwan in the 1600s. Accompanying the large image of Guanyin are several others which were carved out of wood or molded out of bronze.

Once again, to the direct left of the main shrine you’ll find martial representations of Sangharama (伽藍) and to the right Skanda (韋馱) whose purpose is to act as spiritual bodyguards for Guanyin.

You’ll also find a shrine dedicated to the Goddess of Childbirth (註生娘娘), The Monkey King (齊天大聖) and the Dragon King (龍王).

Rear Hall (後殿)

The Rear Hall of the temple is considered the youngest part of the entire complex due to the fact that it had to be rebuilt after a fire destroyed the original hall.

The new version of the hall dates back to 1938, during the Japanese Colonial Era and its design us a reflection of the era with a mixture of both Japanese and Chinese styles.

The exterior of the hall is a simple one that follows the Hokkien style of design making using of the swallowtail roof. The doors and the interior however are constructed completely of Taiwanese Cyprus and the Stone Dragon Columns are more ‘Japanese’ in design than the columns in the previous two halls.

To the sides of the Rear Hall you’ll find two round doors which used to be the dorm rooms for the temple abbot. Today the room to the right has been converted into a kitchen and the room on the left is partly used for storage and also allows guests to go to visit the back garden or the public restrooms.

On the doors of the Rear Hall you will find General’s Heng and Ha (哼哈二軍) who are mythical generals that date back to the Shang Dynasty (商朝). They’re mostly known today in their capacity as ‘Door Gods’ at Buddhist Temples.

Like the exterior, the interior of the hall is very simple in design with shrines dedicated to various Buddhist figures. In front of the shrines there is ample floor space that allows for the nuns who hold daily prayer services to take a seat on the floor.

In fact, the main reason why I don’t have many photos of the interior of the Rear Hall is due to one of the daily prayer services taking place at the same time of my visit. Even though I missed out on getting better photos of shrines inside, I did enjoy taking photos of the ladies who were busy chanting.

As mentioned above, the Rear Hall is home to several Buddhist figures which include Amida (阿彌陀佛), Sakyamuni Buddha (释迦牟尼) and the Medicine Buddha (藥師佛) - known as the ‘Three Treasures’ (三寶佛).

You’ll also find statues of Manjusri (文殊菩薩), Puxian (普賢菩薩), Jizo (地藏王菩薩), the Wind God (風神), Rain God (雨神), the God of Literature (文昌帝君) and the Zhenwu Emperor (玄天上帝).

Last but not least in the courtyard in front of the Rear Hall you’ll find an old well known as the “Dragon Stream Well” (龍泉井) which used to be where the people who lived and worked at the temple got their water. Today the well is closed up but you can still see that there is water inside.

Getting There

 

Lukang isn’t particularly a large town and is easily walkable - If you arrive in a car or on a scooter the best thing you can do is just find a parking space walk around to better explore the magic of the historic village.

Home to several historic temples, buildings, businesses as well as an old street were you can sample local delicacies, there is certainly more than enough to do while you’re in Lukang and if you plan your day well enough you should be able to explore for an entire day (or more if you have the time).

If you get tired of walking there are bicycle rental vendors all over the city - I’d recommend saving yourself some money and getting a Youbike instead. 

Lukang doesn’t have its own railway station, so if you want to visit using public transportation you have a few different options:

  1. Take a Ubus direct to the village from Taipei Bus Station ($350NT).

  2. Take a bus from Taichung - You can choose either Bus #6936 from Taichung HSR Station or Bus #6933 from Taichung Railway Station.

  3. Take a bus from Changhua - From the Changhua Railway Station you’ll find buses that frequently travel back and forth. (Buses: 6900, 6901, 6902, 6909, 6933, 6934, 6936 - Website)

  4. Take a scenic ride with a YouBike from Changhua Train Station on the six kilometre ride to Lukang - There are stations all over Changhua City as well as in Lukang to get a bike. Make sure to download the YouBike App so you’ll know where to get a bike.

Whatever method you choose to get to the village, I can’t stress it enough that once you’re there you should walk around and enjoy the quiet ambience of one of Taiwan’s most historic villages. You’ll easily be able to walk through the village and see all of the most important sites without needing a car or a scooter.

The Lukang Longshan Temple is located at “No. 81, Jinmen Street” (彰化縣鹿港鎮金門街81號) and is open to the public and to tourists everyday from 6:00am - 9:00pm.

Okay, so this post turned out much longer than I actually expected - And I really only scratched the surface when it comes to the history and design - You could write a thesis about this place and you still wouldn’t come close to describing all of the fine details. 

I suppose it is arguable whether or not Lukang‘s Longshan Temple is factually one of the “oldest” temples in Taiwan, it is however the oldest “Longshan Temple” in the country and when it comes to its beauty, it really does stand out as one of the most stunning places of worship in Taiwan. Its age and adherence to traditional architectural styles place it very high on the list of the most important historic temples to visit and I can assure you that if you do have the chance to go, you’ll certainly be glad you did.

Visiting Taipei’s Longshan Temple is obviously much more convenient for the majority of people who travel to Taiwan, but if you’re one of those people who takes a little bit of extra time to explore the country, a visit to Lukang and the many historic temples within the small village should be high on your list of things to do.